Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la basse continue.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - six volumes.ANONYME - - CAMPION François - - DORNEL Antoine - - FORQUERAY Antoine - GERVAIS Laurent - GOUDAT - GUILLEMAIN Louis-Gabriel - MONNIER Le Cadet - - MONTECLAIR Michel Pignolet de - PINGRE Alexandre-Gui - RAMEAU Jean-Philippe - SERRE DE RIEUX Jean - TELEMANN Georg Philipp - - TRAVENOL - Louis AntoineTable des matières : Pingre Alexandre Gui : Traité de l'harmonie - s.d.Rameau Jean-Philippe : Observations sur la Méthode d'Accompagnement - 1730Rameau Jean-Philippe : Plan abrégé d'une Méthode nouvelle - 1730Monteclair Michel Pignolet de : Réponse du second Musicien au premier - 1729Rameau Jean-Philippe : Réplique du premier Musicien à la réponse du second - 1730Monteclair Michel Pignolet de : Réponse du second Musicien au premier Musicien - 1730Rameau Jean-Philippe : Réplique du premier Musicien à l'écrit du second - 1730Rameau Jean-Philippe : Dissertation sur les différentes métodes - 1732Gervais Laurent : Méthode pour l'accompagnement - 1733Campion François : Second recueil d'airs - 1734Serre de Rieux Jean : Les dons des Enfans de Latone - 1734Telemann Georg Philipp : Nouveaux Quatuors en six Suites - 1738Goudat : Principes de Laccompagnement - 1738Travenol Louis Antoine : Premier livre de Sonates a violon seul - 1739Guillemain Louis Gabriel : Six sonates en quatuors - 1743Monnier le Cadet : L'art de Toucher le Clavecin dans son propre caractêre - c.1745Dornel Antoine : le Tour du Clavier - 1745Forqueray Antoine : Pièces de Viole avec la Basse Continüe - 1747Anonyme : (Méthode d'accompagnement) - s.d.Téléchargez le catalogue Anne Fuzeau Classique / Basse Continue / 288 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la basse continue.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - six volumes.CAMPION François - - CAMPION Thomas - CHERON André - - CLERAMBAULT Nicolas - COUPERIN François - DANDRIEU Jean-François - DELAIR Denis - LECLAIR Jean-Marie - RAMEAU Jean-PhilippeTable des matières : - - Couperin François : Règles pour l'accompagnement - s.d.Campion Thomas : Traité d'accompagnement et de composition - 1716Clerambault Nicolas : Règles d'accompagnement - 1716Clerambault Nicolas : Principes d'accompagnement - 1716Dandrieu Jean François : Principes de l'accompagnement - 1719Rameau Jean-Philippe : Traité de l'harmonie - 1722Delair Denis : Nouveau traité d'accompagnement - 1724Leclair Jean-Marie : Premier livre de sonates - 1723Rameau Jean-Philippe : Nouveau système de musique théorique - 1726Cheron André : Sonates en trio - 1727Campion François : Lettre du sieur Campion a un philosophe - 1729Campion Thomas : Addition au traité d'accompagnement - 1730Téléchargez le catalogue Anne Fuzeau Classique / Basse Continue / 272 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Pavana Capricho is one of the last pieces from Isaac Albeniz’s early period before he turned to Spanish influences a style that would characterise the rest of his compositions. In this earlier period Albeniz who was a child prodigy on the Piano composed ‘salon style’ music and experimented with traditional styles in the manner of Rameau Bach Beethoven Chopin and Liszt. His shift towards Spanish music occurred after meeting the teacher and composer Felipe Pedrell a leading figure in the development of nationalist Spanish music.Pavana-Capricho is graceful and light-hearted at the same time. Theplayfulness that arises from the alternating moods is best achieved when the proper technique and articulation is applied. Arranged for the solo Piano and with a performance time of ca. 3:30 this piece of Romantic solo music is a perfect addition to any concert programme.

This inexpensive compilation draws upon authoritative sources to present favorite Piano works of the Baroque era. Unlike many other anthologies of music from the era which vary widely in the quality of their content this collection comprises only the greatest works of the period. Intermediate and advanced Pianists will find these carefully chosen pieces a rewarding and satisfying reflection of the glories of the Baroque. Selections include Johann Sebastian Bach's Chromatic Fantasia and Fugue as well as the French Suite No. 5; Fantasia in C Minor BWV 906; and preludes and fugues from The Well-Tempered Clavier. Other works byBach include the great composer's transcriptions for keyboard of five violin concertos by Vivaldi reprinted from the definitive Bach-Gesellschaft edition. Other selections include several pieces by Handel among them the popular Air and Variations known as The Harmonious Blacksmith; four sonatas by Scarlatti; and works by Telemann Rameau and Purcell.

Beginning pianists of all ages will cherish this excellent compilation of classics. Each piece was carefully selected and simplified to help students develop their skills. Many of the greatest composersâ??J. S. Bach Beethoven Brahms Mendelssohn Mozart Rimsky-Korsakov Rachmaninoff Tchaikovsky and othersâ??are represented by several pieces each some newly adapted for the piano. Composers and works not usually featured in beginner's books include pieces by Borodin Gluck Rameau and Tallis.Well-known classics include Bach's Brandenburg Concerto No. 3 Debussy's Claire de Lune Moussorgsky's Pictures at an Exhibition Satie'sGymnopedie No. 1 Schumann's Child Falling Asleep and 'Spring' from Vivaldi's Four Seasons. Several orchestral pieces have been newly adapted for the piano including 'Dance of the Swan' from Swan Lake 'Aquarium' from Carnival of the Animals 'Largo' from Xerxes and 'Waltz of the Flowers' from The Nutcracker.Dover Original.

22 Pieces by 15 Composers-Some of the most often taught original piano literature by dozens of master composers of the past has been carefully selected and compiled by difficulty level. The Upper Elementary edition features 21 pieces by 17 composers including: Anonynmous (18th century): Musette from The Notebook for Anna Magdalena Bach ??? Carl Philipp Emanuel Bach: Allegretto scherzando ??? Carl Philipp Emanuel Bach: March from The Notebook for Anna Magdalena Bach ??? Wilhelm Friedemann Bach: Air in A minor ??? B?la Bart?k: Walking from The First Term at the Piano ??? Ludwig van Beethoven: Ecossaise in G Major WoO 23 ??? M?lanie Bonis: Meow! Purr! ??? Muzio Clementi: Sonatina in C Major Op. 36 No. 1 first movement ??? William Duncombe: The Chase ??? Cornelius Gurlitt: To School from The First Lessons Op. 117 No. 4 ??? Cornelius Gurlitt: Cradle Song from The First Lessons Op. 117 No. 17 ??? Georg Frideric Handel: Bour?e in G minor ???Impertinence??? HWV 494 ??? George Frideric Handel: Gavotte in C Major ??? Wolfgang Amadeus Mozart: Minuet in C Major K.6 ??? Wolfgang Amadeus Mozart: Minuet in B-flat Major K. 15pp ??? August Eberhard M?ller: The Cuckoo ??? Christian Petzold: Minuet in G from The Notebook for Anna Magdalena Bach ??? Henry Purcell: Minuet in A minor Z. 649 ??? Jean-Philippe Rameau: Menuet en Rondeau ??? Robert Schumann: Melody from Album for the Young ??? Charles Henry Wilton: Amabile from Sonatina in C Major.

The Bartók Performing Editions-Instruktive Ausgaben von Béla Bártok. Par BARTOK BELA. Bartók probably first played pieces by Domenico Scarlatti in public in 1911. During the next two decades he featured them in his piano recitals more than 60 times. His dedication to Italian and French Baroque music is also illustrated by the fact that in 1920, he signed a contract with the Budapest publisher Rozsnyai to edit seven volumes of Baroque keyboard music. His plan was to select compositions by Couperin and Rameau in addition to pieces by Scarlatti, but during the 1920s it ended up being only two volumes of Couperin and another two comprising ten compositions by Scarlatti. In editing these masterpieces, Bartók's aim was primarily to counterbalance or even overshadow the works by the 'Mendelssohn-Schumann epigones' used in primary and secondary musical education. The present single-volume collection comprises Bartók's two Scarlatti volumes, complete with an editorial preface, his detailed performing instructions, and his commentary. The editor recommends these compositions for pianists with at least five years' experience, and give practical recommendations for the grouping of individual items to form charming 'sonatina-like' sets of pieces./ Répertoire / Piano

A selection of original Piano music by the master composers of the past four centuries the New Classics To Moderns series provides the pianist with a repertoire which is enjoyable for the player and listener alike.Inspired by the popular series by Denes Agay each of the six books in the New Classics To Moderns collection contains pieces by a wide range of composers from the old masters to contemporary writers with works from recent decades.Students teachers indeed all pianists will find the pieces in New Classics To Moderns a priceless source of study material recital pieces sight reading exercises — orjust relaxing musical entertainment.This volume includes works by Abel Berkeley Poulenc Chopin and Rameau amongst others.In the European Piano Teachers Association Journal Nadia Lasserson writes that this series is '[e]xcellent value for money the books offer students of ever level a well-balanced musical diet covering over four hundred years of wonderful music as well as offering a wide range of sight-reading material to advanced students.'

Some of the most often taught original piano literature by dozens of master composers of the past has been carefully selected and compiled by difficulty level. The Early Intermediate edition features 17 pieces by 15 composers, including: Anonymous (18th century): Minuet in G from The Notebook for Anna Magdalena Bach · Johann Sebastian Bach: Gavotte II: La Musette from English Suite No. 6, BWV 811 · Johann Sebastian Bach: Prelude in C Major from The Well-Tempered Clavier, Book 1 · Béla Bartók: Three Pieces from For Children, Sz. 42 · Ludwig van Beethoven: Minuet in G Major, WoO 10, No. 2 · Ludwig van Beethoven: Sonatina No. 1 in G Major, Anh. 5, No. 1 · Anton Diabelli: Rondino · César Franck: The Doll's Complaint · George Frideric Handel: Sarabande from Suite in D minor, HWV 437 · Franz Joseph Haydn: German Dance in D Major, Hob. IX: 22, No. 2 · Friedrich Kuhlau: Scottish Dances Nos. 2, 3, 5 and 6 from Six Scottish Dances · Edward MacDowell: To a Wild Rose from Woodland Sketches · Wolfgang Amadeus Mozart: Minuet in G Major, K. 1 · Jean-Philippe Rameau: La tambourin · Franz Schubert: Waltz in A Major · Robert Schumann: Soldiers' March from Album for the Young · Pyotr Il'yich Tchaikovsky: Italian Song from Album for the Young.

John Thompson's Modern Course-This fifth volume in the Classical Piano Solos series features 19 original pieces from the masters suitable for pianists at a Grade 5 standard. This series was compiled to correlate loosely with the Modern Course method and can be used to supplement any teaching method or situation. This volume features a mix of well-known pieces such as Beethoven's ?Moonlight? sonata (1st mvmt) and Rachmaninoff's famous C-sharp prelude as well as lesser-known gems from Samuel Coleridge-Taylor (?They Will Not Lend Me a Child?) Anatoly Lyadov (?Prelude in B Minor?) and Rameau (?Les niais de Sologne?). All four mainperiods are represented. Editor's note: The final section of the Rachmaninoff prelude is presented on one visually-accessible page; the Chopin waltz (Op. 69/1) is based on original autographs rather than the oft-performed Fontana edition.

A compilation of the best Grade 3 piano pieces ever selected by the major examination boards. Selected & edited by Anthony Williams. Features the works of - Anon; CPE Bach; JS Bach; Bartok; Beethoven; Cornick; Dieupart; Handel; Iles; Kabalevsky; Maikapar; Mayer; Merath; Mozart; Rameau; Rebikov; Schumann; Seiber; Tchaikovsky.

Partition pour piano Collection : Les Classiques favoris Nombre de pages : 117 Contenu : Bach: Concerto italien - Beethoven - Adagio cantabile (Sonate pathétique) - Minuetto (Sonate n°11 Op.22) - Chopin: Valse en La mineur Op.34 n°2 - Valse brillante Op.34 n°3 - Mazurka en Si mineur Op.33 n°4 - Nocturne en Mi b Op.9 - Nocturne en Fa mineur Op. 55 - Couperin: Le Carillon de Cythère - Hummel: Allegro (Sonate Op.13) - Rondo en Mi b Op.11 - Mendelssohn: La Fileuse - Sérénade (Romances sans paroles) - Scherzo (Fantaisie Op.16 n°2) - Mozart: Fantasia - Rameau: L'Egyptienne - Scarlatti: Gigue - Schubert: Menuet (extr. Op.78) - Moment musical Op.94 n°2 - Schumann: L'Oiseau prophète Op.82 - Pourquoi Op.12 - Le Soir Op.12

Partition pour piano Collection : Les Classiques favoris Nombre de pages : 47 Niveau : 1 Contenu : Babell: Rigaudon - Bach J.C.: Menuet - Bach: Menuet en Ré mineur - Musette - Menuet en Sol Majeur - Menuet en Sol mineur - Marche - Beethoven: Contredanse - Danse allemande - Clementi: Adagio - Couperin: Le Petit rien - Duncombe: Fanfare - Franck: Les Plaintes d'une poupée - Graupner: Bourrée - Gurlitt: Novelette - Haendel: Bourrée - Menuet - Hassler: Menuet - Ecossaise - Haydn: De Bonne humeur - Final - Latour: Allegro - Sonatine - Mozart L.: Burlesque - Menuet - Mozart: Menuet en Do Majeur - Menuet en Fa Majeur - Menuet en Ré Majeur - Allegro - Neefe: Romance - Purcell: Air - Rameau: Menuet en Do Majeur - Menuet en La mineur - Schumann: Mélodie - En fredonnant - Premier chagrin - Steibelt: Tendre souvenir - Tchaïkovski: La Poupée malade - Vieille chanson française - Telemann: Gavotte - Rigaudon - Menuet - Türk: Air - Badinerie - Danse joyeuse - Petite marche - Witthauer: Allegretto - Gigue