This is the first time that a version of Gustav Holst's The Planets for solo Piano has been published. In this glorious publication the emotional rollercoaster that is this seven-movement orchestralsuite can be played on a single Piano with those crashing chords and textural melodies sounding just fantastic on the solo keys. Originally scored for two pianos and four hands this epic orchestral workcontinues to astound and astonish audiences around the world even a century after Holst begun work on the first movement Mars the Bringer of War. This volume allows the solo pianist to emulate those gloriousmelodies wonderful harmonies and dynamic rhythms bringing the wonder of The Planets to the keys. This unique arrangement of The Planets reduces the entire orchestra tojust a solo Piano with some fingering hints throughout. The lovely engraving is an absolute pleasure to read from and the sound of those thunderous rhythms and sweet melodies sounds absolutely brilliant coming from the purityand clarity of a solo Piano. With all seven movements included in this The Planets sheet music you'll be able to learn Mars Venus Mercury Jupiter Saturn Uranus and Neptune in theentire work that's sometimes thunderous occasionally calm often bombastic but always beautiful. With the full-colour astrophotography of the cover the detailed accurate and clear engraving and theinherent uniqueness of such an arrangement befits the timeless and enduring achievement of a work like this. The compositional history and musical qualities of The Planets are fascinating and the lengthyintroduction details the rhythms the harmonies and the personality that Holst injected into his work so you can learn about this glorious work before delving into the stunning arrangement of each of the seven

The Joy Of Holst is a fantastic collection of 11 original and newly-arranged pieces by the great English composer Gustav Holst.This album for solo Piano includes Nocturne In The BleakMidwinter selections from his masterpiece The Planets and excerpts from The Perfect Fool and Somerset Rhapsody.'The Joy Of...' series is a constantly growing collection of musical editionsthat is now recognised and loved throughout the world.Originally defined by the editorial hand of renowned teacher arranger and musicologist Denes Agay the series continues to reflect his influence and covers a widevariety of musical genres including the classics folk jazz blues ragtime and children’s music.New titles are constantly being added to an already extensive range ensuring that 'The Joy Of...' series continues to be avital growing treasury of the world’s best music.Students and teachers all over the world have welcomed 'The Joy Of...' books for their imaginative choice of material consistent settings and accessible large-formatstyle.

Gustavo Beytelmann has taken some of the most beautiful tango music ever written and created his own arrangements for solo piano. His collection shows how varied the genre is, from the ragtime-like lilt of El esquinazo to the romantic waltz La loca de amor by Pablo José Vázquez and the energetic El entrerriano by Rosendo Menizabal, as well as a new arrangement of Carlos Gardel's immortal El dia que me quieras. Beytelmann shows too how technically varied these works can be. Each of the pieces features specific performance techniques such as accents, tempo changes, balance and attack and he advises Spend some time concentrating on these elements and you will find the works even more enjoyable. These immensely rewarding pieces are equally suited to the concert stage as to the piano lesson. Gustavo Beytelmann has made a significant contribution to the evolution of the Tango, through his numerous recordings, performances and through his teaching. Born in Argentina, he began his professional career writing music for the cinema, working as pianist and arranger for the record industry and performing with various jazz ensembles. After moving to Paris, Astor Piazzolla invited him to participate in his European tour. He has continued to perform and compose across Europe and the Americas. From 1993 onwards he intensified his work as a composer. www.gustavobeytelmann.com Arolas Eduardo: Comme il faut Gardel Carlos: Cuesta abajo Gardel Carlos: El dia que me quieras Mendizábal Rosendo: El entrerriano Villoldo Angel: El esquinazo Arolas Eduardo: El marne Villoldo Angel: El portenito Vázquez Pablo José: La loca de amor Greco Vicente: Ojos negros Santa Cruz Domingo: Union civica Title: Solo Tango Solo Piano Scored for: for piano Arranger: Beytelmann Gustavo Degree of difficulty: 3-4 ISBN: 978-3-7024-6788-3 ISMN: 979-0-008-08139-2 Order number: UE34679

A collection of pieces by Johann Strauss II arranged for solo Piano and revised by Gustav Groschwitz.Includes:Gipsy Baron Prince Methuselah Night Birds Carnival in Rome Queen's lace handkerchief A Night in Venice The merry war and Indigo and the Forty Thieves.

Gustavo Beytelmann a pris certaines des plus belles musiques tango jamais écrit et a créé ses propres arrangements pour solo piano. Sa collection montre comment variées du genre, de la lilt ragtime ressemblant de El esquinazo de la Valse romantique La loca de amor par Pablo José Vázquez et l'entrettiano El énergique par Rosendo Menizabal, mais aussi une nouvelle entente d'immortel El dia que du Carlos Gardel me quieres. Beytelmann montre comment techniquement trop varié que ces oeuvres peuvent être. Chacune des pièces caractéristiques techniques de performance spécifiques tels que les accents, changements de tempo, équilibre et les attaque et il conseille ' Passer quelques temps se concentrant sur ces éléments et vous trouverez les oeuvres encore plus agréable '. Ces pièces extrêmement enrichissantes sont également adaptés à la scène de concert à la leçon de piano. Gustavo Beytelmann a apporté une contribution significative à l'évolution du Tango, par le biais de ses nombreux enregistrements, performances et son enseignement. Né en Argentine, il commence sa profession... / Piano

Opus 19. Par SCHOENBERG ARNOLD. One of the answers found by Schönberg?s circle to the question about how musical processes could be shaped without a tonal context was in the extreme streamlining of the form. With Schönberg?s Six Little Piano Pieces op. 19 of 1911, the concentration on the essential is legendary. Behind its fleeting gestures lie hidden depths, shown especially through its supposed reference in the last piece to Gustav Mahler?s funeral on 21 May 1911. With his carefully considered fingerings, Emanuel Ax invites all pianists to engage with these miniatures anew. The Henle Urtext edition publishes this modern classic in a new, generously laid out music setting. / Date parution : 2022-04-05/ Répertoire / Piano

Classique / Editeur : Kogel, Gustav F. / Partition : réduction piano (Klavierauszug) /

Là encore Gustavo Beytelmann a pris une partie de la plus belle musique de tango jamais écrit et créé ses propres arrangements pour piano solo. Sa sélection d'une dizaine de pièces montre comment varié dans le style compositionnel le tango peut être et ses conseils sur les différents aspects de la pratique de la performance et de l'interprétation est juste inspirant. / Piano

Arrangeur: Gustave Samazeuilh. Par CHABRIER ALEXIS-EMMANUEL. Arrangeur: SAMAZEUILH Gustave/ Répertoire / Piano

Arrangeur: Gustave Samazeuilh. Par CHABRIER ALEXIS-EMMANUEL. Arrangeur: SAMAZEUILH Gustave/ Répertoire / Piano

for piano-This first print is a rarity: the highly virtuoso evocative 'Nocturne' owes its creation to an instrument that has only survived as a museum piece.Gustave Lyon the director of the French instrument maker Pleyel commissioned Charles Koechlin as well as several other French composers (such as Claude Debussy and Maurice Ravel) to write works for the 'harpe chromatique' developed by him around 1900. In contrast to the common pedal harp the chromatic harp allows for an unlimited modulatory range. Nevertheless the instrument did not gain much acceptance and remained exotic.Koechlin was aware of the difficulty of introducing and establishing newinstruments. He therefore from the very beginning had the piano as an alternative of equal value in mind when writing his Nocturne.