Studienpartitur - STP - piano and orchestra instrumentation: Grofé, Ferde composer: Gershwin, George translator preface (English): McCulloch, Derek preface: Schmidt, Christian Martin Éditeur: Eulenburg Série: Eulenburg Miniature Scores pages: 72 Contenu - Preface/Vorwort - Rhapsody in Blue

Alec Rowley's Miniature Concerto for Piano and Orchestra. This edition is scored for Piano with a second Piano reduction of the original Orchestral Score.

E-flat major-Many wholly new corrections in the solo and orchestral parts.Piano reduction with a separate solo part as was customary in Beethoven’s day.With Beethoven’s continuo figures for the first time in a modern edition.Beethoven’s fifth and final Piano Concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work’s performance.The editor Jonathan Del Mar has closely scrutinised the autograph solo piano part and reproduced Beethoven’ssophisticated performance instructions for the first time in a modern edition. Among other things this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4 the Piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the Piano.

Anders Koppel's Chamber Concerto for Piano and String Orchestra or String Quintet. Full score.

Edited by Frank MerrickThis is neglected repertoire by an important figure of the early Romantic movement who was a significant influence on Chopin. The contents include Piano Concertos in E flat A flat and E flat scored for strings timps and double woodwind horns and trumpets.First published in 1961.

Practicing studies is a very important part of the training of every music student learner amateur and professional. These newly arranged orchestral accompaniments to well-known studies give rise to miniature piano concertos thereby turning thepractising of studies into an entirely new experience and a source of enjoyment especially for beginners. The Czerny studies in our volume have been taken from various opuses. 1-4 Etüde 100 Erh. Nr. 72 in G-Dur5-8 Etüde op. 481 Nr. 8 in A-Dur9-12 Etüde op. 453 No. 19 in C-Dur13-16 Etüde 100 Erh. Nr. 53 in G-Dur17-20 Etüde op. 599 Nr. 24 in D-Dur21-24 Etüde op. 777 Nr. 18 in D-Dur25-28 Etüde op. 777 Nr. 10 in G-Dur29-32 Etüde op. 599 Nr. 40 in F-Dur33-36 Etüde op. 777 Nr. 12 in G-Dur37-40 Etüde op. 817 Nr. 4 in D-Dur41-44 Etüde op. 817 Nr. 12 in B-Dur45-48 Etüde 100 Erh. Nr. 43 in C-Dur49-52 Etüde op. 599 Nr. 71 in F-Dur

B-flat major op. 19-Although the sources to Beethoven?s Piano Concerto Op. 19 are generally known many misconceptions and misinterpretations are put right in this Bärenreiter edition based exclusively on the authentic sources. Jonathan Del Mar?s scholarly-critical edition corrects misreadings of Beethoven?s autograph that were already present in the first edition and had subsequently been incorporated into other editions of this work.