Christmas hits for SATB choir with piano accompaniment arranged by Berty Rice. Includes Happy Xmas (War Is Over) and Keeping The Dream Alive.

Arrangé pour chorale SSATBB A Cappella par Gene Puerling. / Voix / niveau : Intermédiaire / Partition Séparée

Chorbuch / Choral Score. Par HEMPFLING VOLKER. The new choral anthology Christmas carols of the world will enrich the Christmas repertoire for choirs, with lots of exciting choral arrangements of a selection of 85 international Christmas carols. It is edited by Volker Hempfling and contains arrangements by composers from 23 countries in their original languages, including John Rutter, John Høybye, Mark Sirett, Wolfram Buchenberg, Matti Hyökki and Fredo Jung. The settings for mixed choir a cappellare extremely varied, ranging from easy to difficult- some have accompaniment for keyboard instrument. In addition to the choral director's edition (with CD, Carus 2.142), an edition for the choir is available./ Répertoire / Choeur Mixte (SATB) et Piano

Carl Rütti (b. 1949) studied music at the Zürich Conservatoire. Studies in London with Kendall Taylor and Richard Latham kindled a fascination with English choral singing and inspired works for unaccompanied chorus. A steady output of mostly sacred choral music has followed including the large-scale Requiem (2007).Rütti's music blends the English choral tradition with other genres including jazz and the blues in rich colourful textures and has been performed all over the world. He has worked with notable choirs including in the UK The Bach Choir BBC Symphony Chorus Norwich Cathedral Choir and Cambridge Voices and in the USA the St Louis ChamberChorus. Many of his works have beenrecorded.He teaches piano at the Zürich Conservatoire gives concerts and recitals as a pianist and organist and is the organist of the local church in Oberägeri Zug.

Will Todd born in 1970 is forging a strong reputation for himself as a composer who is equally at ease in opera oratorio church music and jazz. His style is instantly accessible and lastingly memorable. He spent his formative years steeped in both jazz and the English choral tradition so in his choral music he is able to juxtapose strong rhythmic drive and rich harmonies with exquisitely lyrical vocal lines. 'The Christ-child' is an example of Todd's writing at its most beautiful. Setting words by G.K. Chesterton slow-moving piano chords underpin sublime four-part choral textures. 

An exciting, original, a cappella Christmas spiritual from Jay Althouse in the tradition of his 'No Room,' 'Have You Heard?,' and 'Whisper! Whisper!' Lots of effective dynamic contrasts make this a thrilling choral work for both singers and audience. Lush, slow middle section contrasts with up-tempo opening and closing sections. A quality choral work for your Christmas concerts. / Choeur Mixte (SATB) A Cappella

Par PARRY BEN. Ben Parry presents a trio of Christmas classics from the 60s, 70s and 80s. Two lively, light-hearted numbers, I'm Gonna Be Warm This Winter and I Wish It Could Be Christmas Every Day, are followed by Band Aid's compelling Do They Know It's Christmas? Arranged for accompanied SATB mixed voices. The Choral Programme Series is now a well-established programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles.  Please view sample pages below. / Choral Music / Répertoire / Voix Mixtes et Piano

Inspired by Geertgen's painting 'Nativity at Night' Candlelight Carol centres around the love of a mother on that first night in the stable. The orchestral material is compatible with both the SATBB and SSAA versions.

Joy to the World gets a gospel remake in this choral setting based on the recording by the contemporary group Avalon expertly arranged by Andre Williams. A great feature for community performances! Available for SATB SAB and SSA. Instrumental ePak and ChoirTrax CD also available. Performance time approx. 3:50. This version is set for SATB with Piano and optional instrumental accompaniment.

Vocalise-Will Todd born in 1970 is forging a strong reputation for himself as a composer who is equally at ease in opera oratorio church music and jazz. His style is instantly accessible and lastingly memorable. He spent his formative years steeped in both jazz and the English choral tradition so in his choral music he is able to juxtapose strong rhythmic drive and rich harmonies with exquisitely lyrical vocal lines.'Angel Song II' is inspired by the idea of angels singing on Christmas night. The music weaves a gentle melody over the aleatoric textures of the accompanying voices. The text is designed to create the echo of the word 'Hosanna' butwith no consonants so that the music feels as if it comes from 'on high'.'

Mirabile Dictu is from Sasha Johnson Manning's The Manchester Carols  with text by Carol Ann Duffy the Poet Laureatea large scale concert piece which reshapes and modernises the Christmas story to make it relevant to modern society. The piece was written to acknowledge that whilst not everyone embraces the religion behind the Nativity story everyone can appreciate it as an inspiring magical tale. The carols are for everyone believers or not and are a popular Christmas choice for choirs looking for a large scale concert piece.  Published as a stand alone piece  MirabileDictu is the first carol in the collection and is written for accompanied SATB choir. This piece is from Faber's Choral Signature series which introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. the series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.

Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint the highest of all who discards everything for Christ's sake. He discards all convention all decency all wealth actual and spiritual and turns himself into a figure of fun - defying all acceptable behaviour - and all religious decency. He stands in the square and lets down his trousers - he stuffs himself with food on Good Friday - he gets drunk - he 'appears'to fornicate wildly. There is a faint possibility (in not the highest of 'Fools') of gaining worldly popularity by such flagrant denial of all moral behaviour. Can such behaviour be too interesting? The true fool however embraces all of this and also (unseen) shrinks before the face of his God. By his behaviour he plucks out all hypocrisy false piety and corruption. He is a figure much needed in our times!!! The way I have tried to tacklethis extraordinary subject is to show him in seven stages from an obscene huge fat traditional clown who is drunk fornicating etc. through a stumbling frail agonized figure to a sallow-faced gaunt business man in a formalsuit staring at an empty glass. Having first revered him then mocked him the 'people' while they get drunk and jabber away at 'Christmas' and at the Feast of Feasts 'Easter' are no longer aware of him. But the audience seeshim - a tiny ragged scrap of mortality lying in a corner and faintly so faintly the voice of the Fool the true Fool for Christ's sake sings above the ribald crowd. 'He has given His life'. The Gogmagogs are the 'people' 'priests' 'singers' etc. and one male singer who can 'create' or 'uncreate' this vast role (singing and acting miming etc.) John Tavener Arranged for SSATBB chorus. Date of composition 2000. Chorus part only.

The tuneful melody of this lovely Austrian carol dominates the choral texture whilst the Piano Accompaniment provides a colourful harmonic underlay and feeling of momentum. Still Still Still has been beautifully arranged for SATB Chorus with optional Childrenâ??s Voices and Piano Accompaniment by David L. Brunner.Although scored for SATB unison voices may effectively be substituted for the Soprano line.