Par DEBUSSY CLAUDE. The tragic tale of brothers who are in love with the same mysterious woman, Debussy's only opera is a perfect marriage of music and verse. The culmination of an eight-year effort on the part of the composer, the five-act lyricdrama premiered in 1902. This volume, reprinted from the E. Fromont 1904 edition, reproduces the full orchestral-vocal score in a clear, modern engraving. / Date parution : 2023-05-06/ Répertoire / Chant et Orchestre

Arrgt: Thierry Thibault. Par DEBUSSY CLAUDE. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor de Cuivres : 1 Trompette Sib 1 Cor en Fa 1 Trombone 1 Tuba - Niveau de Difficulté : 5/6 - Intermédiaire/Avancé - Durée : 5 mn 45 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Claude DEBUSSY - Arrangeur : Thierry THIBAULT / Niveau : Intermédiaire à Avancé / Classique / Répertoire / Trompette Sib 1 Cor en Fa 1 Trombone 1 Tuba

Par DEBUSSY CLAUDE. One of the most revolutionary and influential of modern composers, Debussy overturned traditional concepts of form, harmony and instrumental colour to create a unique body of music characterised by innovation, individuality of style and perfection of workmanship. Among his most popular, most performed, most recorded works, is La Mer, a complex masterpiece comprising three symphonic sketches. Published in full score, ideal for study purpose./ Répertoire / Partition de Poche

Par DEBUSSY CLAUDE / DAMASE JEAN-MICHEL. / classique / Répertoire / Flûte Traversière Alto et Harpe

Impressionist composer Claude Debussy wrote his set of Préludes for the piano between 1909 and 1913. In their entirety, his Préludes total 24 individual pieces in two volumes. It is from these that Karel Deseure has selected fivepreludes for his Cinq Préludes. La fille aux cheveux de lin is probably the most well-known of the five (and Debussy?s 24).Deseure approached each prelude as being musically independent of the others. Consequently, they do not have to be played in a specific order or even as a complete set. It is worth noting that in Debussy?s original edition the titles wereprinted at the end each prelude, almost like a footnote, so the performer could look at the music without being influenced by Debussy?s descriptive titles. The Préludes also demonstrate Debussy?s superb orchestration skills. Deseure took great care orchestrating these five preludes so he could capture and convey their original character and mood as accurately as possible. The original key signatures were kept and only very minute changes were made to the pitchesthemselves, such as occasional octave doublings to fill out the ensemble.

Debussy écrivit ses 'Préludes' pour piano entre 1909 et 1913. Il en existe 24 au total répartis en 2 livres de tailles égales. Le compositeur considérait les 'Préludes' comme des morceaux de musique indépendants qu?il ne fallait donc pas nécessairement jouer à la suite les uns des autres. Dans l?édition originale les titres figurent à la fin de chaque partie comme une sorte de note de bas de page. L?interprète peut ainsi se faire une première impression sans ?tre influencé par les titres évocateurs de Debussy. Les préludes que j?ai choisis proviennent tant du premier que du deuxième livre. Ils sont toutefois présentés dans un tout autre ordre qu?à l?origine. Pour lessélectionner je me suis demandé : Quelles sont les parties qui s?accordent dans un nouvel ensemble? La partie centrale 'La fille aux cheveux de lin' qui est sans conteste le prélude le plus connu et 'Minstrels' un morceau empreint d?humour en forment le fil conducteur.Orchestrer quelques-uns de ces préludes pour une harmonie a été une expérience passionnante et instructive. Il ne fait aucun doute que Debussy était un orchestrateur hors pair. Dans mon orchestration j?ai essayé de servir au mieux le caractère et l?esprit général de la musique. Ainsi j?ai conservé les tonalités d?origine et modifié le moins possible la partition originale en me contentant d?ajouter parfois des octaves. Çà et là Debussy suggère lui-m?me une orchestration par exemple dans 'Minstrels' o? il écrit 'tambour' en regard d?un certain passage rythmé. Enfin je trouve toujours intéressant de placer la musique dans un cadre plus vaste. Debussy termina son deuxième livre de 'Préludes' en 1913. Cette m?me année eut lieu ? à Paris ? la première du 'Sacre du Printemps' de Stravinsky. Un an plus tard la Première Guerre mondiale éclata. La fin d?une époque ?Karel Deseure

Arrangeur: Timothy Bonenfant. Par DEBUSSY CLAUDE. All four movements of Claude Debussy's charming Petite Suite arranged for Flute, Clarinet (in A) and Bassoon: En Bateau, Cortege, Menuet, Ballet. Originally composed as a suite for four-hand piano, it is also well-known in its orchestral form, with the orchestration completed by Debussy's friend, Henri Büsser./ Répertoire / Flûte Traversière, Clarinette et Basson

Scholarly critical edition with many corrections in the score and orchestral parts.Clear presentation of orchestral parts in an enlarged format 25.5 cm x 32.5 cm.?Prélude A L?Aprés-Midi D?Un Faune? often referred to as the first composition of the ?modern? era is one of Debussy?s most popular and frequently performed orchestral works. The piece comes down to us in an array of sources and several important ones are drawn upon for the first time in Bärenreiter?s scholarly-critical edition.Most of the currently available editions are based on the first edition from 1895 which however contains many engraver errors.When the corresponding orchestral parts are also taken into consideration countless discrepancies are revealed.Bärenreiter?s Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes found in no other source include metronome markings different pitches and additional notes as well as added tempo and articulation markings which all subtly enhance Debussy?s finely sculpted work. There is even a breath mark added to the famous solo Flute passage which opens the work.

Debussy's only string quartet composed in 1893 was his first masterwork. Together with two further works from this creative period Prélude l?après-midi d?un faune and Pelléas et Mélisande the quartet established the composer's position as the rising star of the French music scene.Discrepancies existed from the initial publication in 1894 between the score corrected and seen into print by the composer and the parts not corrected by him. At a later point Debussy made a large number of corrections and alterations in a copy of the first edition; these alterations have been incorporated in this Bärenreiter Urtext edition.Thisscholarly-critical edition utilises all sources including the composer's letters which offer a valuable insight into the genesis of the composition.

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).