Viola-The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)Symphony No.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score performance material and study score for all symphonies are available for sale. Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

Unfinished-The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

Unfinished-The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

Clara Wieck’s sincerest wish was that her future husband Robert Schumann turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839 just one year before her marriage she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score including the A Minor Piano Concerto one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music diverting substantially from the classic models of the day and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor Op. 54 (published 1846) Concertstück Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians music lovers and students as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score performance material and study score for all symphonies are available for sale. Symphony No.1 in D major D 82 (BA5601 TP401) Symphony No.2 in B-flat major D 125 (BA5602 TP402) Symphony No.3 in D major D 200 (BA5603 TP403)Symphony No.4 in C minor D 417 Tragic (BA5604 TP404) Symphony No.5 in B-flat major D 485 (BA5645 TP405) Symphony No.6 in C major D 589 (BA5646 TP406) Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407) Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

Score Urtext edition-The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score performance material and study score for all symphonies are available for sale. Symphony No.1 in D major D 82 (BA5601 TP401) Symphony No.2 in B-flat major D 125 (BA5602 TP402) Symphony No.3 in D major D 200 (BA5603 TP403) Symphony No.4 in C minor D 417 Tragic (BA5604 TP404) Symphony No.5 in B-flat major D 485 (BA5645 TP405) Symphony No.6 in C major D 589 (BA5646 TP406) Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407) Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score performance material and study score for all symphonies are available for sale. Symphony No.1 in D major D 82 (BA5601 TP401) Symphony No.2 in B-flat major D 125 (BA5602 TP402) Symphony No.3 in D major D 200 (BA5603 TP403) Symphony No.4 in C minor D 417 Tragic (BA5604 TP404) Symphony No.5 in B-flat major D 485 (BA5645 TP405) Symphony No.6 in C major D 589 (BA5646 TP406) Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407) Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score performance material and study score for all symphonies are available for sale. Symphony No.1 in D major D 82 (BA5601 TP401) Symphony No.2 in B-flat major D 125 (BA5602 TP402) Symphony No.3 in D major D 200 (BA5603 TP403) Symphony No.4 in C minor D 417 Tragic (BA5604 TP404) Symphony No.5 in B-flat major D 485 (BA5645 TP405) Symphony No.6 in C major D 589 (BA5646 TP406) Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407) Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The most important concert and orchestral works from the Baroque era to the Romantic period in the 'Eulenburg Audio Score' series: All scores are presented in a reader-friendly format, including CD with excellent recordings of the masterpieces.NEW: 25 masterpieces in a handy slipcase at the special price of 199.- ? as a complement to the existing set of '50 Masterpieces' (EAS 100-50, 399.- ?).The basis of every music library!The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - Over 80 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Concert Band

All sections are featured, including the cellos and basses, in this bouncy tango. With romantic tension building in the middle section, you can make this one romantic and dramatic, or comedic by envisioning dancing bulldogs! (3:40) Correlates to Sound Innovations Book 2, Level 2. / Orchestre A Cordes

E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard. The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard. The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice. This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre

E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Léonard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to Léonard.The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard.The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Léonard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)