SKU: HL.333141
ISBN 9781568527628. UPC: 884088536169. 9.75x14.0x0.756 inches. Text by Dick Boak Foreword by Steve Miller Introduction by C.F. Martin IV.
Martin guitars are internationally revered, collected and played by performers, singers, songwriters and by legions of avid collectors and enthusiasts. This book features more than a hundred of Martin's most desirable guitars, including instruments belonging to Bob Dylan, Willie Nelson, Joan Baez, Sting and Eric Clapton. Dick Boak enthusiastically outlines his experiences as liaison in these collaborations. We also get a sneak preview of Martin's millionth instrument, due in 2004. Dick Boak is the head of artist relations and publicity at C.F. Martin & Co., collaborating with artists in the design of their Limited Edition and Signature Models. A prolific artist, luthier and musician in his own right, he is a founder of the Association of Stringed Instrument Artisans, and has organized numerous national instrument-making symposiums.
SKU: HL.193129
UPC: 888680637804. 6.75x10.5x0.036 inches.
From the Americana-infused score of Bright Star, Broadway musical by Steve Martin and Edie Brickell, this cheerful bluegrass number will be a light-hearted celebration of harmony and joy, filled with warm vocals and toe-tapping rhythms.
SKU: RM.STEV03589-PK
SKU: RM.STEV03589-CO
SKU: HL.200893
UPC: 888680652159. 6.75x10.5 inches.
Your women's choir will enjoy the playful text, upbeat clapping, and the brilliant sound of an authentic bluegrass band in this song by Steve Martin and Edie Brickell. An ideal concert change-of-pace or encore, this arrangement is flexible in terms of instrumentation.
SKU: RM.GREN05596-CO
SKU: RM.GREN05596-BA
ISBN 9790231055962.
SKU: RM.BA01231400-BA
SKU: CF.BE24
ISBN 9781491156780. UPC: 680160915323. 9 x 12 inches. La.
Based on Wallace Stevens' poem The Planet on the Table this string quartet's world is made of the music and sounds of remembered times or of something heard that the composer, Martin Bresnick, liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems as a point of departure or pathway into those remembered sounds and music. What matters is that my music, like his (Stevens') poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part..Wallace Stevens' poem The Planet on the Table begins - Ariel was glad he had written his poems, They were of a remembered time Or of something seen that he liked. In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music: I. Mrs. Anderson's Swedish Baby II. She Measured the Hour III. Scene 10 Becomes 11 IV. Someone Has Walked Across the Snow V. His Self and the Sun Like Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work. What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part. *Sources for the titles: I. The Pleasures of Merely Circulating II. The Idea of Order at Key West III. Chaos in Motion and Not in Motion IV. Vacancy in the Park V. The Planet on the Table.Wallace Stevens' poem The Planet on the Table begins -Ariel was glad he had written his poems,They were of a remembered timeOr of something seen that he liked.In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked.The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music:I. Mrs. Anderson's Swedish BabyII. She Measured the HourIII. Scene 10 Becomes 11IV. Someone Has Walked Across the SnowV. His Self and the SunLike Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work.What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part.*Sources for the titles:I. The Pleasures of Merely CirculatingII. The Idea of Order at Key WestIII. Chaos in Motion and Not in MotionIV. Vacancy in the ParkV. The Planet on the Table.