Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping crying sorrow sighing) BWV 12Cantata for the Sunday Jubilate These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations androyal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale

Cantata for the 1st Easter Day-Study score format 22.5 x 16.5cmDer Himmel Lacht! Die Erde Jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31Cantata for the 1st Easter Day- Performance material (BA10031) vocal score (BA10031-90) and study score (TP1031) available for sale.The text by Salomon Franck who was the librettist of some of Bach's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No groupof works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.

Gending is a Balinese word meaning simply 'instrumental composition' and this work takes as its starting point the colours textures rhythmic pattens and formal procedures of Balinese music. Gending is in fivemovements and these relate to various forms of Balinese music ranging from the solemn ritualistic to secular theatrical and dance pieces. It was written in 1968.

Orchestral Accompaniment Score and Parts-Sunrise Mass is a spiritual extended work by Ola Gjeilo which uses the liturgical Latin text. Full Score and String Orchestra parts.The four movements bring us on a metaphysical journey from the heavens to earth from the echo of ?The Spheres? (Kyrie) to ?Identity & The Ground? (Sanctus) with its earthly themes. Neither expressly sacred nor secular this is an exquisite work for advanced high school level and beyond.Vocal Score: HL08501827

Edited by Manfred Bukofzer.A milestone in 20th-century musicology when first published and the standard edition ever since this volume presents the surviving sacred and secular output of this renowned medieval English composer whose genius was recognized throughout Europe. First published in 1953 revised 1970 and reprinted 1983.

The Symphony In G for Full Orchestra was written in 1937 and first published in 1940. Lasting around 43 minutes it is often compared to Moeran’s Symphony of the same year as the two works are stylistically very similar.George Dyson (1883-1964) was a British composer organist and music teacher. He studied at the Royal College of Music under Charles Stanford and became a teacher at various public schools. He later became the Director of the RCM ensuring it stayed open during the Second World War. He is probably best remembered nowadays for his Anglican church music especially his settings of the canticles but he alsowrote a substantial amount of instrumental and secular choral music.

Score-Paul Creston's Liberty Song '76 for Band.Liberty Song '76 is based on three principle songs of the Revolutionary period: 'The Liberty Song ' the first American patriotic ballad written by John Dickinson to the tune of 'Hearts of Oak'by William Boyce; 'Enraptured I gaze' by Francis Hopkinson the earliest American composer of secular music and a signer of the Declaration of Independance; and theubiquitous 'Yankee Doodle ' the only true tune which Ulysses S. Grant could identify ('I only know two tunes' Grant said 'one is Yankee Doodle and the other isn't').The eleven-measure introduction presents the threethemes in fragmentary suggestion and affirms the emotional basis of the piece. Each tune is first presented in its original form and then harmonised and developed in 1976 style. 'Yankee Doodle' is in the unorthodox fugal style and the concluding measures of the fugue combines all three tunes is a quasi-stretto.Liberty Song '76 was commissioned by Ithaca College for the Walter Beeler Series memorialising his many contributions tothe Band World. The first performance of the work was by the Ithaca College Band conducted by the composer on February 9 1976.

(The Four Seasons)-Antonio Vivaldi (1678-1741) stands with Handel and J.S. Bach as one of the titanic figures of late Baroque composition. Not only was he lauded as a composer of vocal and instrumental works both sacred and secular he was without doubt the most prolific composer of his age. In addition to hundreds of vocal works including forty-nine operas he composed five hundred concertos. The Four Seasons are probably the best known of his concerti with the second movement Largo portraying time spent by a roaring fire listening to the rain pounding against the window. This new arrangement for brass band retains all the warmth of the original.

Par BEDNALL DAVID. David Bednall's Christmas cantata Welcome All Wonders was commissioned and first performed by the Choir of Queen's College, Oxford in 2012 and received rave reviews from, among others, BBC Music Magazine, Limelight Magazine and Gramophone. Described as  'ingenious', 'engaging', 'spirited', 'extremely appealing' and 'accessible without being superficial', a recording of this notable work is available on the Signum label (SIGCD335).  This cantata brings together a beautiful selection of sacred and secular Christmas texts, skilfully interwoven by Bednall to produce a captivating musical narrative of the Christmas story, from Advent through to Epiphany. As a complete work of c.80 minutes' duration, it offers choirs a full programme for their Christmas concert. Alternatively, most movements can be performed as individual items - the unaccompanied motets are particularly suited to this and are available separately as digital downloads.  / Répertoire / Orgue, Trompette et Voix Mixte

(The Four Seasons)-Antonio Vivaldi (1678-1741) stands with Handel and J.S. Bach as one of the titanic figures of late Baroque composition. Not only was he lauded as a composer of vocal and instrumental works both sacred and secular he was without doubt the most prolific composer of his age. In addition to hundreds of vocal works including forty-nine operas he composed five hundred concertos. The Four Seasons are probably the best known of his concerti with the second movement Largo portraying time spent by a roaring fire listening to the rain pounding against the window. This new arrangement for brass band retains all the warmth of the original.

(The Four Seasons)-Antonio Vivaldi (1678-1741) stands with Handel and J.S. Bach as one of the titanic figures of late Baroque composition. Not only was he lauded as a composer of vocal and instrumental works both sacred and secular he was without doubt the most prolific composer of his age. In addition to hundreds of vocal works including forty-nine operas he composed five hundred concertos. The Four Seasons are probably the best known of his concerti with the second movement Largo portraying time spent by a roaring fire listening to the rain pounding against the window. This new arrangement for brass band retains all the warmth of the original.

Klezmer the secular Jewish music from Eastern Europe continues to weave its magic spell.This volume offers all the material you need for authentic performances of new and familiar pieces. Henner Diederich a teacher of folk music and arrangement at the Cologne Musikhochschule has gained a reputation with his many publications especially in the klezmer field. Here he presents twelve klezmer arrangements for variable ensemble: melody counter-melody guitar chords and bass line.The twelve pieces are arranged for an ?open scoring ? i.e. you can choose the instruments add octave doublings leave out voices or improvise your own ideas to suit yourtaste. They offer a glimpse into the typically bittersweet melody and harmony of Yiddish music which emerged from a mixture of Yid-dish Slavic Rumanian and German stylistic elements and is currently undergoing a revival in the folk music scene.Includes C and B Flat parts for melodies 1 2 and 3 and a bass part. The pianist plays from the score.?If you ever wanted to try Klezmer Latin American or Viennese coffee-house music here is your opportunity.?(Strings 5/2005)?I am a grateful to Bärenreiter for producing not only a practical means of performing real Klezmer music but a valuable way in which this unique and characteristic music is sure to be preserved.?(Pan 12/2004)

Révéler style polyphonique de Bach pur et un degré élevé de grâce et de charme, ces oeuvres ont été une approche plus proche du compositeur de l'opéra-comique. Comprend Cantate de la chasse (n o 208)- Cantate du mariage (n o 202)- Aeolus Apaisé (n o 205)- Phoebus et Pan (n o 201)- Cantate du café (n o 211) et la Cantate des Paysans (n o 212) .Réimpression de sélections de Werke de Johann Sebastian Bach, Bach-Gesellschaft, 1861 et 1879 éditions. / Partition D'Orchestre