Slumber Song is an Art Song by the Russian composer Anton Arensky. It is scored for SSAA Upper Voice Chorus with a Piano reduction provided for rehearsal purposes. It has been translated into English by the composer Frederick Corder (1852-1932). Anton Arensky (1861-1906) was a Russian composer pianist and pedagogue. He studied composition at the St Petersburg Conservatory with Rimsky-Korsakov before becoming a Professor at the Moscow Conservatory and later director of the Imperial Choir. His musical style was initially dismissed as being unoriginal and heavily reliant on Tchaikovsky but has recently been re-evaluated and hischamber music is now experiencing a revival.

score for voice and/or instruments-Alternating chant style with up-tempo rhythmic sections this piece written for the Allegro Community Children's Choirs of the greater Kansas City area is an ideal work for combining choruses of varied levels.

Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Beginning with the languid strains of a stunning low voice solo and incorporating the traditional spiritual “CityCalled Heaven ” this compelling anthem is a mixture of styles. The stately opening surrenders to a jazzy theme that is contagious in its “vibe” using the words almost as a rhythm instrument. The solo returns withchoral backup and the anthem ends with soulful exclamations celebrating the hope of heaven. Now available in three voicing options! Available separately: SATB TTBB SSAA Rhythm Pack (Guitar Bass Drums) StudioTrax CD(Accompaniment Split-Trax Performance) Orchestration (Score & parts for Flute 1&2 Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Drum Set Piano Violin 1&2 Violin Cello Double Bass).Duration: ca. 3:14.

Der Song Aufrecht geh'n von Mary Roos war der Deutsche Siegertitel des Grand Prix 1984 - hier in einer Bearbeitung für Frauenchor SSAAmit Klavierbegleitung von Clemens Schäfer.

Arranged for SSAA with Piano Accompaniment these two atmospheric pieces are based on lyrics from native Okanagan poet Ben Abel. The pieces were written on commission from the Bedford Park Junior Choir of Toronto.

A tremendous setting of Psalm 148 for Upper Voices (SSAA) Unison Chorus and Organ (or Piano) by Gustav Holst.

A lovely piece for high school women's voices SSAA set to poetry by Emily Dickinson. With piano.

Beautiful poems by American poets Sara Teasdale and Phyllis McGinley each telling a very human Christmas story. Teasdale's Carol contrasts the magnificence of the songs of angels and kings with the baby Jesus whofell asleep before the song was done.McGinley's Ballad is a retelling of the ancient legend of Befana the Housewife always too busy to greet the new-born babe until it is too late.

Mediaeval poem set for a choir of women's voices (accompanied). Composed for the British Federation of Music Festivals National Competitive Festival June 1951. Orchestral accompaniment available on hire.

Jill Gallina has done a masterful job of arranging this piece of classic literature in a new lush arrangement for women's voices. This pristine setting of Schumann is a wonderful spring concert piece. Arranged for two sopranos and two alto vocal parts.

This work is a celebration of the journey towards womanhood with its joys mysteries and possibilities. Spirited ascending melodies dance-like rhythms and vocal percussive sounds unfold into a structured improvisation wherein the members of the choir whisper their aspirations for the future together forming a sea of sonic dreams.

Eliott Carter's The Harmony Of Morning for SSAA choir with Piano accompaniment. This work features words by Mark van Doren.