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| Gate to Heaven (orchestra score) Orchestra C. Alan Publications
(Concerto No. 1 for Marimba, Strings and Percussion). Composed by Gillingham. Ar...(+)
(Concerto No. 1 for Marimba, Strings and Percussion). Composed by Gillingham. Arranged by Nathan Daughtrey. For Soloist(s) with String Orchestra (Solo Marimba Percussion 1 (xylophone, bells, chimes) Percussion 2 (brake drum, cowbell, shaker, suspended cymbal, crash cymbals, temple blocks, triangle) Percussion 3 (4 toms, crash cymbals, bass drum, suspended cymbal, tam tam, hi hat) Violin I Violin II). Medium difficult. Orchestra score only. Duration 16:30. Published by C. Alan Publications
$40.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Prima la musica e poi le parole Orchestra Barenreiter
Orchestra (2 Soprano Voice Solo, 2 Bass Voice Solo, 2 Ob, 2 clarinet, 2 bassoon,...(+)
Orchestra (2 Soprano Voice Solo, 2 Bass Voice Solo, 2 Ob, 2 clarinet, 2 bassoon, 2 Hn, 2 Trp, 2 V, Va, Basso, Continuo) SKU: BA.BA08811 Divertimento teatrale in one act. Operetta for four voices. Composed by Antonio Salieri. Edited by Adrian La Salvia and Thomas Betzwieser. This edition: Edition of selected works, Urtext edition. Linen. Spectrum of European Music Theatre in Separate Editions 1. Edition of selected works, Score, Critical commentary, USB flash drive. Duration 1 hour, 15 minutes. Baerenreiter Verlag #BA08811_00. Published by Baerenreiter Verlag (BA.BA08811). ISBN 9790006539840. 33.1 x 26.5 cm inches. Text Language: Italian. Preface: Betzwieser, Thomas. Text: Giambattista Casti. A memorable musical competition commissioned by the emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart’s “Schauspieldirektor†whilst Antonio Salieri’s “Prima la musica e poi le parole†was performed by the Italian court singers and musicians. This charming opera satire belongs to the genre of “metamelodramma†in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the librettist, composer and prima donna, appear as characters on the stage and are presented in a humorous self-reflection. In this ‘theatre about theatre’ Salieri parodies the music from Giuseppe Sarti’s “Giulio Sabino†in his insert arias, thus playing on the music which was totally familiar with the audience of the time. By reflecting on the musical-dramatic style of that period and discussing whether ‘the word’ or ‘the music’ should take priority, this masterpiece is considered to be an early forerunner to Richard Strauss’s “Capriccioâ€.
The new edition of the score is published as part of “opera – Spectrum of European Music Theatre in Separate Editionsâ€. There are several alterations regarding the libretto text, stage directions, articulation, ornamentation, etc. which have been incorporated into this newly engraved vocal score. Furthermore, all appendix numbers from the score which concern the quotations from Giuseppe Sarti’s “Giulio Sabino†have also been incorporated.
• Urtext vocal score based on the historical-critical hybrid score published as part of “opera – Spectrum of European Music Theatre in Separate Editions†edited by Thomas Betzwieser (music edition) and Adrian La Salvia (text edition). • Original Italian libretto with singable German translation • Comprehensive bilingual foreword (Ger/Eng) on the genesis and reception of the work, on metamelodramma and intertextuality etc. • Includes an extensive appendix to the quotations taken from Giuseppe Sarti’s “Giulio Sabino†• Idiomatic piano reduction
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$632.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Alas! Babylon's Final Sunset Orchestra Subito Music
Orchestra SKU: SU.94010400 For Orchestra. Composed by James Lee II...(+)
Orchestra SKU: SU.94010400 For Orchestra. Composed by James Lee III. Orchestra. Study Score. Subito Music Corporation #94010400. Published by Subito Music Corporation (SU.94010400). 2,1 2,1 2,1 2,1; 4331; timp, perc(3), cel, hp; stgs Duration: 11' Composed: 2013 Published by: Subito Music Publishing Performance materials available on rental: Alas! Babylon’s Final Sunset is another installment in my series of works that musically comment on the biblical books of Daniel and Revelation. The principal source of inspiration for this works comes from the 18th chapter of the book of Revelation. This chapter states that the career of Babylon the Great is finally coming to an end. The music begins with a mysterious pianissimo tremolo accompanied by tam-tam and bass drum. The initial flourishes in the oboes and English horn serve as the principal motive of warning. As the music continues, there are varying degrees of agitation among the strings and woodwinds. Throughout the work there are rhythmic motives in the brass, percussion, and various woodwind instruments that sing and speak Babylon is Fallen in triple meter. As the tutti ensemble arrives at a climax, the orchestral texture becomes thinner and slightly transparent. As the music continues, the opening motive returns in the oboes, however the counterpoint produces a series of solo laments. These passages are intended to provide picturesque images of these words: And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; And the light of a candle shall shine no more at all in thee. and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Rev. 18:22-24 The following passages musically comment on the historical career of Babylon with a sense of her impending destruction. The series of laments transforms into the more emphatic rhythmic motive Babylon is Fallen. The orchestral texture begins to become more condense, once again, with the initial flourishes of, but with notable variations. Finally, the celesta, harp, oboes, English horn, and strings sing profundities that are finally transformed into a minor mode tonality that fades away with the ringing of the tam-tam. Babylon has finally seen her last sunset. $36.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| All For Strings Theory Workbook 1-violin
Orchestra [Activity Books] - Beginner Kjos Music Company
By Gerald Anderson. Edited by Robert Frost. (Afs Strg Mthd). orchestra method. L...(+)
By Gerald Anderson. Edited by Robert Frost. (Afs Strg Mthd). orchestra method. Level: Elementary. Music book. Published by Neil A. Kjos Music Company
(6)$6.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| River Songs (based on Deep River and Shall We Gather at the River ) Orchestra [Score and Parts] - Easy Alfred Publishing
Arranged by Douglas E. Wagner. Orchestra. Full Orchestra. Belwin Intermediate Fu...(+)
Arranged by Douglas E. Wagner. Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. Contemporary. Grade 2.5. Conductor Score and Parts. 110 pages
$58.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Tempest (Limited Edition) Orchestra [Score] Faber Music Limited
Opera in Three Acts. Composed by Meredith Oakes. Full Orchestra (Full Score); ...(+)
Opera in Three Acts. Composed
by Meredith Oakes. Full
Orchestra (Full Score);
Larger Works; Masterworks;
Performance Music Ensemble.
Faber Edition. Masterwork.
Score. Faber Music #12-
057153872X. Published by
Faber Music
$340.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 1 The Lord of the Rings (Revised Edition 2023) Orchestra [Score and Parts] - Advanced Amstel Music
Score and Parts Concert Band; Wind Ensemble - Grade 5 For Wind Orchestra Score ...(+)
Score and Parts Concert Band;
Wind Ensemble - Grade 5
For Wind Orchestra Score and
Parts. Composed by Johan De
Meij. Amstel Music. Concert.
Softcover. Duration 2580
seconds. Amstel Music #AM200-
010. Published by Amstel Music
$700.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Three Studies from Couperin Orchestra Faber Music Limited
Composed by Thomas Ades (1971-). Mixed Instruments - Miscellaneous Ensemble; ...(+)
Composed by Thomas Ades
(1971-). Mixed Instruments -
Miscellaneous Ensemble;
Performance Music Ensemble.
20th Century; Adult
Contemporary. Book. Faber
Music #12-0571536565.
Published by Faber Music
$48.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cole Porter : Kiss Me, Kate Orchestra Alfred Publishing
(Full Score Critical Edition). Composed by Cole Porter. Orchestra. For Voice. Th...(+)
(Full Score Critical Edition). Composed by Cole Porter. Orchestra. For Voice. This edition: Full Orchestral Score (Case Bound). Full Orchestra (Full Score); Score. Broadway. 754 pages. Published by Alfred Music
$200.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Vivaldi : The Four Seasons Op8 Study Score/cd Orchestra [Study Score / Miniature + CD] Eulenburg
Eulenburg Audio Score Series. By Antonio Vivaldi. This edition: EAS138. Eulenbur...(+)
Eulenburg Audio Score Series. By Antonio Vivaldi. This edition: EAS138. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 104 pages. Published by Eulenburg.
$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| And It Came to Pass, Emmanuel - Full Score and Parts plus CD with Printable Parts Orchestra Medallion Music
Full orchestra SKU: LO.30-3489MD Composed by Jay Rouse. Choral, cantatas....(+)
Full orchestra SKU: LO.30-3489MD Composed by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Full score and parts, plus CD with printable parts. Medallion Music #30/3489MD. Published by Medallion Music (LO.30-3489MD). UPC: 000308147704. And It Came to Pass, Emmanuel: A compelling musical triumph that invites the listener on a journey that ultimately leads to worship of the Christ Child. The text of the Christmas story blends seamlessly with original narrative and exquisite lyric writing from Rose Aspinall, and Jay Rouse's incredible ability to fashion original melodies and arrange Christmas favorites with nuance and passion is on full display. The musical opens with an ethereal underscore that leads effortlessly into a 6/8 interpretation of Adeste Fideles, followed directly by the theme song and anchor ballad for the musical, And It Came to Pass. Also included are a song written specifically for this work that gives voice to Joseph's fears and longings; a traditional gospel setting of the all-time favorite Jesus, What a Wonderful Child; a syncopated, upbeat angel and shepherd announcement song titled Fire in the Sky; and a tender worship moment at the manger called Jesus, Prince of Peace. With a little something for everyone, this creative work is sure to be an important part of your Christmas season. $399.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Dvorak- Symphony No. 9 in E Minor (From the New World) Orchestra [Sheet music + CD] Hal Leonard
(Score and Sound Masterworks). By Antonin Dvorak (1841-1904). Study Score. Study...(+)
(Score and Sound Masterworks). By Antonin Dvorak (1841-1904). Study Score. Study Score with CD. Softcover with CD. 88 pages. Published by Hal Leonard . Sheet music CD.
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Glass The Fall Of The House Of Usher F/S Orchestra Music Sales
Orchestra SKU: HL.14012157 Act I & II ( 2 Volumes ). Composed by P...(+)
Orchestra SKU: HL.14012157 Act I & II ( 2 Volumes ). Composed by Philip Glass. Music Sales America. Classical. Score. Music Sales #DU10019. Published by Music Sales (HL.14012157). UPC: 884088588175. 12.25x16.5x1.12 inches. English. $295.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Larghetto for Orchestra and Other Works Orchestra [Study Score / Miniature] Boosey and Hawkes
Chamber Orchestra; Orchestra; String Orchestra (Study Score) SKU: HL.48024880...(+)
Chamber Orchestra; Orchestra; String Orchestra (Study Score) SKU: HL.48024880 Study Score. Composed by James Macmillan. Boosey & Hawkes Scores/Books. Classical. Softcover. 80 pages. Duration 900 seconds. Boosey & Hawkes #M060136009. Published by Boosey & Hawkes (HL.48024880). ISBN 9781784545154. UPC: 840126918670. 7.25x10.25x0.319 inches. This publication presents under one cover various short works for sundry orchestral scorings. Larghetto for Orchestra is MacMillan's orchestration (2017) of his celebrated Miserere for a cappella mixed choir (2009), a setting in Latin of Psalm 51, 'Have mercy upon me, O God, according to thy great mercy', the penitential text famously set in the 17th century by Gregorio Allegri. The Larghetto orchestration was commissioned by the Pittsburgh Symphony Orchestra in celebration of Manfred Honeck's 10th Anniversary as Music Director. Memoire imperiale is one of a number of variations on General John Reids march tune Old Gaul commissioned from Scottish composers to mark the centenary in 1994 of the Faculty of Music at Edinburgh University. The Faculty was established following a bequest by General Reid (1721-1807), a former law student at the University and a renowned flute player and composer of marches for the BritishArmy, and he asked that an annual concert be organised at which one or more of his compositions be played. Composed in 2012 for the Britten Sinfonia, One is a monody in which a single line is passed around the instruments, painting it with different colours as it emerges and develops. Lasting only a few minutes, its singularity is maintained until blossoming in the lastfew bars. For Sonny (2011, orch 2013) and Ein Lamplein verlosch (2018, orch 2019) are short, private memorial tributes originally for string quartet and here rescored for string orchestra. Hirta was composed in 2016 as part of Deccas The Lost Songs of St Kilda project. Nearly a century ago, the last 36 residents were evacuated from the most remote part of the British Isles, St Kilda, an isolated archipelago off the beautiful and rugged western coast of Scotland. After 86 years, the music of St Kilda was rediscovered, recorded in a Scottish care home by Trevor Morrison, an elderly man who had been taught piano by an inhabitant of St Kilda. The songs were 'reimagined' for the Decca album by various. $56.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Intermediate Performance Ensembles - String Bass Orchestra - Easy Kjos Music Company
Orchestra - early intermediate SKU: KJ.120SB Composed by Jeremy Woolstenh...(+)
Orchestra - early intermediate SKU: KJ.120SB Composed by Jeremy Woolstenhulme. Orchestra method/study. String Basics. Music book. Neil A. Kjos Music Company #120SB. Published by Neil A. Kjos Music Company (KJ.120SB). ISBN 9780084973551. $6.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Christmas Fugue Orchestra Carl Fischer
Orchestra SKU: CF.PO192S On We Wish You a Merry Christmas. Compose...(+)
Orchestra SKU: CF.PO192S On We Wish You a Merry Christmas. Composed by Robert B. Brown. Condensed score. Carl Fischer Music #PO192S. Published by Carl Fischer Music (CF.PO192S). ISBN 9781491157367. UPC: 680160915927. Program note: Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas. The Composer: Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation. At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee. To the Conductor: You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability.  . Program note:Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas.The Composer:Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation.At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee.To the Conductor:You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability. . $14.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Christmas Fugue Orchestra Carl Fischer
Orchestra SKU: CF.PO192F On We Wish You a Merry Christmas. Compose...(+)
Orchestra SKU: CF.PO192F On We Wish You a Merry Christmas. Composed by Robert B. Brown. Full score. Carl Fischer Music #PO192F. Published by Carl Fischer Music (CF.PO192F). ISBN 9781491157374. UPC: 680160915934. Program note: Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas. The Composer: Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation. At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee. To the Conductor: You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability.  . Program note:Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas.The Composer:Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation.At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee.To the Conductor:You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability. . $18.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Songs of the Season - Score Orchestra [Score] Heritage Music Press
By Peter Blair. For conductor score. Christmas, Secular Christmas. Instrumental ...(+)
By Peter Blair. For conductor score. Christmas, Secular Christmas. Instrumental ensemble (woodwind). Published by Heritage Music Press. (50/1139H)
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| All For Strings Book 1-violin
Orchestra [Sheet music] - Beginner Kjos Music Company
By Gerald Anderson. Edited by Robert Frost. (Afs Strg Mthd). orchestra method. L...(+)
By Gerald Anderson. Edited by Robert Frost. (Afs Strg Mthd). orchestra method. Level: Elementary. Music book. Published by Neil A. Kjos Music Company.
(9)$7.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto in B Minor Op. 35 Orchestra Music Sales
By Oskar Rieding. For Orchestra (Score and Parts). Orchestral. Music Sales Ameri...(+)
By Oskar Rieding. For Orchestra (Score and Parts). Orchestral. Music Sales America. Classical. Music Sales #ASO001047. Published by Music Sales . Classical.
$56.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Arranging Music for the Real World Orchestra [Sheet music + CD] - Easy Mel Bay
Classical and Commercial Aspects. By Vince Corozine. For Arranging/Orchestrating...(+)
Classical and Commercial Aspects. By Vince Corozine. For Arranging/Orchestrating. Arranging and orchestrating. All Styles. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 212 pages. Published by Mel Bay Publications, Inc.
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mozart: 2 Serenades: KV 525/KV 388 Eine Kleine Nachtmusik/Serenade a 8 (Night Music) Orchestra [Study Score / Miniature + CD] Eulenburg
Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS134. ...(+)
Eulenburg Audio Score Series. By Wolfgang Amadeus Mozart. This edition: EAS134. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 74 pages. Published by Eulenburg.
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Handel: Water Music Hwv 348-350 Study Score/cd Orchestra Eulenburg
Eulenburg Audio Score Series. By George Frideric Handel. This edition: EAS124. E...(+)
Eulenburg Audio Score Series. By George Frideric Handel. This edition: EAS124. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 134 pages. Published by Eulenburg.
$10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Mass: A Celebration of Love and Joy - Orchestra Score and Parts Orchestra Heritage Music Press
Full orchestra SKU: LO.30-3640H Composed by Andre J. Thomas. Arranged by ...(+)
Full orchestra SKU: LO.30-3640H Composed by Andre J. Thomas. Arranged by Robert Elhai. Conductor's score. Major Work. Orchestral score and parts. Heritage Music Press #30/3640H. Published by Heritage Music Press (LO.30-3640H). UPC: 000308154870. Orchestral Score and Parts for 45/1635H A true testament to his strength and skill as a composer, Andre Thomas's Mass combines the power of love and joy with the beauty and sophistication of top-tier choral music. Written in five movements, the Mass can be performed in its entirety or as separate selections. This gospel-style work may be performed with piano, piano with bass and drums, or with full orchestra. Also available is a piano accompaniment CD (99/3967H). The Mass is dedicated to the Tallahassee Community Chorus. $249.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Festal Scenes Orchestra [Score and Parts] - Intermediate/advanced TRN Music Publisher
Composed by Yasuhide Ito. For full orchestra. Grade 4.5. Score and parts. Durati...(+)
Composed by Yasuhide Ito. For full orchestra. Grade 4.5. Score and parts. Duration 6 minutes, 16 seconds. Published by TRN Music Publisher
$95.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Passion and Glory of the Risen Christ Orchestra Hope Publishing Company
(Orchestra) SKU: HP.8464 Arranged by Jack Schrader. Lent/Easter, Cantata....(+)
(Orchestra) SKU: HP.8464 Arranged by Jack Schrader. Lent/Easter, Cantata. Lent & Easter Musicals. Lent, Easter Sunday, Sacred. Set of Instrumental Parts. Hope Publishing Company #8464. Published by Hope Publishing Company (HP.8464). UPC: 763628184643. Lent & Easter Musical This new 45-minute, Easter musical from Jack Schrader utilizes three powerful devices to dramatically portray Christ's passion and glory: well-conceived choral music, scintillating orchestral accompaniment, and passionate narrations, with much detail drawn from the gospels. The story begins before the Triumphal Entry of Christ, and ends, by implication, beyond his Ascension. Chorally you will find many poignant and powerful moments. Talented orchestrator, Mark Kellner, has provided exquisite instrumental mosaics to underscore and support both choir and narration. Yet the simple use of piano accompaniment would also be very satisfying. At the most high and holy time of the Christian year, this musical presentation powerfully proclaims the truth of the Gospel, and confronts listener and performer alike with the claims of Jesus Christ, the Son of God.
The Orchestration contains a Conductor's Score and parts for: Flute, Oboe, Clarinet, 3 Trumpets, 2 Horns, 2 Trombones, Tuba, Percussion, Timpani, Harp, Violin 1 & 2, Viola, Cello, Bass, Piano, and Electric Bass. $325.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Basic Music Theory And History For Strings, Wb 2-Tchr Ed Orchestra - Easy Kjos Music Company
Orchestra - early intermediate SKU: KJ.L66T Composed by Terry Shade and W...(+)
Orchestra - early intermediate SKU: KJ.L66T Composed by Terry Shade and Wendy Barden. Orchestra method/study. Music book. Neil A. Kjos Music Company #L66T. Published by Neil A. Kjos Music Company (KJ.L66T). ISBN 9780084970536. $14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| The Symphony: From
Mannheim to Mahler Orchestra [Book] Faber Music Limited
Par . The Symphony: From Mannheim to Mahler is a fascinating and accessible guid...(+)
Par . The Symphony: From Mannheim to Mahler is a fascinating and accessible guide that considers the development of the symphony from a number of different perspectives: analytical, historical, and critical. Exploring important milestones, touchpoints, events, key works, and the composers that surround the genre, it also includes a composer timeline, detailed case studies and comprehensive music examples. This handy and informative book is ideal for GCSE, A-Level, and undergraduate music students, as well as anyone wanting to study and learn more about the genre. Christopher Tarrant is Lecturer in Music Analysis at Newcastle University. He received his PhD from Royal Holloway, University of London and now teaches and writes about concert music of the long nineteenth century with a special emphasis on theory of form and the Nordic symphony. Christopher is also a violinist and conductor. Natalie Wild is Director of Research and Deputy Director of Music at the Music in Secondary Schools Trust (MiSST). Her research focuses on the role a classical music education can play in breaking down social barriers. Natalie has taught both GCSE and A-Level Music for many years as Head of Music in various inner-city schools. / Date parution : 2022-05-17/ Livre / Orchestre
22.67 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Carlos Surinach:
Melorhythmic Dramas
(1966): Orchestra: Score Orchestra [Sheet music] Associated
Score-Carlos Surinach's Melorhythmic Dramas was commissioned by the Meadow Brook...(+)
Score-Carlos Surinach's Melorhythmic Dramas was commissioned by the Meadow Brook Music Festival Committee Oakland University Rochester Michigan. Dedicated to the Meadow Brook Festival the work was premiered on August 16 1966 by the Detroit Symphony Orchestra with Sixten Ehrling as Musical Director.'Through verse prose music dance - or whatever may be - drama is a performed event involving intense conflict of forces. Effect action artifice and contrasts are part of it. To give the feeling of drama a theatrical trend is not compulsary. Pure melorhythmic music (and its orchestral technique) may have the power to express dramaticemotions without yielding to human deeds or stage stituations'. - Carlos SurinachThe seven Melorhythmic Dramas: 1. Fervid 2. Festive 3. Poignant 4. Tragic 5.Voluptuous 6. Vehement 7. Mournful
32.50 GBP - Sold by Musicroom UK | |
| Philip Glass: Low
Symphony: Orchestra:
Score Orchestra [Sheet music] - Intermediate Dunvagen Music Publishers
The ’Low’ Symphony composed in the spring of 1992 is based on th...(+)
The ’Low’ Symphony composed in the spring of 1992 is based on the record ‘Low’ by David Bowie and Brian Eno first released in 1977. The record consisted of a number of songs and instrumentals and used techniqueswhich were similar to procedures used by composers working in new and experimental music. As such this record was widely appreciated by musicians working both in the field of ‘pop’ music and in experimental music and was alandmark work of that period.Having taken themes from three of the instrumentals on the record and combining them with material of his own Glass has used them as the basis of three movements of this Symphony.Thisis the Full Score of Glass’ orchestral work.
79.99 GBP - Sold by Musicroom UK | |
| The Passion of His Love:
Orchestra: Parts Orchestra Integrity Music
An Easter Praise and Worship Experience-This Easter praise and worship musical f...(+)
An Easter Praise and Worship Experience-This Easter praise and worship musical features over 20 titles blending great hymns of the season with some of the most powerful worship songs of our day like O the Passion Worthy Is the Lamb and Crown Him with ManyCrowns. Music narration lighting and production notes are included to assist in producing a worship experience that is perfect for intimate concerts or full productions. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Bass Clarinet Bassoon Trumpet 1 2 3 Horn 1 2 (Alto Sax) Trombone 1 2 (Tenor Sax/Baritone TC) Trombone 3/Tuba Harp Violin 1 2 Viola (Clarinet 3) Cello String Bass Keyboard String Reduction Drums Percussion 1 2 and Rhythm. SATB Listening Cassette Listening CD CD Accompaniment Trax (Split) CD Rehearsal Trax Preview Pack (CD) Bulletin Pack (100) Poster Pack (10) and CD 10-Pack also available.
355.99 GBP - Sold by Musicroom UK | |
| Philip Glass: Symphony
No.8: Orchestra: Score Orchestra [Sheet music] - Intermediate/advanced Dunvagen Music Publishers
Philip Glass has produced ten symphonies so far the ones immediately preceding ...(+)
Philip Glass has produced ten symphonies so far the ones immediately preceding this one inspired by sources as diverse as Allen Ginsberg poetry Aboriginal writings and Native American song. Symphony No 8 however has noreferences to non-musical materials and takes as its subject according to Glass ‘the language of music itself’.The three-movement work does not conform to classical symphonic form with an extended twenty-minute first movement a slow passacaglia for the second movement and a short dense theme joined by a counter theme then ending with an extended cadence to complete the work in the third movement. Symphony No 8 was commissioned by the BrucknerOrchester Linz under the direction of Dennis Russell Davis.American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as aminimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small andlarge ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
44.99 GBP - Sold by Musicroom UK | |
| Olivier Messiaen: Saint
Francois d'Assise - Act
II 5.: Opera: Score Français Orchestra [Sheet music] Leduc, Alphonse
L'Ange musicien-Saint François D'Assise is an opera in 3 acts by Olivier Messi...(+)
L'Ange musicien-Saint François D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is part of the edition that includes the books with the full Orchestra scores as well as the explanations analysis and comments of each tableau. It is focused on the “Act II 5. L'Ange musicien” which describes the appearance of the “Musician Angel” to Saint Francis. This tableau is introduced by St Francis on his knees next to the cave. Three themes stand out in the opening of this tableau: the Decision the Joyce and the Calling. Some bird songs can be heard and the Angel appears in the light with a Viol and a bow. TheAngel Musician plays alongside some birds and leave St Francis fainting. He is soon joined by Brother Léon Brother Massée and Brother Bernard who try to help him. The last theme played is the Joyce one with some notes on the Viol while the tableau finishes with the three Brothers looking at the sky. Based on the life of Saint Francis of Assisi this opera is set in Italy and is composed divided as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French Organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsongs including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.
236.99 GBP - Sold by Musicroom UK | |
| Nicolas Bacri: Concerto
Amoroso 'Le printemps'
(2005) opus 80/2 Français Orchestra [Sheet music] Chant du Monde
Solo for Oboe or Violin-'The title only appears frivolous to those who have live...(+)
Solo for Oboe or Violin-'The title only appears frivolous to those who have lived little. With the passage of time the seasons that pass the differences in quantity and quality of light of temperature and weather become of ever greater importance in the meaning of our individual existence. This transformation follows the path of our lives and often mimes in front of our very own eyes incredulous and wondrous events that we can only experience once in a lifetime: our birth our blossoming our aging and our death. Such a subject could well take up ten years of my life. This was the case. Nevertheless everything started very innocently with a proposition from my friend François Leleux to write him a double concerto that he could play with Natalia Gutman initially named ‘Musica Concertante’. It was with this second proposition from François for another double concerto this time with Lisa Batiashvili that the idea came to me for a cycle of four concertos with each time a different instrument from the string quartet to join the oboe. The automnal colours of the cello are a perfect match for the retrospective nature of the first completed concerto in the cycle. ‘concerto nostalgico l’automne’ whilst the love and the first child of the Leleux-Batiashvili couple could only bring Spring to mind hence the ‘Concerto amoroso le printemps’ was born. When Jean-Marc Bador asked me to be an associate of the Ensemble Orchestral de Paris for two years it was quite naturally that I thought of completing this cycle for François Leleux with winter ‘Concerto tenebroso’ created in January 2010 with Lise berthaud playing the viola. All that remained was for me to conclude with a work that reunited all four protagonsits. It was summer the ‘Concerto luminoso’ which took on this role’.
24.99 GBP - Sold by Musicroom UK | |
| Shade and Darkness
(CASABLANCAS BENET) Orchestra [Score] Unión Musical Ediciones
Par CASABLANCAS BENET. Shade and Darkness, lasting some 12:30 minutes, was co-co...(+)
Par CASABLANCAS BENET. Shade and Darkness, lasting some 12:30 minutes, was co-commissioned by the Centro Nacional de Difusión Musical and the Festival Internacional de Música y Danza de Granada. The work is inspired by Turner's famous painting of the same name, subtitled 'The Night Before the Flood', although this does not imply any programmatic or even less descriptive intention, beyond the composer's admiration for the painter, and for the richness of tones and chiaroscuro, subtlety in the treatment of pictorial matter, and the dynamism and emotional force present in his work, to whose depth John Ruskin alludes: 'Nuance is in Turner, first of all, a beautiful aid to the great impression to be conveyed, but it is neither the source nor the essence of that impression; it is little more than a visible melody... preparing the feelings for the reading of the mysteries of God.' The score, generous in expressive contrasts, explores the ductility and richness of possibilities of the strings, with a very diversified use of textures, densities and colours. The formal arrangement describes a wide ternary arc, consisting of two slow and often static sections - not without ominous foreboding - and a more lively central part, punctuated by occasional turbulence and dazzling flashes of timbre, culminating in a powerful climactic process. In the final bars the four voices of the classical quartet fleetingly emerge, as a tribute to Günter Pichler, founder and member of the Alban Berg Quartet, to whom the score is dedicated, and who conducted the premiere of the work in front of the Joven Orquesta Nacional de España on 24 and 25 June 2014 at the Auditorio Nacional de Música in Madrid and in the Patio de los Mármoles del Hospital Real in Granada. / Date parution : 2022-03-15/ Répertoire / Petit Orchestre
25.45 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Silvestre Revueltas:
Sensemay? (1938):
Orchestra: Score Orchestra Schirmer
Score-Silvestre Revueltas' ‘Sensemaya’ was written in 1937 for cham...(+)
Score-Silvestre Revueltas' ‘Sensemaya’ was written in 1937 for chamber orchestra; one year later the composer transcribed it for a huge orchestra of twenty-seven wind instruments fourteen percussion instruments and strings. The rhythms are laid out precisely and have considerable visceral impact very much in a manner that recalls Igor Stravinsky's The Rite of Spring. However Revueltas' masterful orchestration and ability to evoke the ancient Maya civilization with decidedly modern music are uniquely his own. It is a unique orchestral spectacle something only Revueltas could have written and in its way it is one of the most brutal works of its time. The workbegins with a low note in the bassoon as the percussion plays the sinuous syncopated rhythm that drives the work. Soon a solo horn enters playing the first of this work's two major themes a muscular ominous motif. Other horns join the first one to play the theme growing louder and more emphatic but rigorously yoked to the underlying rhythm. Eventually the horns blast as loudly as they can with obsessive trills on the bassoon far underneath and the violins enter with the slashing second theme. The horns take up this new theme and bring it to a climax after which the music returns to its opening texture. This recapitulation brings with it a mood of foreboding. The rhythm becomes even more obsessive and finally the music reaches a massive climax during which both themes are played overlapping sometimes in part and sometimes in whole by woodwinds brass and violins in what sounds like a musical riot. The coda feels like the final dropping of a knife.
19.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Johann Friedrich Fasch:
Concerto in D Minor:
Orchestra: Score and
Parts Orchestra [Score and Parts] Metropolis Music Publishers
Johann Friedrich Fasch (1688 - 1758) was a prolific composer who composed a vari...(+)
Johann Friedrich Fasch (1688 - 1758) was a prolific composer who composed a variety of cantatas concertos symphonies and other chamber music. Although none of the music was published during his lifetime much of his instrumental music was later published and is still frequently performed today. The only known composition of his for lute is this Concerto in D Minor in three movements: Allegro moderato Andante and Un poco allegro. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lutetablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass Johann Friedrich Fasch (1688 - 1758) was a prolific composer who composed a variety of cantatas concertos symphonies and other chamber music. Although none of the music was published during his lifetime much of his instrumental music was later published and is still frequently performed today. The only known composition of his for lute is this Concerto in D Minor in three movements: Allegro moderato Andante and Un poco allegro. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lutetablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass
34.80 GBP - Sold by Musicroom UK | |
| Reza Vali: Segah: Double
Concerto: Orchestra and
Solo: Score Orchestra Lauren Keiser Music Publishing
Full Score-The Persian traditional music (called the Dastgah Segah) is based on ...(+)
Full Score-The Persian traditional music (called the Dastgah Segah) is based on intervals made of three quarter-tones and natural whole-tones. Segah has no interval in common with the European/ Western equal-temperament tuning. This lack of common intervalsbetween the Segah mode and the equal-temperament tuning will lead to a cognitive dissonance if this mode is set against the equal-temperament system. My goal has been to elaborate on the innate tensions that exists between the two interval systemsand use it as a symbol for the existing political and cultural tensions between the Persian and the Western cultures. The piece consists of two Persian traditional instruments the Ney (Persian vertical bamboo flute) and the Kamanche (Persian spikefiddle) as the musical representatives of the Persian culture set against the Western orchestra as the musical representative of the Western culture. A small ensemble of Western instruments consisting of a harp and string quintet accompanies thePersian instruments. The harp is tuned to the Segah intervals and the string quintet plays in the Segah mode. The orchestra is performing inthe Western equal- temperament tuning. From the very first bars of the main section of the piece confusionsand misunderstandings arise. The orchestra being unable to play in Segah or understand the mode becomes more and more agitated. Musical tensions between the soloists and the orchestra lead to musical confrontations and finally to musicalviolence. The orchestra becomes extremely violent and militaristic and tries to suppress the soloists efforts to express their musical thoughts. In the midst of all these confusions and cultural misunderstandings musical connections and attractionsstart to take place. The orchestra and the soloists find themselves musically attracted to each other and start imitating each others musical phrases. Cognitive dissonances start to be gradually transformed to musical dialogues symbolizing thegradual replacement of the clash of civilizations with the dialogue of civilizations. Segah was written for Khosrow and Kian Soltani and premiered at the Segah Festival on January 15 2016.
156.99 GBP - Sold by Musicroom UK | |
| Benet Casablancas: Tres
Interludios Para
Orquesta: Chamber
Ensemble: Score Español Orchestra [Sheet music] - Advanced Unión Musical Ediciones
Three Interludes For Orchestra by Benet Casablancas was commissioned by Fundaci...(+)
Three Interludes For Orchestra by Benet Casablancas was commissioned by Fundación Autor and the Spanish Association of Symphonic Orchestras (AEOS) for its World Premiere in the 2012-2013 season.The score consists of three movements – Pastorale (Tranquillo) Scherzo (Con moto) and Memento e Corale (Lentissimo Ampio e tenuto) – and has an approximate duration of 14 minutes. The spaciousness and transparency of its textures the clearness of its harmony and a general calm and quiet tone of the first and final parts set a contrast with the vigour and rhythmical vividness of its central scherzo.During the course of the piece the shape of chamber writing coexists with the greatness of orchestral peaks. The last section embraces a lower and expressive tone which ends with a great chorale that will lead to a more contemplative coda which fades into silence. Sadness for the devastating tsunami that struck Japan on those same days was present in the mind of the author at the time of writing this movement.“It shows the accused dramatic quality (especially in the third piece) which dominate the orchestral writing of the composer from Sabadell enriched by a pitch atmosphere of neo-impressionistic quality and a healthy rhythmical energy. The concert version contributed with intensity and performance depth which we hope to deepen in future performances and which motivated the greeting of Casablancas.” - Germán Gan Audio Clásica
15.50 GBP - Sold by Musicroom UK | |
| Thomas Adès: Powder Her
Face: Orchestra: Score Orchestra Faber Music Limited
Thomas Adès and Philip Hensherâ??s dazzlingly precocious chamber opera Powde...(+)
Thomas Adès and Philip Hensherâ??s dazzlingly precocious chamber opera Powder Her Face propelled its composer to international attention after its premiere in 1995 and with nearly 300 worldwide performances remains one of the most frequently performed British operas of the last two decades. Charting the glamorous rise and seedy fall of the notorious socialite beauty Margaret Duchess of Argyll the score is as witty poignant and memorable as the â??Dirty Duchessâ?? herself paying homage to the popular idioms of cabaret and tango as well as to Weill Berg and Stravinsky. It is hard to believe that this masterpiece was written by a 24year-old but then that young man was Adès whose prodigious musical talent was awe-inspiring even as a teenager.
105.00 GBP - Sold by Musicroom UK | |
| Fantasias (Full Score) Orchestra [Sheet music] Faber Music Limited
Full Score. Par ANDERSON JULIAN. Written for the Cleveland Orchestra in 2009, Fa...(+)
Full Score. Par ANDERSON JULIAN. Written for the Cleveland Orchestra in 2009, Fantasias was Julian Anderson's first multi-movement work for orchestra. This 23-minute showpiece abounds in vivid contrasts, from the jagged brass fanfares with which it opens to the headlong rush of its dazzling finale. At its heart is an extended and evocative nocturne, overflowing with all manner of brilliantly imagined sounds which its composer describes as a 'musical rainforest'./ Répertoire / Orchestre
39.43 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| ...Le Ciel, Tout A
L'Heure Encore Si
Limpide, Soudain Se
Trouble Horriblement...
(JARRELL MICHAEL) Français Orchestra [Sheet music] Lemoine, Henry
Par JARRELL MICHAEL. De la nature... du musical
Michael Jarrell, né en 1958, e...(+)
Par JARRELL MICHAEL. De la nature... du musical
Michael Jarrell, né en 1958, est l'un des compositeurs les plus en vue de sa génération. Dans une démarche toute personnelle, qui ne s'est inféodée à aucun mouvement, et dans une quête intérieure inlassablement poursuivie, il a opéré une synthèse de l'héritage des musiques d'après-guerre dont il a extrait certaines caractéristiques techniques pour les mettre au service d'une véritable poétique musicale. En effet, contrairement à ses aînés, il explore moins le langage pour lui-même, faisant des nouvelles techniques le lieu d'une mutation dans la pensée musicale, qu'il ne cherche à le mettre au service de l'expression. Aussi se méfie-t-il d'une conceptualisation excessive, et de l'utopie dont l'oeuvre serait porteuse, préférant mettre en valeur les vertus d'un artisanat qu'il enseigne par ailleurs à Vienne et à Genève, ainsi que lors de nombreux séminaires à travers l'Europe. Ses oeuvres, facilement identifiables dans l'abondante production contemporaine, sont toutes liées les unes aux autres, non seulement par une certaine forme de sensibilité, leur tonalité propre, mais aussi par la récurrence de certains traits que Jarrell retravaille dans des contextes différents. Il s'est ainsi très tôt constitué un univers qu'il ne cesse de remodeler, visant moins l'originalité apparente de chacune des pièces qu'un déplacement constant des perspectives dans lesquelles les mêmes idées, en elles, peuvent être appréhendées. 'Cent fois sur le métier...' voilà quelle pourrait être sa devise. On trouve ainsi dans chacune de ses oeuvres quelque chose de familier qui acquiert en même temps une certaine étrangeté, sentiment qui constitue peut-être un élément essentiel de son expressivité. La musique de Jarrell arpente les régions du rêve et de l'irréalité, à la recherche de son moment de vérité, souvent situé dans les sonorités les plus graves et tes plus lentes, là où le temps, ailleurs agité, s'immobilise. C'est peut-être ce qui confère à sa musique une forme de tendresse inséparable de la beauté sonore, allant jusqu'à un esthétisme raffiné, loin des recherches extrêmes et des formulations autoritaires. Chez lui, même les techniques instrumentales les plus inhabituelles, ou les sonorités électroniques, auxquelles il a souvent recours, sont rapatriées dans un monde sensible emprunt de pureté où ce sont les qualités expressives qui dominent. Celles-ci ne renvoient pas forcément au moi du compositeur, qui tend au contraire à s'effacer, mais davantage à l'essence même du musical, au phénomène en soi, porteur d'une présence singulière au monde.
On retrouve de telles qualités dans sa dernière oeuvre, ...Le ciel, tout à l'heure si limpide, soudain se trouble horriblement..., commandée par l'Orchestre de la Suisse Romande. Elle fait appel à un grand orchestre symphonique standard: 3 flûtes (dont alto et piccolo, 2 hautbois et cor anglais, 2 clarinettes et clarinette basse, 2 bassons et contrebasson, 4 cors, 3 trompettes, 3 trombones, tuba, harpe, timbales, 4 percussions (vibraphone, glockenspiel, cloches tubes, cymbales, bongos, tam-tam, grosse caisse, temple blocks, tom grave, spring coils, triangle, mark tree) et cordes. Malgré un titre qui pourrait sous-entendre un élément programmatique, l'oeuvre appartient à la catégorie de la musique pure. L'orchestre y est traité de façon conventionnelle, mais avec une virtuosité d'écriture, un raffinement dans la sonorité qui exige beaucoup de ses interprètes.
D'un seul tenant, l'oeuvre se divise en quatre parties principales d'inégale longueur, les deux premières étant plus importantes que les deux suivantes: la première est constituée d'un continuum de notes rapides réparties entre les cordes et Les bois, tandis que les trompettes, doublées par différents instruments, lancent une figure d'appel incisive qui s'allonge progressivement. L'écriture est d'une grande virtuosité, les figurations en triples croches passant d'un instrument ou d'un groupe à un autre. Les notes rapides se figent une première fois dans des oscillations jouées notamment par les cordes divisées, puis à travers des notes répétées qui traversent toute la texture orchestrale. Après un passage intermédiaire privilégiant les sons graves, l'écriture vive reprend jusqu'à un sommet dramatique marqué par des trilles, aussitôt suivi d'une désintégration qui mène à la seconde partie.
Celle-ci débute avec des quintes jouées par les cordes graves divisées et colorées par les percussions (les contrebasses, qui doivent modifier leur accord, jouent des sons harmoniques). La musique semble vouloir repartir d'un point originel, elle se réinvente à partir d'une structure élémentaire, dans une extrême douceur. L'impétuosité du début laisse place à une grande délicatesse des sonorités. C'est un trait que l'on retrouve dans de nombreuses pièces de Jarrell: après l'effervescence d'une écriture brillante, agitée, nerveuse, que l'auditeur suit dans sa course folle, vient un moment réflexif et profond, qui nécessite une réorientation de l'écoule, une plongée dans la nature même du phénomène sonore. La trame qui se déploie dans un tempo lent offre ainsi une autre image de la sonorité orchestrale, comme si une musique des origines, au caractère de litanie, était soudain dévoilée sous la couche éclatante du début. Elle donne le sentiment d'avoir commencé bien avant son moment d'apparition, comme si elle provenait des couches profondes de la conscience, d'une mémoire archaïque. D'ailleurs, Jarrell réélabore ici un passage d'une pièce antérieure, Music for a While, lui reprenant son matériau de base. Le sentiment de profondeur est dû au formidable ralentissement du temps, qui nous met soudainement en apesanteur, mais aussi à une forme en spirale, qui tranche avec la musique directionnelle qui précédait. L'effet que provoque la distance sensible entre de tels contrastes est onirique: on ne sait plus si la première partie, qui nous échappe en se projetant vers l'avant, n'était qu'une forme illusoire, ou si nous entrons, avec la partie lente, dans une sorte de rêve éveillé.
Un passage central, dans cette seconde partie, s'organise autour de guirlandes sonores à la harpe et aux cloches que tout l'orchestre remplit de sonorités suaves. Les arpèges descendants des vents doublés par des pizzicatos de cordes, que transpercent des notes répétées aux trompettes et aux cors, dans un climat encore doux, annoncent la reprise du mouvement frénétique. Mais cette fois, ce sont moins des figures virevoltantes qui passent à travers les pupitres que des blocs de notes joués par la masse des instruments: des figures qui s'élancent vers le haut aboutissent à des notes répétées, en une forme d'antiphonie, et mènent à un sommet d'intensité. Après quoi, en guise de coda, une quatrième partie nous conduit à une fin mourante: l'harmonie se fige, les polyrythmes annulent toute sensation de mesure, les longues tenues des instruments graves chutent chromatiquement, les percussions jouant des figures rituelles, en résonance, jusqu'à l'immobilité finale.
Le titre de la pièce provient de Lucrèce (De la nature). Il n'a pas de signification structurelle immédiate, comme souvent chez Jarrell, mais exprime en quelques mots l'idée qui avait présidé au morceau. Le trouble s'apparente ici à une forme d'étrangeté, à quelque chose d'inquiétant qui n'apparaît pas de façon narrative, tel un vent d'orage dans un ciel serein, mais comme l'essence même de l'articulation formelle entre deux types d'écriture, deux types d'expression qui exigent des temporalités opposées l'une à l'autre. La soudaineté, c'est le renversement entre les deux. Pourtant, on retrouve un même noyau entre les parties vives et les parties lentes, la quinte jouant dans les deux cas un rôle structurel, et le mib apparaissant comme une note polaire (toute la musique de Jarrell est aimantée par des pôles qui orientent l'écoute). Si le passage du limpide au trouble se traduit par la sonorité orchestrale, par le maniement très sensible des timbres qui provient en grande part de la tradition orchestrale française, il se manifeste aussi par des figures qui évitent tout profil thématique, toute forme mélodique au sens traditionnel du terme, et qui composent la texture. L'auditeur a directement à faire avec la matière sonore. Et celle-ci est composée de part en part.
L'adjectif poétique vient à l'esprit pour définir une invention qui s'écarte aussi bien des formes illustratives que des constructions schématiques, et qui repose essentiellement sur l'organisation des hauteurs au détriment des effets, des sonorités bruiteuses ou des gestes iconoclastes. Et malgré les passages brillants, malgré les explosions sonores toujours maîtrisées et un maniement virtuose de l'orchestre, cette poétique révèle un caractère fondamental plutôt intimiste.
Philippe Albèra / contemporain / Répertoire / Orchestre
43.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Otto M. Schwarz: Roller
Coaster: Orchestra: Score
& Parts Orchestra [Score and Parts] Mitropa Music
A Symphonic Sketch-In this piece Otto M. Schwarz depicts a ride on a roller coa...(+)
A Symphonic Sketch-In this piece Otto M. Schwarz depicts a ride on a roller coaster. At the beginning the cars are pulled up by a chain. High above the ground the ride suddenly begins the steep descent with the loop the loop being accompanied by the screams of the passengers. Towards the end of the piece the ride becomes faster and faster and then finally comes to an abrupt end. The musical sketch Roller Coaster is especially suitable as an encore for your concerts. Climb on and let the ride begin!
96.99 GBP - Sold by Musicroom UK | |
| Otto M. Schwarz: Roller
Coaster: Orchestra: Score Orchestra Mitropa Music
A Symphonic Sketch-In this piece Otto M. Schwarz depicts a ride on a roller coa...(+)
A Symphonic Sketch-In this piece Otto M. Schwarz depicts a ride on a roller coaster. At the beginning the cars are pulled up by a chain. High above the ground the ride suddenly begins the steep descent with the loop the loop being accompanied by the screams of the passengers. Towards the end of the piece the ride becomes faster and faster and then finally comes to an abrupt end. The musical sketch Roller Coaster is especially suitable as an encore for your concerts. Climb on and let the ride begin!
15.99 GBP - Sold by Musicroom UK | |
| Ernesto Lecuona:
Malaguena: Concert Band:
Score & Parts Orchestra Southern Music Ltd
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...(+)
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
189.99 GBP - Sold by Musicroom UK | |
| Malaguena: Concert Band:
Score Orchestra Southern Music Ltd
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...(+)
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
19.99 GBP - Sold by Musicroom UK | |
| Irish Reel (Score) Orchestra Faber Music Limited
Britten's Irish Reel was composed in 1936 as title music for a documentary film ...(+)
Britten's Irish Reel was composed in 1936 as title music for a documentary film made by Marion Grierson and Evelyn Spice. Around the Village Green was made for the Travel and Industrial Development Association, which explored the changes to rural life in East Anglia after the increased mechanisation of agriculture. In his incidental music, Britten incorporated a riotous medley of folk songs and other traditional tunes (including 'Early One Morning', 'The Vocar of Bray', and Sheild's 'The Plough Boy'), many of which were suggested to him by the Norfolk-based composer E.J.Moeran.
15.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Gesu Bambino (The Infant
Jesus): Orchestra: Score Orchestra Southern Music Ltd
Pastorale for Christmas-Though lesser known than some Christmas melodies this s...(+)
Pastorale for Christmas-Though lesser known than some Christmas melodies this stately pastoral work incorporates the chorus of O Come All Ye Faithful (or Adeste Fideles) into the writing. The original melody by Yon is rather remarkable in its elegant beauty and sounds timeless and enchantingly ancient though it was written rather recently in 1917. Pietro Yon was an organist who spent most of his career at the St. Patrick Cathedral in New York. Yon was well regarded in his lifetime by fellow musicians notably among his pupils was the celebrated American songwriter Cole Porter and upon his passing in 1943 Arturo Toscanini himself was among those who attended his large funeral. This arrangementbegins solftly with a simple statement of the melody in the trumpets. The theme expands as it is passed around the various instrumental choirs with increasing use of counterpoint. Culminating in a joyous exhaultation the music winds to a gentle and serene conclusion. The score is well-cued in key sections where the melody is prominent.
15.99 GBP - Sold by Musicroom UK | |
| Pietro Yon: Gesu Bambino
(The Infant Jesus):
Orchestra: Score & Parts Orchestra [Score and Parts] Southern Music Ltd
Pastorale for Christmas-This stately pastoral work incorporates the chorus of O...(+)
Pastorale for Christmas-This stately pastoral work incorporates the chorus of O Come All Ye Faithful (or Adeste Fideles) into the writing. The original melody by Yon is rather remarkable in its elegant beauty and sounds timeless and enchantingly ancient though it was written rather recently in 1917. Pietro Yon was an organist who spent most of his career at the St. Patrick Cathedral in New York. Yon was well regarded in his lifetime by fellow musicians notably among his pupils was the celebrated American songwriter Cole Porter and upon his passing in 1943 Arturo Toscanini himself was among those who attended his large funeral. This arrangement begins solftly with a simple statement of the melodyin the trumpets. The theme expands as it is passed around the various instrumental choirs with increasing use of counterpoint. Culminating in a joyous exhaultation the music winds to a gentle and serene conclusion. The score is well-cued in key sections where the melody is prominent.
74.99 GBP - Sold by Musicroom UK | |
| Alexander Scriabin: Poem
Of Ecstasy And
Prometheus: Orchestra:
Score Orchestra Dover Publications
In the early years of our century when vital new forces were revolutionising th...(+)
In the early years of our century when vital new forces were revolutionising the arts Russian-born Alexander Scriabin (1872-1915) was one of the visionary pioneers who sought a new musical language. At least a full decade before the advances of Stravinsky and Schoenberg Scriabin had begun the process of a complete break with all musical conventions. By 1905 he was immersed in a search for a way to express in sound the mystical and theosophical ideas obsessed him. Scriabin’s last two orchestral works were the products of a virtual delirium of composing. Simultaneously refining his poem called Poem of Ecstasy andcompleting the symphony that grew out of it (and shared its name) Scriabin never forgot the rapture of composing this work about creation and self-fulfilment: “I gasp for breath but oh what bliss! The very meter kindles the meaning…” Prometheus: Poem of Fire – Scriabin’s last and most revolutionary symphony – portrays Man’s epic journey from the mists of beginning time to a wonderous self-realisation given the gift of fire and light to make creative vision possible. Massively scored Prometheus incorporates a “colour Organ” to bathe the performance space in a vast interplay of coloured lights. For the music professional and every student of composition orchestration and conducting both scores are strikingly original and instructive. Equally fascinating are Scriabin’s approach to composition the extraordinary sonorities of his orchestra and his fanciful often supercharged performance instructions that replace conventional words for tempo mood and expression.
15.20 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Turandot - Movement 1:
Orchestra: Score Orchestra Southern Music Ltd
From the Suite To Gozzi's Fairy Tale Drama-The Gozzi's Turandot - in one form or...(+)
From the Suite To Gozzi's Fairy Tale Drama-The Gozzi's Turandot - in one form or another - occupied Busoni at various times in the years 1904-1917. He was very fond of fantastical and magical tales: his immediately preceding work was the Piano Concerto Op. 39 BV247 which included music from an unfinished adaptatioon of Adam Oehlenschläger's Aladdin. In 1904 Busoni began sketching incidental music for Gozzi's Chinese fable. He also arranged a concert suite which was first performed in 1905 and published in 1906. A production of Gozzi's play with Busoni's music was mounted by Max Reinhardt in Berlin in 1911 and for the second and last time in London in 1913. This transcription of the first movement of Busoni's Turandotsuite was created for George A. Treviño and his superb Lopez High School Band of Brownsville Texas. The piece was premiered in February 2017 at the Texas Music Educators Association convention on the occasion of the Lopez band's 6A Honor Band performance.
25.99 GBP - Sold by Musicroom UK | |
| Ferruccio Busoni:
Turandot: Orchestra:
Score & Parts Orchestra [Score and Parts] Southern Music Ltd
From the Suite To Gozzi's Fairy Tale Drama-The Gozzi's Turandot - in one form or...(+)
From the Suite To Gozzi's Fairy Tale Drama-The Gozzi's Turandot - in one form or another - occupied Busoni at various times in the years 1904-1917. He was very fond of fantastical and magical tales: his immediately preceding work was the Piano Concerto Op. 39 BV247 which included music from an unfinished adaptatioon of Adam Oehlenschläger's Aladdin. In 1904 Busoni began sketching incidental music for Gozzi's Chinese fable. He also arranged a concert suite which was first performed in 1905 and published in 1906. A production of Gozzi's play with Busoni's music was mounted by Max Reinhardt in Berlin in 1911 and for the second and last time in London in 1913. This transcription of the first movement of Busoni's Turandotsuite was created for George A. Treviño and his superb Lopez High School Band of Brownsville Texas. The piece was premiered in February 2017 at the Texas Music Educators Association convention on the occasion of the Lopez band's 6A Honor Band performance.
189.99 GBP - Sold by Musicroom UK | |
| Olivier Messiaen: Saint
Francois d'Assise -Act
III 7. Les stigmates:
Opera: Français Orchestra [Sheet music] Leduc, Alphonse
Saint François D'Assise is an opera in 3 acts by Olivier Messiaen. This volume...(+)
Saint François D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is part of the edition that includes the books with the full Orchestra scores as well as the explanations analysis and comments of each tableau. It is focused on the “Act 3 Tableau 7. Les stigmates” which tells of the moment when Saint Francis receives the stigmata which proves that God approves his status of Saint. This tableau is happening when Saint Francis is alone in a cave in Verna. The music with a choir depicts a feeling of anxiety until the Choir interprets the voice of the Christ. Saint Francis is then hit by some lightfrom a cross that appeared to him in the exact same places where the Christ was hit by the Stigmata. The Orchestra is really strong on that tableau and depicts one of the most important moments of the opera Based on the life of Saint Francis of Assisi this opera is set in Italy and is divided as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was first played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French Organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the Bird Catalogue in 7 volumes and the Treatise on rhythm colour and ornithology in 7 volumes.
236.99 GBP - Sold by Musicroom UK | |
| Joaquín Turina: Danzas
Fantasticas: Orchestra:
Score Español Orchestra [Sheet music] Unión Musical Ediciones
The Danzas Fantasticas Fantastical Dances of Joaquin Turina are the composer...(+)
The Danzas Fantasticas Fantastical Dances of Joaquin Turina are the composer?s best known work originally scored for Piano but Orchestrated by the composer and performed first in 1920 in their Orchestrated version. The work is full of exalted romantic melodies Iberian flourishes and exciting instrumental writing. The work quotes passages from the novel La Org a (The Orgy) by José Más at the beginning of each of the three movements. The movements are Exaltación a jota dance in 3/8 Ensueño (Dream) a zortziko in 5/8 and Org a a farruca all regional dances of Spain.Joaquin Turina is often contrasted with Albéniz and Granados those two proponents of a Spanish nationalstyle. Turina strove to write music of a European standard in the conventional major forms and it is possible to hear the influence of Turina?s years studying in Paris as well as his native Spain combined with the composer?s own unique Voice.
21.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Orchanics 1: Orchestra:
Score and Parts Orchestra Goodmusic Publishing
Three new collections of varied pieces for orchestra for players from beginner t...(+)
Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 1 contains:-Playing Tag (Richard Ling); Eastern March (Richard Ling); Autumn from Four Seasons (Vivaldi); Entertainer (Joplin); St.Anthony Chorale (Brahms/Haydn); Jazz Train (Richard Ling); Caribbean Carnival (Richard Ling); Hark the herald angels sing.
55.00 GBP - Sold by Musicroom UK | |
| Olivier Messiaen: Saint
Francois d'Assise - Act I
2. Les Laudes: Opera:
Score Français Orchestra [Sheet music] Leduc, Alphonse
Orchestra Scores-Saint Francois D'Assise is an opera in 3 acts by Olivier Messi...(+)
Orchestra Scores-Saint Francois D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is part of the edition that includes the books with the full Orchestra scores as well as the explanations analysis and comments of each tableau. It is focused on the “Act 1 Tableau 2. Les laudes” which tells of the moment when Saint Francis his requests to God to meet a leper and to be able to love him. This tableau depicts Saint Francis and the “Mineurs Brothers” singing the morning service until the bells ring leaving Saint Francis alone to pray. It includes Saint Francis’ prayers some parts of Cantique descréatures on Brother Wind Sister Water Brother Fire and Mother Earth and the Sanctus. Based on the life of Saint Francis of Assisi this opera is set in Italy and is composed as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was first played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on Rhythm Colour and Ornithology' in 7 volumes.
236.99 GBP - Sold by Musicroom UK | |
| Olivier Messiaen: Saint
Francois d'Assise - Act
II: Opera: Score Français Orchestra [Sheet music] Leduc, Alphonse
Saint Francois D'Assise is an opera in 3 acts by Olivier Messiaen. This volume ...(+)
Saint Francois D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is part of the edition that includes the books with the full Orchestra scores as well as the explanations analysis and comments on each tableau. It is focused on the “Act II Tableau 4. L’Ange voyageur” which describes the appearance of the “Traveller Angel” to Saint Francis. This tableau is introduced by each of the themes of Brothers Leon Élie and Bernard and the theme of Philemon the bird. It opens as the Brothers are confronted to the Angel but don’t recognise him straight away except for BrotherBernard who reacts wisely. The Angel then requests to talk to Father Francis and the tableau finishes introducing the following part: “Act II Tableau 5. L’ange musicien”. Within this tableau 4 birdsong can be heard that is reminiscent of Messiaen's 'Bird Catalogue' collection. Based on the life of Saint Francis of Assisi this opera is set in Italy and is composed as per below: Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L’ange voyageur 5. L’ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.
236.99 GBP - Sold by Musicroom UK | |
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