Description G. Schirmer Opera Anthology - Arias For Soprano Carefully chosen arias to anticipate the needs of singers, teachers and coaches for years to come. Songlist Ach, Ich Fühl's (Die Zauberflöte) [Mozart, Wolfgang Amadeus] Adieu, Notre Petite Table (Manon) [Massenet, Jules] Ah Je Rise De Me Voir (Faust) [Gounod, Charles] Ah Je Veux Vivre (Romeo Et Juliette) [Gounod, Charles] Batti, Batti, O Bel Masetto (Don Giovanni) [Mozart, Wolfgang Amadeus] Bester Jungling (Der Schauspieldirektor) [Mozart, Wolfgang Amadeus] Caro Nome (Rigoletto) [Verdi, Giuseppe] Deh Vieni, Non Tardar (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Donde Lieta Usci (La Boheme) [Puccini, Giacomo] Dove Sono I Bei Momenti (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Elle A Fui, La Tourterelle (Les Contes D'Hoffman) [Offenbach, Jacques] Fair Robin I Love (Tartuffe) [Mechem, Kirke] Je Dis Que Rien Ne M'epouvante (Carmen) [Bizet, Georges] Kommt Ein Schlanker Bursch Gegangen (Der Freischutz) [Weber, Carl Maria Von] Mi Chiamano Mimi (La Boheme) [Puccini, Giacomo] Monica's Waltz (The Medium) [Menotti, Gian Carlo] O Mio Babbino Caro (Gianni Schicchi) [Puccini, Giacomo] O War Ich Schon Mit Dir Vereint (Fidelio) [Beethoven, Ludwig Van] Porgi Amor (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Quando M'en Vo Soletta (La Boheme) [Puccini, Giacomo] Saper Vorreste (Un Ballo In Maschera) [Verdi, Giuseppe] Signore Ascolta (Turandot) [Puccini, Giacomo] Stridono Lassu (I Pagliacci) [Leoncavallo, Ruggiero] Sul Fil D'un Soffio Estastio (Falstaff) [Verdi, Giuseppe] The Black Swan (The Medium) [Menotti, Gian Carlo] The Silver Aria (The Ballad Of Baby Doe) [Moore, Douglas] Tu Che Di Gel Sei Cinta (Turandot) [Puccini, Giacomo] Un Bel Di (One Fine Day) (Madama Butterfly) [Puccini, Giacomo] V'adoro, Pupille (Giulio Cesare) [Handel, George Frideric] Vedrai Carino (Don Giovanni) [Mozart, Wolfgang Amadeus] Willow Song (The Ballad Of Baby Doe) [Moore, Douglas]

This landmark series collects compelling useful singer-friendly arias from a distinctly American opera tradition. Each volume includes information about every opera and an aria plot note. A majority of the music in the fourvolumes has never before been available outside of the opera vocal scores and some arias in the series have never been in print at all before now. Most arias are appropriate for college-level singers. Composers such as SamuelBarber William Bolcom Douglas Moore Virgil Thomson and Gian Carlo Menotti are well represented. Additionally arias are included from important works such as Regina A Streetcar Named Desire The Ghosts of Versailles TheGreat Gatsby Little Women and many others. Stephen Sondheim graciously agreed to adapt new aria editions of two pieces from Sweeney Todd for the series: ?The Contest? in the Tenor volume and?Epiphany? in the Baritone/Bass edition.A diverse selection of Arias from Operas by American composers for Soprano and Piano. Includes works by Gian Carlo Menotti Samuel Barber Kirke Mecham and Thomas Pastieri.

lyric coloratura. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Colorature

lyric. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Lyrique

A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProgramme Note: 'This work was commissioned as a possible companion piece to Mozart?s Exsultate Jubilate and the decision was quickly made to write something as a complete contrast. The poems chosen one anonymous from the early 16th century the other two by the famous Scottish poet William Dunbar [1460? 1513?] describe the promise of salvation after life?s dark passage. Each of the three poems echo this thought: ?In celum ther is joy with Thee? ?A short torment for infinite gladness? and ?Since erdly joy abides never Work for the joy thatlastès ever?. Thus in each poem the poet can overcome the fear of his inevitable death with the certainty of salvation: this work also has its ?dark? moments but the overall mood is one of calmness and peace. As with the words there are several musical motives that link the three songs. The musical motive for the refrain ?Terribilis mors conturbat me? in the first macaronic poem [also a salute to Mozart since the Exsultate is in Latin] returns a little higher and more despairingly in each verse until the last verse where it is played a whole octave higher. This motive reappears [played mostly by the oboes] in the last song but now the pitch of each repeat goes in reverse that is from high to low. The famous motive of the Gregorian chant Dies Irae [representing death] is used to accompany the prayer of the second song. A musical motive for the joy of Paradise appears in the second song ?A free choice given to Paradise or Hell?. There is also a ubiquitous 3-note chordal cluster which is used to illustrate the words: sometimes as a colour and

Piano Vocal Score and CD with instrumental and vocal versions. Par PUCCINI GIACOMO. / Recueil / Chant et Piano

Book/CD with Full Orchestra Accompaniments. With both recorded full performances and orchestra accompaniments this book presents the standard voice and piano reduction of each aria a short plot summary and translation.

A great vocal collection of ten musical theatre classics in their original keys. Includes matching CD with full performances of each song by professional artists and piano accompaniments for practice.