Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra conducted by David Robertson 29th November 2002.3 Flutes 1st and 2nd also Alto Flutes in G 3rd also Piccolo3 Oboes 3rd also Cor Anglais in F3 Clarinets in Bb 3rd also Bass Clarinet in Bb3 Bassoons 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion four playersPlayer 1 - Vibraphone Glockenspiel Water Chime Bell Tree Japanese Wood Blocks Cymbal (Suspended) TamTam (Medium)Player 2 - Triangle Tubular Bells Crotales Marimba Chinese CymbalPlayer 3 - TamTam (Large) Java Gong(Large very low) Bell Lyra (Handheld) Sizzle CymbalPlayer 4 - Bass Drum Glockenspiel Xylophone1 Harp1 Piano also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama a one- movement composition in four parts based on the work by two writers Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English a classical scholar essayist poet and politician but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems nature paintings I was immediately convinced when I carne across the Addison hymn that here was exactly what I wanted to use as my major source of inspiration for this piece commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety but have chosen the following 3 excerpts all acting as mottos for the first three sections of the piece thus turning the piece into a straightforward tonepoem in the classical

For Orchestra.3(3rd=picc).3(3rd=ca).3(3rd=bcl).3(3rd=cbn) / 4.3.3.1. / hp.pf.cel.3perc / strcommissioned by the Estoril Festival.By Fernando Pessoa?s alter ego ?Alexander Search?First performance: Yeree Suh(soprano) and the Royal Philharmonic Orchestra conducted by Cesário Costa ? Lisbon Centro Cultural de Belém 2nd of July 2007.Published in 2007.Score.

For Orchestra (triple winds).Published in 1977.3(all+picc 3rd+afl).3(3rd+ca).3(3rd+Ebcl bcl).3(3rd+cbn) / 4.4.3(2T 1B).1 / amplified harp.pf.6perc / 12.12.12.10.8Commissioned by BBC.Firstperformance: BBCSO conductor Pierre Boulez Paris 1977.Score.

Scored for 1st and 2nd cornet/trumpet F horn trombone baritone and tuba (optional parts also available: 3rd/4th cornet/trumpet 2nd/3rd F horn and 2nd/3rd trombone) This great collection of grade 3 music forbrass choirs appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The seventeen works in this series include classics as well as contemporary pieces by theoriginal Rubank composers. A must for your school or church library.

Scored for 1st and 2nd cornet/trumpet F horn trombone baritone and tuba (optional parts also available: 3rd/4th cornet/trumpet 2nd/3rd F horn and 2nd/3rd trombone) This great collection of grade 3 music forbrass choirs appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The thirteen works in this series include classics as well as contemporary pieces by theoriginal Rubank composers. A must for your school or church library.

The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. This medley based on the endearing themes from the box office smash hit Harry Potter and the Sorcerer's Stone weaves the vivid imagery of the film with varied textures to produce a work that will be loved by all. Wonderful symphonic literature certain to be a hit on any concert program. Duration 7:20. Score and all parts. 1 Conductor 1 1st C Flute/C Piccolo (Alto Flute Opt. Recorder) 1 2nd C Flute (Opt. Recorder) 2 Oboe (English Horn) 1 1st Bb Clarinet 1 2nd Bb Clarinet 1 Bb Bass Clarinet 2 Bassoons 1 1st Horn In F 1 2ndHorn In F 1 3rd Horn In F 1 4th Horn In F 1 1st Bb Trumpet 1 2nd Bb Trumpet 1 3rd Bb Trumpet 1 1st Trombone 1 2nd Trombone 1 3rd Trombone 1 Tuba 4 Percussion 1 (Orchestra Bells Xylophone Antique Bells Marimba Glockenspiel) 1 Percussion 2 (Hand Drums Antique Bells Timpani) 4 Percussion 3 (Vibraphone Chimes Small Tuned Drums Tambourine Snare Drum Suspended Cymbal) 4 Percussion 4 (Suspended Cymbal Small Tambourine Small Triangle Tam-Tam Bass Drum Crash Cymbals) 1 Celeste 1 Harp 8 1st Violin 8 2nd Violin 5 Viola 5 Cello 5 String Bass

For Symphony Orchestra.Published 2007.3(1st=picc).3 (3rd=ca).3(2nd=Eb 3rd=bcl).3(3rd=cbn) / 4.2.3.1 /hp.pno.3perc / strCommissioned by the El Paso Symphony Orchestra.First performance: EPSO conducted bySarah Ioannides Plaza Theatre 20th April 2007.Score.

Scored for 1st and 2nd cornet/trumpet F horn trombone baritone and tuba (optional parts also available: 3rd/4th cornet/trumpet 2nd/3rd F horn and 2nd/3rd trombone) This great collection of grade 3 music forbrass choirs appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The thirteen works in this series include classics as well as contemporary pieces by theoriginal Rubank composers. A must for your school or church library.

Scored for 1st and 2nd cornet/trumpet F horn trombone baritone and tuba (optional parts also available: 3rd/4th cornet/trumpet 2nd/3rd F horn and 2nd/3rd trombone) This great collection of grade 3 music forbrass choirs appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The thirteen works in this series include classics as well as contemporary pieces by theoriginal Rubank composers. A must for your school or church library.

Scored for 1st and 2nd cornet/trumpet F horn trombone baritone and tuba (optional parts also available: 3rd/4th cornet/trumpet 2nd/3rd F horn and 2nd/3rd trombone) This great collection of grade 3 music forbrass choirs appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The thirteen works in this series include classics as well as contemporary pieces by theoriginal Rubank composers. A must for your school or church library.

Scored for 1st and 2nd cornet/trumpet F horn trombone baritone and tuba (optional parts also available: 3rd/4th cornet/trumpet 2nd/3rd F horn and 2nd/3rd trombone) This great collection of grade 3 music forbrass choirs appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The thirteen works in this series include classics as well as contemporary pieces by theoriginal Rubank composers. A must for your school or church library.

Scored for 1st and 2nd cornet/trumpet F horn trombone baritone and tuba (optional parts also available: 3rd/4th cornet/trumpet 2nd/3rd F horn and 2nd/3rd trombone) This great collection of grade 3 music forbrass choirs appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The thirteen works in this series include classics as well as contemporary pieces by theoriginal Rubank composers. A must for your school or church library.

For Orchestra. (triple winds)3(+picc).3(3rd=ca).3(3rd=bcl).3 / 4.3.3.1 / 4perc / str / optional tapeFirst performance: Norfolk Youth Orchestra Edward Warren conductor King's Lynn 1991.Published in1991.Score.

Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Mahler’s best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver’s model. It is therefore all the more regrettable that he was neither able to perform his “Symphony in Songs” himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Füssl, many questions remained unanswered, while other were answered in a dubious way. The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner – in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler’s conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/E b clarinet, bass clarinet/3rd clarinet in places where the latter plays E b clarinet) to allow performances with only four clarinets. The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler’s piano autograph and the piano reduction by Wöss, which was commissioned by the composer himself, served as an inspiration for this. / Date parution : 2022-07-23/ Répertoire / Soli [AT] et Orchestre