SKU: HL.49018099
ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.
On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.
SKU: AP.33678S
UPC: 038081376806. English.
A musical treasure for young players. This enchanting work for chorus and orchestra is transcribed for full or string orchestra.
SKU: AP.43773S
UPC: 038081496504. English.
Here is a magnificent work from the operetta also known as Die schone Galathee. This arrangement is incredibly playable and offers a new rendition of the original waltz melody. Playable by full orchestra or strings with piano. (2:30).
SKU: AP.45830
UPC: 038081523354. English.
A lovely string arrangement of this rhythmic gem! Written by Albert Ellmenreich and arranged by Ralph Ford, this clever piece has been a favorite of pianists for many years. (1:30).
SKU: AP.41202
UPC: 038081471822. English.
This beautiful and lyrical work will give your students an opportunity to develop long legato bows. The piece features rich, lush, romantic harmonies and is a great piece for working on expression, balance, blend, and bow control. (4:20) This title is available in MakeMusic Cloud. A Federation Festivals 2020-2024 selection.
SKU: AP.45830S
UPC: 038081523361. English.
A lovely string arrangement of this rhythmic gem! Written by Albert Ellmenreich and arranged by Ralph Ford, Spinning Song is a clever piece that has been a favorite of pianists for many years. (1:30).
SKU: AP.33667S
UPC: 038081375083. English.
The Scottish countryside became the inspiration for Mendelssohn's Symphony No. 3, also known as the Scottish Symphony. This arrangement of the triumphant coda (Allegro Maestoso Assai) from Movement IV features a majestic melody, rhythmic energy, and a fiery ending. The 6/8 rhythms have been simplified and the key has been changed to make it accessible for young strings. This title is available in MakeMusic Cloud.
SKU: AP.43766S
UPC: 038081504872. English.
The drama abounds providing opportunities for expressive playing shared by all sections. (1:30).
SKU: AP.35916S
UPC: 038081407562. English.
The hauntingly beautiful English folk song, I'll Love My Love, tells the story of a young lady grief-stricken after her true love is sent off to sea. This arrangement is based on the second movement of Holst's band masterwork, Second Suite for Military Band. A great piece to teach phrasing and expression as every section gets a musical moment to shine. A solid choice for any concert or contest program. This title is available in MakeMusic Cloud.
SKU: AP.43766
UPC: 038081504865. English.
SKU: AP.44783S
UPC: 038081516950. English.
Originally written by Beethoven for piano, this cool little gem has been adapted for strings by Jack Bullock, and is perfect for contest and festival. The melody moves between all sections allowing for many teaching opportunities. (1:50).
SKU: AP.40422S
UPC: 038081451169. English.
This lovely arrangement is perfect for festival or contest. Sure to be a success technically and musically with easily accessible hi 3 fingerings! This title is available in MakeMusic Cloud.
SKU: AP.41199S
UPC: 038081465746. English.
Perfect as a concert opener, closer, or show piece, this lovely example of Viennese opera is now available, for the first time, in a form accessible for the student musician. Many opportunities to work on articulations, slurs, and phrasing are provided. This title is available in MakeMusic Cloud.