Jack Brymer premièred this work originally called 'Sopsonare' in 1973 at the American School at St. John's Wood playing on Michael Krein's Selmer soprano saxophone. This Sonata the first composition for saxophone by Colin Cowles was inspired by the acquisition of a soprano saxophone whilst teaching in Hemel Hempstead in the early 1970s. Although having played on a simple system soprano as a boy (an instrument borrowed from and taught him by his father) this re-introduction to the instrument was to kindle a life-long love of the complete saxophone family and the composition of an almost endless 'library' of works for it at all levels. It was also at a time whenthe composers had made recent acquaintance with the eminent saxophonist Peter Ripper and had been introduced to the saxophone quartet by the recently formed London Saxophone Quartet whose leader Paul Harvey was to play this Sonata and the Elegy for Soprano Saxophone and String Orchestra. He in fact premiered the latter work which Jack Brymer then played in public on a number of occasions. It was recorded by Peter Ripper with the composer at the piano at the BBC Maida Vale Studios. It is a totally non-esoteric work but like so much of the composer's music it is fun and approachable bearing repetition without becoming tedious. The composer has always favoured the Bb saxophones (soprano and tenor) which is reflected by his output. Of particular note are: • Concerto for Tenor Saxophone and Orchestra• In Memoriam for Tenor Saxophone and String Orchestra• Sonata for Tenor Saxophone and Piano • Three Bala Sketches for Tenor Saxophone and Piano. This Sonata for Soprano Saxophone and Piano and the Elegy for Soprano Saxophone and Strings are particular favourites of the composer.

Pour Saxophone Soprano et Piano / for Solo Saxophone and Piano-André Jolivet’s Chant de Linos for Saxophone and Piano (arrangement: Carmen Lefrançois). Captivated by the magical and religious dimension of music André Jolivet (1905-1971) couldn’t help but have a predilection for the Flute a “deep expression of humankind (…) that charges sounds with what in us is both visceral and cosmic”. Eight years after the famous Incantations for solo Flute in 1936 he wrote the Chant de Linos for Flute and Piano. Its pedagogical purpose – as an examination piece for national Conservatoire students - does not mask itsgravity: in Ancient Greece it was a funeral lamento originally sung in memory of the poet Linos who lost his life to Apollo’s jealousy. In 1945 the composer transformed this piece into a powerfully charming quintet for Flute Violin Viola Cello and Harp. The Editions Leduc are publishing a transcription for Soprano Saxophone and Piano written by Carmen Lefrançois and approved by Christine Jolivet the composer’s daughter. Lefrançois beautifully avoids smothering the delicacy of the music with the Saxophone's dynamics which could prove excessive in this context. The threnody interspersed with ritual dances retains its strange beauty touching the hearts of a new generation of musicians.

Written by Robert Clérisse Sérénade Variée is a serenade piece for Bb Soprano Saxophone – or Tenor – and Piano accompaniment. Perfect for intermediate players this volume features the score and parts. The serenade itself is very melodious. It starts Andantino to evolve to Andante before coming back to the main tempo before a harmonious finale. Robert Clérisse (1899-1973) was a Saxophonist and composer. He was the founder of the Marcel Mule Saxophone Quartet.

Création 17/11/2017 - Buenos Aires (Argentine), CCK, Sala Argentina - Claude Delangle (saxophone), Odile Catelin-Delangle (piano) Dédicace à Claude Delangle et Odile Catelin-Delangle Notice Le rapport entre l'allure générale apparemment improvisatoire et une métrique incontournable fait de ces Trois nocturnes une excellente introduction, à l'univers de Claude Debussy. Cette oeuvre s'adresse aux élèves de 3e cycle des conservatoires régionaux qui recherchent une maîtrise très subtile des dynamiques au saxophone soprano. Ils auront plaisir à développer une véritable relation de musique de chambre avec leur partenaire pianiste pour acquérir calme et vigilance dans une conscience commune de l'équilibre des tempos. Claude Delangle Les Trois Nocturnes pour saxophone soprano et piano sont un hommage à Claude Debussy. Le titre, d'une part, fait référence au triptyque symphonique du compositeur français et correspond, en même temps, à l'allégorie de la nuit, présente dans plusieurs de mes pièces de musique de chambre. Il s'agit, dans les mots de J.L. Achaval, de la saveur de la nuit simple et silencieuse, où le sacré trouve un nid. Je développe ici des matériaux musicaux présents dans les Préludes de Debussy, Des pas sur la neige, La fille aux cheveux de lin et dans sa Rapsodie pour saxophone et orchestre. Ces Trois Nocturnes sont dédiés à Claude Delangle et Odile Catelin-Delangle. Alex Nante

J?ai écrit cette pièce mélodique pour ma fille, Paulien. C?est une musique aux sonorités enjouées, expressives et légères qui reflètent sa personnalité. Cette composition débute dans un climat lyrique et rêveur. Le premier passage, doux et délicat, mène à une section imposante et tonique, après quoi l?ambiance se transforme dans le mouvement suivant : ici, la mélodie et l?accompagnement sont légers, joyeux et dansants. Un développement conduit à un climax lumineux, où le thème du début réapparaît et divers éléments de la pièce sont repris, avant une conclusion qui retrouve le climat rêveur du début. - Bert Appermont / Partitions classique / Ensemble et orchestre / Ensemble vents / BERIATO MUSIC

Jind ich Feld's Sonata For Soprano Saxophone And Piano is still regularly performed by virtuoso Saxophonists. Composed in 1989 the Sonata is elaborate and quirky and successfully exploits many extended techniques on the instrument similar to the composer's Sonata for Alto Saxophone. Born in Prague Feld (1925-2007) studied Violin and Viola with his parents before studying at the Conservatory and Academy of Music of his native city. His compositions predominantly instrumental soon became popular being performed all over the world. As reflected in his Sonata For Soprano Saxophone AndPiano Feld's style is deeply rooted in the Czech musical tradition but he also integrated the main styles of 20th century Western music. The Sonata is made up of three movements 1. Molto moderato 2. Scherzo and 3. Finale. Each movement of the Sonata present different challenges from fast staccato semiquaver flourishes to the lyrical slurred passages. This Feld piece is highly virtuosic yet an excellent and enjoyable performance for all advanced soprano saxophonists.

For Soprano Saxophone and Organ accompaniment.'Peter Abelard was a medieval philosopher poet and musician born in France in 1079. He taught at Notre Dame Cathedral in Paris lodging with Canon Fulbert whoadmired hiswork. In time he also became tutor to Fulbert's beautiful seventeen-yearoldniece Helo se.Abelard and Helo se began a passionate love affair (Dance of Peter and Helo se) which resulted in a son Astrolabe.For thesake of Abelard's position they married secretly and Canon Fulbert waspresent at their marriage. But Fulbert later reacted furiously to news that Abelard hadsent Helo se to a convent believing that he had abandoned her infavour of his owncareer. In revenge he had Abelard castrated (Revenge of Canon Fulbert).After his mutilation Abelard became a monk and he and Helo se remained constantcorrespondents for the remainder of his life. Hecomposed a hymnbook for Helo se who by then was Abbess of the convent of the Paraclete. Among the hymns was avisionary poem of the New Jerusalem set to a beautiful melody in the Dorian mode O Quanta Qualia.On his death in1142 his remains were taken to the Paraclete at Helo se's request andher body was later laid to rest in the same tomb. Finally their remains were taken toParis and in 1817 they were buried together in one sepulchre (InParadisum).Peter Abelard documented much of his own story in a number of writings includingthe Historia Calamitatum Mearum (The story of mytroubles).'             - James Whitbourn

A homage to Claude Debussy by Argentinian composer Alex Nante. Arranged for soprano saxophone with piano accompaniment.

Commissioned by and dedicated to John Harle. This work was first performed on 23 November 1988. Duration : c. 17.5 minutes. Suitable for ABRSM exams.

Par GASPARIAN GERARD. / Niveau : Intermédiaire / classique / Répertoire / Saxophone Soprano et Piano