The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers now brought to the fore are piccolo alto flute cor anglais clarinet inEb bass clarinet in Bb and contrabassoon. They make a motley group diverse in colour as in register and one of the tasks of the piece sets itself is to have them blend and cohere both together as an ensemble and in partnershipwith the string orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo recitativesfor the alto flute a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slowinterventions including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement or sequence of short slow movements followed by a dancing finale with its own slowepisodes. Altogether this is music of songs and dances heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe having six chanters and a drone of variegated string texture.

Jack Mason's showcase features six songs skillfully scored for school orchestra. This set from Bernstein's timeless West Side Story contains score and seperate parts for Flute I Flute II Piccolo Oboe I Oboe II English Horn Clarinet in B I Clarinet in B II Bassoon I Bassoon II Alto-Sax I Alto-Sax II Tenor-Sax. Baritone-Sax F-Horn I-IV Trompete I-III Posaune I-III Tuba 3 Timpani-Percussion Harp 8 Violin I 8 Violin II 4 Viola 4 Cello and 4 Double Bass.

Score-This 1975 work was commissioned by the National Endowment for the Arts as part of the American bicentennial celebrations. It was premiered by the Detroit Symphony Orchestra conducted by Aldo Ceccato on April 1 1976. Mostly themusic is based on original themes by Gould although there are a few references to actual traditional spirituals highly transformed by the composer. His intention was to reflect a sound of America's musical heritage in thisbicentennial work. 2 Piccolo 2 Cor Anglais 2 Eb Clarinet Bass Clarinet 2 Contrabassoon Timpani 3 Percussion Harp Piano Strings.

A Worship Experience for All Seasons-God for Us proclaims God's goodness and encourages believers that He is with us and He is also for us. This Don Moen musical following on his God with Us features beautiful orchestral music choirs spoken parts and testimonies. Titles include I Worship You Almighty God Awesome God Think About His Love Mighty Is Our God and more. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Trumpet 1-3 Horn 1 2(Alto Sax) Trombone 1 2 (Tenor Sax/Baritone Treble Clef) Trombone 3/Tuba Violin 1 2 Viola (Clarinet 3) Cello (Bassoon/Bass Clarinet) String Bass Synthesizer String Reduction Drums Percussion 1 2 Rhythm(Piano/Guitar/Bass). SATB Listening Cassette Listening CD Cassette Accompaniment Trax (Split) Cassette Accompaniment Trax (Stereo) CD Accompaniment Trax (Split) CD Accompaniment Trax (Stereo) Ochestration Preview Pack(Cassette) Preview Pack (CD) Bulletin Pack (100).

Days of Elijah-A collection of 12 classic and rising anthems for the worshiping choir! Featuring Days of Elijah Above All Worthy Is the Lamb and Only a God Like You. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Bass Clarinet Trumpet 1 2 3 Horn 1 2 (Alto Sax) Trombone 1 2 (Tenor Sax/Baritone TC) Trombone 3/Tuba Percussion 1 2 Harp Violin 1 2 Viola (Clarinet 3) Cello/Bassoon String Bass Synthesizer StringReduction and Rhythm. Instrumentation varies. SATB Listening CD CD Accompaniment Trax (Split) Preview Pack (CD) and CD 10-Pack also available.

ACT has been described as both a musical onslaught and also a playful tour de force an impressive and skilful work for full Orchestra. When Wallin’s Clarinet Concerto was performed by the ClevelandOrchestra in 2002 the composer was so buoyed by the warm reaction of audience and musicians that he was inspired to create this work for Orchestra to summon all its forces as one entity in forward motion together. Of the genesisof this piece Wallin wrote that ‘The foundation of mankind’s success is our ability to cooperate. For me one of the most amazing examples of human collaboration is the symphony Orchestra'. RolfWallin is a renowned Nordic composer whose work encompasses elements of classical training jazz early music and avant garde rock while incorporating a wide range of techniques and expressions.

Violin 1 - 5 copiesViolin 2 - 4 copiesViola - 3 copiesCello - 3 copiesDouble bass - 2 copiesFlute 1Flute 2OboeClarinet 1Clarinet 2BassoonHorn 1Horn 2Horn 3Horn 4Trumpet 1Trumpet 2Trombone 1Trombone 2Bass trombonePercussion - 2 copiesPiano Score

for Solo Group (fl clar hrn vl and vc) and Orchestra-For solo group (flute clarinet horn violin and cello) and orchestra.

For Soprano Tenor Male Narrator and Ensemble.Published in 1970.Soprano voice Tenor voice Narrator Flute/Alto Flute/Piccolo Clarinet/Bass Clarinet/Baritone Saxophone French Horn Piano/Cembalo Violin Viola and 2 Percussionists.Score.

F major-Flute (2) Oboe (2) Clarinet in b-minor (2) (bass clarinet) Bassoon (2) Bugle (4) Trumpet (2) Trombone (3) Timbal Triangle Strings

Flute Oboe Clarinet Contrabass Clarinet or Double Bass Bassoon Horn Trumpet Trombone 2 Violins Viola Cello PercussionFirst performance: Tokyo 1981 Jo Kondo (cond) Musica Practica Ensemble.

Asbjørn Schaathun's Chorale(s) (2011) for seven instruments. Written for the Affinis Ensemble in memoriam Igor Stravinsky. Scored for Cor Anglais Clarinet (db Bass Clarinet) Alto Saxophone (db. Tenor Sax) Trumpet Guitar Percussion and Piano. Parts are for hire: hire@ewh.dk

Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.

A delightful and playful Concertino from the Bosworth School Orchestra series.Arrangement details: Piano Conductor5 x Violin A5 x Violin Principale 15 x Violin Principale II5 x Violin E3 x Viola Principale3 x Viola5 x Cello/BassFluteOboe2 x ClarinetTrumpetTromboneTimpani

Soleriana is one of the longest orchestral works of the Spanish composer Joaquin Rodrigo. Each of its eight movements are based on a different Harpsichord sonata by his compatriot Antonio Solar (1729-1783) hence the title. Scored for a chamber orchestra of Flute Piccolo Oboe Clarinet Bassoon Horn Trumpet and Strings it was first performed by the Berlin Philharmonic in 1953. The delightful orchestration mimics the sound of the original Harpsichord. Joaquin Rodrigo (1901-1999) was born in Valencia and lost his sight to diphtheria at the age of three. He began to study music five years later and became one of Spain’smost distinguished composers musicologists and pedagogues.