SKU: HL.48189386

UPC: 888680990626. 8x11 inches.

Aboulker 1918 L'homme Qui Titubait Dans La Guerre Voice & Orch Score.

SKU: TM.10494SET

Formerly mislabeled as edited by Haas. Wagner Tubas= Tenor Tuba I and II; Bass Tuba I and II. Actual Tuba = Contrabass Tuba.

SKU: TM.05146SET

Wagner Tubas = Tenor Tuba I and II, Bass Tuba I and II. Actual Tuba listed on part as Contrabass Tuba.

SKU: CF.PO192F

ISBN 9781491157374. UPC: 680160915934.

Program note: Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas. The Composer: Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation. At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee. To the Conductor: You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability.  .
Program note:Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas.The Composer:Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation.At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee.To the Conductor:You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability. .

SKU: WD.080689303579

UPC: 080689303579.

About Coronation Series

Coronation Series Instrumentation:
Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba.
Brass: 2 French Horn, 3 Trumpet, 3 Trombone, Tuba
Percussion:Percussion
Strings: 2 Violin*, Viola* Cello/Bassoon, String Bass
*simplified parts included
Additional Parts: Harp, Rhythm, String Reduction

SKU: WD.080689314575

UPC: 080689314575.

About Coronation Series

Coronation Series Instrumentation:
Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba.
Brass: 2 French Horn, 3 Trumpet, 3 Trombone, Tuba
Percussion:Percussion
Strings: 2 Violin*, Viola* Cello/Bassoon, String Bass
*simplified parts included
Additional Parts: Harp, Rhythm, String Reduction

SKU: WD.080689277696

UPC: 080689277696.

About Coronation Series

Coronation Series Instrumentation:
Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba.
Brass: 2 French Horn, 3 Trumpet, 3 Trombone, Tuba
Percussion:Percussion
Strings: 2 Violin*, Viola* Cello/Bassoon, String Bass
*simplified parts included
Additional Parts: Harp, Rhythm, String Reduction

SKU: WD.080689551789

UPC: 080689551789.

About Coronation Series

Coronation Series Instrumentation:
Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba.
Brass: 2 French Horn, 3 Trumpet, 3 Trombone, Tuba
Percussion:Percussion
Strings: 2 Violin*, Viola* Cello/Bassoon, String Bass
*simplified parts included
Additional Parts: Harp, Rhythm, String Reduction

SKU: HL.49003138

ISBN 9790220115561. 8.25x11.75x0.292 inches.

I: 2pic. * fl. * ob. * Ebcl. * Bbcl. * asax - 3tpt - egtr - perc (sn.dr., 2bngs, 3t.bl., log drum, xyl., 2 hand-held crots., 4 tuned low gngs, vibra slap)(2 Players) II: 4hn - perc (vib., crots. (2 octaves C-C), tub.bells)-synth. (with volume control and sustaining pedal)(3 Players) - pf. (amplified and lid removed) - 32vn. * 8va. * 10vc. * 8db (with low C) III: ca. * bcl. * tsax. * 2bn - 3tbn. * tuba - perc (sn.dr., 2bngs, 3 'Giant GreenO Korean t.bl., log drum, marimba., 2 hand-held crots, 4 tuned low gngs, very lge. metal bar or high pitched anvil)(2 Players) -ebgtr.

I: 2pic. * fl. * ob. * Ebcl. * Bbcl. * asax - 3tpt - egtr - perc (sn.dr., 2bngs, 3t.bl., log drum, xyl., 2 hand-held crots., 4 tuned low gngs, vibra slap)(2 Players)
II: 4hn - perc (vib., crots. (2 octaves C-C), tub.bells)-synth. (with volume control and sustaining pedal)(3 Players) - pf. (amplified and lid removed) - 32vn. * 8va. * 10vc. * 8db (with low C)
III: ca. * bcl. * tsax. * 2bn - 3tbn. * tuba - perc (sn.dr., 2bngs, 3 'Giant GreenO Korean t.bl., log drum, marimba., 2 hand-held crots, 4 tuned low gngs, very lge. metal bar or high pitched anvil)(2 Players) -ebgtr.

SKU: HL.14032192

ISBN 9788759858394. 12.0x16.5x0.78 inches. International (more than one language).

Symphony No. 6 for orchestra, 1997-99. Preface / Program Note:... with the Lord a day is like a thousand years, and a thousand years is like a day(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Gteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean when all is added up. However, in my opinion, nothing ever quite adds up, there is always something missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still something, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of other worlds, is revealed ....The symphony is dedicated to Helle, my wife. - Per Norgard.

SKU: AP.49936

ISBN 9781470657741. UPC: 038081575605. English.

Give your young string orchestra a chance to learn the all-important skills needed to accompany a soloist with this compact, one-movement work that features a soloist playing ANY string or band instrument: oboe, viola, tuba---you name it! A Chameleon Concerto, by Richard Meyer, has catchy melodies that explore various moods. The constant give-and-take between the soloist and strings keeps every section of your group active. There is even a short cadenza toward the end of the piece to offer everyone on stage a complete concerto learning experience. (4:40).