SKU: TM.05062SC
Arr. and with Chorale by Abert. Praeludium (No. 4 Wohltemperirtes Clavier). Choral (brass only). Fuga (Orgelfuge No. 12 Bachausgabe 15ter Jahrgang).
SKU: BT.WIL590
ISBN 9789043165822.
SKU: BT.ESZ-00539700
SKU: HL.14005545
SKU: UT.XXS-48
ISBN 9790215309395. 9 x 12 inches.
SKU: HL.48188437
Fugain Vidalin Chansons De Notre Temps Pj454 Le Printemps 3 Or 4 Part.
SKU: BT.ESZ-00430300
SKU: NR.17743
SKU: CL.012-1817-01
A thematically derived work developed fugally, ascending to climactic moments, and then subsid ing in melodious contrast. This serious contest oriented piece ends with an extended ostinato.
About Bach Series arranged by Alfred Reed
Masterful settings for concert band by the venerable Alfred Reed, these works have been scored to achieve richness and beauty without detracting from the textural construction created by Bach himself. Marvelous educational and program material!
SKU: SU.80101448
This is a collection of 17 short organ pieces of varied characters that were composed over a period of years. Some works are contemporary views of early music styles and forms, and a number can be played on a positive organ or with manuals only. All are useful as service voluntaries or as recital selections. Contains: Bryn Mawr Voluntary, Cornet Voluntary, Partita semplice, Pastorella acustica, Canto e Fugato, Canto quieto, Deux petits preludes, Lighthouse Song, Passacaglia semplice, Kleine Spielmusik, Diapason Voluntary, Preludio, Rondelet, Roundelay, Paulus-Praeludium, Tambourin, and Three Enigmas. Instrumentation: Organ Duration: 2012-19 Composed: 75' Published by: Zimbel Press.
SKU: HL.14031827
ISBN 9788759871089. Danish-English.
Preface The three movements of the quartet may be perceived as three different expressions of an unstable core: an inherent unrest leads to frequent changes of direction. The first movement is full of dramatic contrasts: it is followed by a second movement, whose basic mood of meditative rest is challenged by occasional centrifugal utbursts, while the third movement takes the inherent conflicts to a higher level, contrasting material of introspective lyricism with excessively pathetic moods. The final way out is a retrograde one, (back) into the source: through a constant accelerando-diminuendo the piece disappears into a vanishing point. The into the source of the titlemay be visualized as a reversed fountain-action: the broad fan-like spread of the first movement, a more coherent-solid second movement, and finally - in the third movement - a return-run, ever more vehemently, like a suction into the spring itself ... The musical motifs are varied: there are traffic-situations (which I heard!) with stomping and machine-like rhythms in different, but simultaneous tempi, and there are more abstract upwards and downwards half-tone-scales, with changing accents, creating glimpses of melodies. INTO THE SOURCE, String Quartet No. 9, was composed on a double-commission from the Orion Quartet and the Vertavo Quartet. The premiere performances took places in Santa Fe in 2002 and in Oslo in 2003. Per Norgard.