SKU: CA.9700312

ISBN 9790007238766. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SKU: CA.9700349

ISBN 9790007238797. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SKU: CA.9700311

ISBN 9790007238759. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score and part available separately - see item CA.9700300.

SKU: CA.9700305

ISBN 9790007131777. Language: Latin.

Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new. Score available separately - see item CA.9700300.

SKU: CA.2703611

ISBN 9790007199227. Key: D major. Language: Latin.

The only surviving mass by Nicolai is a very important contribution to church music. It is characterized by its structural variety and its singability. At the same time it offers a genuine alternative to other settings of the Mass for worship services. The Carus Urtext edition renders the final Viennese version of this cheerful, festive mass. Score and part available separately - see item CA.2703600.

SKU: CA.2703619

ISBN 9790007133870. Key: D major. Language: Latin.

The only surviving mass by Nicolai is a very important contribution to church music. It is characterized by its structural variety and its singability. At the same time it offers a genuine alternative to other settings of the Mass for worship services. The Carus Urtext edition renders the final Viennese version of this cheerful, festive mass. Score and parts available separately - see item CA.2703600.

SKU: CA.2703614

ISBN 9790007199258. Key: D major. Language: Latin.

The only surviving mass by Nicolai is a very important contribution to church music. It is characterized by its structural variety and its singability. At the same time it offers a genuine alternative to other settings of the Mass for worship services. The Carus Urtext edition renders the final Viennese version of this cheerful, festive mass. Score and part available separately - see item CA.2703600.

SKU: CA.2703613

ISBN 9790007199241. Key: D major. Language: Latin.

The only surviving mass by Nicolai is a very important contribution to church music. It is characterized by its structural variety and its singability. At the same time it offers a genuine alternative to other settings of the Mass for worship services. The Carus Urtext edition renders the final Viennese version of this cheerful, festive mass. Score and part available separately - see item CA.2703600.

SKU: CA.2703600

ISBN 9790007094942. Key: D major. Language: Latin.

The only surviving mass by Nicolai is a very important contribution to church music. It is characterized by its structural variety and its singability. At the same time it offers a genuine alternative to other settings of the Mass for worship services. The Carus Urtext edition renders the final Viennese version of this cheerful, festive mass.

SKU: TM.04962SET

SKU: TM.03625SC

Transposed: Hn 3&4, Tpt 1&2, Tbn 1&2. Orig. Hn 1&2 in F. No. 36 = Go Return Upon Thy Way; Instr=0.2.0.2/4.2.3.1,timp,str. No. 37 = For the Mountains Shall Depart; Instr=0.1.0.0/0.0.0.0,str.

SKU: TM.09905SET

Chorus sold individualy as S, A, T, and B choral parts.