Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? images like these will cross our minds when we think of the movie world. However reality proves to be different : as a rule a tremendous amount of work will have been done on the set before a film is ready to be shown on the big screen. A visit to an actual movie set inspired John Emerson Blackstone to write a composition bearing the same name. He had both seen a number of characteristic attributes and heard the typical phrases used in film making and he incorporated them into ?On the Movie Set? . In the first part ?The Clapboard? a ?director?s assistant? is supposed to shout ?Quieton the set?? and ?Action!? as is done before a real scene is shot. Subsequently in order to create the right atmosphere the clacking of a ?Clapboard? should be heard. During a romantic scene we should be transported to another world by means of sweet sounds in the background so romantic music is of course heard in the next part ?Love Scene?. At the end of a long working day ?It?s a wrap? is called on the set to inform everyone that the filming on that day is completed. Now there is only one more thing left to dream of : an Oscar..... Perf. Note: The use of the right props will add to the performance and appreciation of ?On the Movie Set?. A red carpet and a glamorous reception should give your audience the feeling they are attending a real ?opening night?!

Romantic Music for Trumpet and Piano. Romantic Music For Trumpet And Piano / Date parution : 1905-06-27/ Accessoire / Concert Band ou Harmonie

The more you read, the more you hear!



The Eulenburg Audio Score Series contains the orchestral world's treasures from the baroque, classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length.

Eulenburg Audio Score is the new way to hear, read and understand music. / Partition CD /

Fantasy on a wild and romantic alpine landscape-Qui ne saurait ressentir l?immense pouvoir que recèlent la tranquillité et la beauté des montagnes ? Vastes prairies crêtes en dents de scie gorges romantiques cascades bruyantes lacs idylliques... Mountain Lake dépeint les aspects bienparticuliers d?un tel paysage : le calme la majesté et la profondeur de l?eau et tous les secrets féeriques que cache un lac de montagne.

The more you read, the more you hear!



The Eulenburg Audio Score Series contains the orchestral world's treasures from the baroque, classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length.

Eulenburg Audio Score is the new way to hear, read and understand music. / Partition CD /

The Four Winds is an homage by the composer to some of the well-knownªband composers such as Clifton Williams and John Barnes Chance as well as earlier wind masters like Holst and Mahler. Evan Hauseªwas a student ofWilliam Bolcom and his more advanced band work Tango Variations has been performed and recorded by some of theªtop university ensembles. This fantasy-overture is perfect for theªintermediate high school band contrastingbrisk fanfare music withªvariations on a Romantic theme. (Grade 4) Dur: 6:00

Caroline Mathilde Act I (Concert Suite)-The story centres on the English princess Caroline Mathilde (1751-1775) sister of George III who at the age of 15 was sent to Denmark to marry the 17-year-old eccentric and schizophrenic Danish King Christian VII. The balletportrays her unhappy marriage the King's growing madness and her fatal love-affair with Struensee the King's influential physician which leads to their arrest his execution and her exile at the age of 20 separated from hertwo young children. In keeping with the period and perhaps also with the traditions of Romantic ballet the music is relatively simple in harmony and form and most of the action is conveyed in set-piece dances. The suite which consists essentially of the second half of Act I begins with one of these a bristling interplay of wind and string ensembles in D major portraying in the ballet a curious nuptial game with the king and princess on movablepedestals. The slow music that follows has to do with the king's healing by Dr. Struensee and the new queen's unquiet reverie (oboe and cor anglais solos). Then the suite like the act is capped by a pair of pas-de-deux thefirst savage and bizarre for the royal couple the second rich and passionate for the queen and the miracle-working doctor.Score (miniature). Duration c. 25mins.

In this great work first published in 1912 Mahler experimented with the four-movement symphonic form producing a masterpiece of musical innovation satiric writing and poetic drama expressed in purely instrumental terms. Now the full orchestral score of the Ninth Symphony is available in this inexpensive high-quality edition reprinted from an authoritative Viennese score. Music lovers and admirers of Mahler's work will find in these pages abundant evidence of the fresh and formidable thinking the composer brought to this monumental composition.One of the last composers of the great Romantic tradition Mahler possessed a strong sense ofthe dramatic in life. He chose to record that drama in nine magnificent symphonies all works of vivid orchestration innovative symphonic structure and rich emotional expression.

A beautiful ballad by the talented German composer Andreas Ludwig Schulte. In the romantic A Reunion in Love a leading role for the trombone player. Een prachtige ballade van de veelbelovende en getalenteerde Duitse componist Andreas Ludwig Schulte. In het romantische Reunion in Love is een hoofdrol weggelegd voor de trombonist(e).

James Curnow skillfully brings one of Tchaikovsky's most memorable symphonic themes to the concert band stage with this new arrangement. It's always a good idea to let your band members become familiar with great orchestrathemes. Whether used as a concert centerpiece or an exciting finale you'll want to have this mainstay of Romantic era music in your library. Dur: 4:45

Tonalité : E-Moll - Op.: 87 -. Par HERZOGENBERG HEINRICH VON. The musically convincing and, in many respects, original setting of the liturgical text in Herzogenberg’s Mass represents a final culmination in the late romantic repertoire of the genre Missa solemnis. The full score, which is published here for the first time, makes this most inspiring work by Herzogenberg accessible for performance. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

of the concerto for flute, harp and orchestra KV 299. Par MOZART WOLFGANG AMADEUS. In the unparalleled series ‚Cadenza‘, Schott Musik International presents cadences of well-known instrumental concertos of classical and Romantic music, composed by major composers and soloists of our time. The cadences of Mozart‘s Concerto for flute, harp and orchestra in C major KV 299 were created by Nino Rota. It is not known when and for which occasion Rota wrote these cadences. But the two soloists, on the other hand, to whom he dedicated the cadences are quite well-known: the harpist, Clelia Gatti Aldronandi and the famous flutist Severino Gazzelloni. Rota‘s brilliant neoclassicism is perfect for the virtuoso dialogue between the two solo instruments on the themes of the concerto./ Répertoire / Flûte Traversière et Harpe

German composer Carl Maria Von Weber was the quintessential romantic turning his hand to many art forms including poetry composing as well as virtuosic playing. This is typified by his 1811 Concerto No.1 for Clarinet and Orchestra in F Minor and demonstrates his understanding of the instruments of the orchestra particularly the Clarinet. It is more serious and less playful than his earlier concertino but dramatic and with expressive passages creating a superb showpiece. This Eulenberg Edition is a celebrated and highly authoritative miniature score serving as the definitive reference source for study performance preparation or simply for those with alove of the great orchestral works.

Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 ActsIn late September or early October 1821 Schubert and his close friend Franz von Schober vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle which belonged to the Bishop of St. Pölten (a close relative of Schober?s) after which they moved on to St. Pölten itself. Roughly a year earlier two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann who blamed the press for the indifferent reception the two works weregiven by the audience. Schubert and Schober now decided it would seem to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be.Not until 24 June 1854 was the opera finally performed in Weimar under the baton of Franz Liszt. It only achieved success however in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881 2 allegedly with 'brilliant acclaim'.Urtext of the New Schubert EditionFull score (BA5540) and vocal score (BA5540-90) available for salePerformance material (BA5540-72) available for hire

This splendid Christmas work gives you a three verse setting of the ancient melody In Dulci Jubilo which is generally associated with the text Good Christian Men Rejoyce. There is however a slight twist to this version in that each verse is a setting by three different composers covering over 300 years. The first setting is by the German composer Michael Praetorius (1571-1621) the second by JS Bach (1685-1750) and the third by the English romantic composer Sir John Stainer (1840 - 1901). The different verses are a fascinating study in the development of harmony and rhythmic style and give a brief glimpse into the personality and compositional styles of each composer.