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Three Laments of Heloise for Chamber Orchestra
Three Laments of Heloise for Chamber Orchestra
$100.00
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Chamber Orchestra
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Dosia McKay
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Gavia Music
O Love, that wilt not let me go - Soprano solo plus chamber orchestra SCORE
O Love, that wilt not let me go - Soprano solo plus chamber orchestra SCORE
$10.00
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Chamber Orchestra
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Stuart Brown
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Stuart Brown Music
O Love (Soprano solo plus chamber orchestra ALL PARTS)
O Love (Soprano solo plus chamber orchestra ALL PARTS)
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Chamber Orchestra
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Stuart Brown
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Stuart Brown Music
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The Lenten Sketches
Chamber Orchestra
[Set of Parts]
Shawnee Press
By Joseph M. Martin. Chamber Orchestra. Harold Flammer Easter. Set of parts. Pub...
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By Joseph M. Martin. Chamber Orchestra. Harold Flammer Easter. Set of parts. Published by Shawnee Press
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Seven Pierrot Miniatures
Chamber Orchestra
[Sheet music]
Chester
Chamber Ensemble
. Composed by Helen Grime. Music Sales America. Softcover...
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Chamber Ensemble
. Composed by Helen Grime. Music Sales America. Softcover. Chester Music #CH77913. Published by Chester Music (HL.14041742).
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Paul Hindemith - Kammermusik No. 6, Op. 46, No. 1
Chamber Orchestra
[Study Score / Miniature]
Eulenburg
(Viola d'amore and Chamber Orchestra Study Score (New Edition)). By Paul Hindemi...
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(Viola d'amore and Chamber Orchestra Study Score (New Edition)). By Paul Hindemith (1895-1963). Edited by Giselher Schubert. For Chamber Orchestra, Viole d'Amour. Schott. Softcover. 44 pages. Eulenburg Edition #ETP1468. Published by Eulenburg Edition (HL.
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Kammermusik No. 1 Op. 24 No. 1 (Chamber Music No. 1)
Chamber Orchestra
[Study Score / Miniature]
Hal Leonard
(Eulenburg Study Score). By Paul Hindemith (1895-1963). Study Score. Study Score...
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(Eulenburg Study Score). By Paul Hindemith (1895-1963). Study Score. Study Score. Softcover. 106 pages. Hal Leonard #ETP1463. Published by Hal Leonard
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Niels Marthinsen: The Dreamers: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Wilhelm Hansen
The Dreamers - A Gothic Tale for Horn Trio by Niels Marthinsen. Programme note: ...
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The Dreamers - A Gothic Tale for Horn Trio by Niels Marthinsen. Programme note: The Dreamers for horn violin and piano is the sixth of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet THE OLD CHEVALIER is for bass trombone and piano THE MONKEY is a chamber orchestra work - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrative complexity: Themes and motivs from one pieceappear in others in new and surprising shapes and combinations. Karen Blixen's THE DREAMERS has the most complex narrative structure of all her seven gothic tales. The story is made up of three tales with different narrators but with the same principal caracter in various disguises all three imbedded within a fourth tale that serves as a framework for the entire short story.The main story line unravels the life of a famous opera diva who looses her voice during a terrible fire. Before this her life was perpetual bliss and the tragedy drives her into assuming different personality guises in order to escape reality.Toward the end she is confronted with her true identity and dies.THE DREAMERS isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and settings - but unfolds in time and musical space in ways that are completely independent of the story's narrative progression...except one might say that the three players try their best to either catch or escape each other and that when they finally meet it happens abruptly even tragically - and only barely provides a little consolation.
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Helen Grime: Seven Pierrot Miniatures (Piano): Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Chester
For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed o...
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For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed on their Scottish tour in March 2010.In Seven Pierrot Miniatures I took the Commedia dell’arte character Pierrot as my primary sourceof inspiration. Other more tenuous links to Schoenberg’s Pierrot Lunaire also served as a starting point in forming the general shape of the work. The piece is cast in seven short movements whereas the Schoenberg comprises threesets of seven movements. Although there is no part for voice I have taken seven poems by Albert Giraud (none of them set in Pierrot Lunaire) as points of departure:1. The Clouds2. Decor3. Absinthe4.Suicide5. The Church6. Sunset7. The HarpEach movement takes its impetus from the corresponding poem but in the piece as a whole I wanted to explore the extreme contrasts of the multi-faceted character ofPierrot in a musical setting. There is an almost mirror-like quality to the form of the piece and a sense of ending where it has begun: movements 1 3 5 and 7 are closely linked both in terms of their musical material and asense of melancholy dream-like quality and longing. Movements 2 and 6 are also strongly connected with allusions to the more mischievous violent side of Pierrot. Movement 4 serves as a sort-of pivotal point within the work juxtaposing a surreal shimmering calm with brutal outbursts. There is never any direct repetition yet there is a strong sense of material returning and mutating as the workunfolds.InstrumentationFlute doubling piccoloClarinet in Bb doubling Bass Clarinet in BbViolin doubling ViolaCelloPiano
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Camille Saint-Saëns: Le Carnaval des animaux: Chamber Ensemble: Score & Parts
Chamber Orchestra
G. Henle
Le Carnaval des animaux. Written in March 1886 as a humorous occasional work for...
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Le Carnaval des animaux. Written in March 1886 as a humorous occasional work for the traditional carnival concert organized by his cellist friend Charles-Joseph Lebouc, the Carnival of the Animals was so successful that Saint-Saëns banned performances and publication soon afterwards. He was worried that this ?grand zoological fantasy? - consisting of 14 short individual pieces for eleven instruments - might overshadow his serious works. Yet only five months after the composer?s death, it appeared in print after all, beginning its worldwide victory march - in its original setting as well as in numerous arrangements. Thus, the Carnival did in fact arguably become the most popular work by this French composer and, owing to its musical originality, it is also a favourite in music lessons or for school orchestra performances. With this combination of a study edition and an edition in parts (for which additional parts for larger numbers of strings may be ordered), G. Henle Publishers now presents the perfect resource for such occasions.
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Michael Berkeley: Clarion Call and Gallop: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Oxford University Press
Berkeley's Clarion Call is a witty and humorous piece. Drawing on influences as ...
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Berkeley's Clarion Call is a witty and humorous piece. Drawing on influences as wide as chamber music rock'n'roll rhythms and even some of Berkeley's own choral music the piece subverts and twists listener's expectations at every turn through rhythmic invention and unexpected shifts.
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Gerald Barry: Lisbon: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Schott
for solo piano and eleven instruments - Musik unserer Zeit
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Pavane - Op. 50
Chamber Orchestra
[Sheet music]
Schott
La musique de petites formes qui allait devenir le foyer des Français composite...
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La musique de petites formes qui allait devenir le foyer des Français compositeur Gabriel Fauré (1845-1924). En 1874, après de nombreuses années passées dans les 'provinces, le professeur de Camille Saint-Saëns a pris le poste d'organiste à Paris, plus tard, non seulement il a travaillé comme musicien d'église, mais aussi en tant que professeur. Dans l'été de 1887 Fauré écrivit son opus Pavane. 50, initialement prévu pour un concert offrant un divertissement léger, qui ne tarda pas acquis une grande popularité comme un ensemble orchestral, avec et sans le choeur ajoutée par Fauré. Le romantique, mélodie un peu mélancolique est une chanson entraînante qui, grâce à l'arrangement actuel, peut désormais également être effectuée par un trio à cordes. / Musique De Chambre / 20 pages / niveau : Facile / Intermédiaire / Partition
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Zoom! (OKPEBHOLO SHAWN E)
Chamber Orchestra
Peters
Par OKPEBHOLO SHAWN E.. Although Zoom! by Shawn Okpebholo was commissioned by th...
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Par OKPEBHOLO SHAWN E.. Although Zoom! by Shawn Okpebholo was commissioned by the US Air Force Band, its title refers less to the speed of supersonic fighter jets than to the brand of telecommunications software that allowed digital reunions between isolated loved ones during the 2020 pandemic, and to the race for a life-saving vaccine. The seven-minute piece for strings and percussion evokes the glimmers of hope and joy that manage to survive in times of darkness. Zoom! received a streaming premiere, performed in December 2021 by the strings and percussion of the US Air Force Band under the baton of Col. Don Schofield. This score is published as part of the Peters Contemporary Library, with parts available on hire. / Date parution : 2022-09-07/ Répertoire / Ensemble de Chambre
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