Nineteen popular Scottish songs specially arranged for all electronic keyboards complete with lyrics fingering and chord symbols. Each song includes a suggested voice registration rhythm and tempo.

Based on popular songs and with easy-to-follow text and diagrams this excellent course assumes no prior knowledge of keyboards or music yet right from the beginning you will be playing arrangements which include a completerhythm section with full sounding chords bass and drums. Irish Songs is a superb compilation of 17 popular songs from Ireland arranged for all types of electronic keyboard by Kenneth Baker. Includes suggestedregistrations fingering and lyrics plus chord symbols and charts.

Volume 1 K.1-52-Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and it is for this reason that this first volume is indispensable to performers of the genre. Originally composed for the Harpsichord Organ or early Pianoforte the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service of the Spanish and Portuguese royal families.This first volume comprising Sonatas 1-52 includes the popular and recognised Sonatas in D minor (K. 9) E major (K. 20) and B minor (K. 27). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day so much so that he was employed in the service of two royal families his Sonatas are composed with much experience understanding and expertise creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Due to the high demand of two of Andrew D. Gordon's blues piano/keyboard books 100 Ultimate Blues Riffs and the 12 Bar Blues Bible he has adapted examples from the two books along with new examples into a blues organ book and Ultimate Blues Organ Riffs is the result. There is an increased interest in playing the organ these days as many keyboard players are adding organ modules organs software etc. to their array of instruments. This book consists of 96 riffs in many different keys and covers a wide range of blues organ styles including Blues Funk Gospel Jazz

Fantasias and Selected Works. Par BYRD WILLIAM. William Byrd is one of the great English composers of the late 16th and early 17th centuries. Today this creative Catholic at the Anglican court of Elisabeth I is known primarily for his masses, motets and madrigals. However, in addition to vocal music he also composed an impressive number of keyboard pieces that brook comparison in quality with those of his younger contemporaries Frescobaldi and Sweelinck. This edition contains a selection of his major works for keyboard instruments, some taken from such famous collections as the 'Fitzwilliam Virginal Book”, 'Parthenia” and 'My Ladye Nevells Booke”. In addition to five large-scale fantasias, including the monumental 'Fantasia in a”, there are smaller preludes and voluntaries and three contrapuntal hexachord settings. The Foreword offers a detailed overview and evaluation of the sources, brief descriptions of the pieces and valuable information on notation and performance practice./ Répertoire / Piano, Clavier ou Orgue

WORKS FOR ORGAN OR KEYBOARD FANTASIAS AND RICERCAR 1. Fantasia Chromatic (Dorian mode) 2. Fantasia (Dorian) 3. Fantasia (G Dorian) 4. Fantasia (G Dorian) 5. Fantasia (A Phrygian) 6. (Hexachord) Fantasia super: Ut, Re, Mi, Fa, Sol, La (F Ionian) 7. Fantasia (F Ionian) 8. Fantasia (Mixolydian) 9. Fantasia (Mixolydian) 10. Ricercar (Aeolian) 11. Fantasia (Aeolian) 12. Fantasia ut sol fa mi (Ionian; 1st version) 13. Fantasia (Ionian; 2nd version) ECHO FANTASIAS 14. Fantasia (Dorian) 15. Fantasia (Ionian) 16. Fantasia (Aeolian) 17. Fantasia (Ionian) 18. Fantasia (Ionian) 19. Fantasia (Ionian) TOCCATAS 20. Toccata (Dorian) 21. Toccata (Aeolian) 22. Toccata (Aeolian) 23. Toccata (Dorian) 24. Toccata (G Dorian) 25. Toccata (G Dorian) 26. Toccata (G Dorian) 27. Toccata (Mixolydian) 28. Toccata (Mixolydian) 29. Toccata (Aeolian) 30. Toccata (Ionian) 31. Toccata (Ionian) 32. Toccata (Ionian) WORKS FOR ORGAN PRELUDE AND CHORALE VARIATIONS 33. (Praeludium; F Ionian) 34. Ach Gott vom Himmel sieh darein: (3 variations) 35. Allein Gott in der Höh sei Her (4 variations by Swelinck, 5 by Andreas Düben, 2 by Petrus Hasse [I], 6 by Gottfried Scheidt) 36. Allein zu dir, Herr Jesu Christ (1 variation) 37. Christe qui lux es et dies (3 variations) 38. Da pacem, Domine, in diebus nostris (4 variations) 39. Dies sind die heilgen zehn Gebot (2 variations) 40. Durch Adams Fall ist ganz verderbt (2 variations) 41. Erbarm dich mein, o Herre Gott (6 variations) 42. Es ist das Heil ulns kommen her (2 variations) 43. Es spricht der Unweisen Mund wohl (1 variation) 44. Herr Christ der einig Gottes Sohn (2 variations) 45. Herzlich lieb hab ich dich, o Herr (4 variations) 46. Ich ruf zu dir, Herr Jesu Christ (4 variations) 47. Nun freut euch, lieben Christen gemein (Was kann uns kommen an, Es ist gewisslich an der Zeit; 3 variations 48. Nun freut euch, lieben Christen gemein (original chorale melody; 3 variations) 49. Nun komm der Heiden Heiland (3 variations) 50. O lux beata trinitas (2 variations) 51. Psalm 116 (J'ayme mon Dieu, car lors que j' ay crie'; 4 variations) 52. Psalm 140 (O Dieu, donne moy delivrance; 4 variations) 53. Puer nobis nascitur (4 variati 54. Vater unser im Himmelreich (4 variations) 55. Wie nach einem Wasserquelle (Ainsi qu' on oit le cerf bruire, Freu dich sehr, o meine Seele; 1 variation) 56. Wir glauben all an einen Gott (4 variations) 57. Wo Gott der Herr nicht bei uns hält (2 variations) WORKS FOR KEYBOARD VARIATIONS ON SECULAR SONGS 58. Est-ce Mars (7 variations) 59. Ich fuhr mich vber Rheine (6 variations) 60. Mein junges Leben hat ein End (6 variations) 61. More palatino (4 variations) 62. Soll es sein (8 variations) 63. Unter der Linden grüne (4 variations) 64. Von der Fortuna werd' ich getrieben (3 variations) VARIATIONS ON DANCE TUNES 65. Balletto del granduca (5 variations) 66. Paduana Lachrimae colorirt 67. Passamezzo (6 variations) 68. Pavana Hispanica (4 variations by Sweelinck, 4 by Samuel Scheidt) 69. Pavana Philippi (2 variations) SUPPLEMENT 70. Capriccio 71. Fantazia op de Fuga van M: Jan Pieters. Fecit Dr. Bull 1621 15 Decemb. (Fantasia on a Fugue of Sweelinck, by John Bull, 1621) 72. Toccata (G Dorian; fragment) 73. Praeludium pedaliter (another version of No. 33)

Gospel Riffs God Would Love To Hear by Andrew D. Gordon is a compendium of Gospel riffs for Piano and Keyboard players to learn the art of Gospel stylings.The book has the Piano right and left hands notated as well as a separate Organ part. There are also examples of some traditional Gospel songs showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles and Andre Crouch and see how Blues Jazz and other contemporary styles are associated with the Gospel sound.

The court organist Antonio de Cabezón (ca. 1510-1566) who was appointed to Queen Isabella’s court chapel in Toledo at the young age of 16 was rightly regarded by his contemporaries as the leading Spanish organist and keyboard player of the 16th century.His hymns and versets are based on short decorated harmonisations of the psalm tones. In the tientos the transformation from vocal motet style to a style of writing suitable for keyboard instruments is perfectly executed.This Urtext edition contains a selection of Cabezon's best known works and consists of four volumes. It has been prepared by two editors working at Portuguese and Spanishuniversities who are both leading scholars of the works of Cabezón and reflects the latest research findings.

Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue

Clavierübung III/Schübler-Choräle/Canonische Veränderungen ü. Vom Himmel hoch-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of

Fantasien. Par SWEELINCK JAN PIETERSZOON. Sweelinck's fantasias belong to the most ornate and elaborate contrapuntal genre of early 17th-century keyboard music. Moreover, these 20 masterful works also form the undisputed climax of this genre. The four-volume edition of Sweelinck's 'Complete Works for Keyboard Instruments' by Harald Vogel and Pieter Dirksen - which has universally won plaudits for its exemplary editorial quality - comes to a glorious conclusion with the volume of fantasias. The comments of the two Sweelinck experts also contribute to establishing the outstanding quality of the 'practical source edition' which retains the special characteristics of the notation as much as possible. The volume also contains an essay by Pieter Dirksen in which he treats the important topic of the instruments in a comprehensive manner and gives the user indispensable information on this central work group./ Répertoire / Orgue ou Clavecin

Lied- und Tanzvariationen. Par SWEELINCK JAN PIETERSZOON. Following the successful new edition of Scheidt's Tabulatura nova, Harald Vogel now releases his second major project for Breitkopf & Härtel, Jan Pieterszoon Sweelinck's 'Complete Keyboard Works'. Assisting the leading interpreter of 16th- and 17th-century organ music is Pieter Dirksen, the Dutch harpsichordist and Sweelinck scholar. Together, they ensure the highest degree of competence and professionalism. Also highly anticipated is the method of transposition of Sweelinck's notational forms (staff notation and letter tablature), which maintains the characteristic features of the primary sources for the first time ever. No previous edition had ever taken these characteristics into account until now. The edition of the Complete Keyboard Works is a scholarly edition for practical use in four volumes. In addition to the latest findings in the field of performance practice, it contains an extensive preface on Sweelinck's life and his pedagogical legacy./ Répertoire / Orgue ou Clavecin

The central importance of Jan Pieterszoon Sweelinck (1562–1621 ) for Baroque keyboard music can hardly be overestimated. Siegbert Rampe's scholarly performing edition is the first edition of Sweelinck's complete keyboard works which differentiates between works of certain authenticity works of uncertain authenticity and doubtful works. The eight volume edition complete with commentaries in German and English reflects the latest state of scholarly research.Volume II.2 completes the publication of the Urtext edition. Volumes II.1 and 2 include all 22 fantasias and echo fantasias which have survived under Sweelinck's name or are attributed to him fourricercari and a capriccio. The appendix contains four further fantasias. In addition several compositions are published for the first time in different presumably original versions.

Präludien und Fugen II - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of