SKU: HL.286427
''Witold Lutoslawski treated the surrealistic poem of Jean Francois Chabrun as a symbolist story about love and death. In his musical interpretation, according to its default course he distinguished the subsequent stages of the opus which are characterised by different kinds of expression. The first stage is of an epic and lyrical character, the second refers to a lullaby, the third is of a dramatic nature and constitutes the culmination of the work, finally, the fourth stage is a kind of a lament ending with a reflective message. Lutoslawski's musical language is characterised by contemporary means of composing technique. One should take note of the unique twelve-note system elaborated by the composer, a characteristic time organisation based on contrasting the conducted sections against the ad libitum ones, and finally the vast repertoire of sound articulation allowing for unusual differentiation of the timbre. [Regina Chlopicka: Paroles tissees Witolda Lutoslawskiego, in: Muzyka polska 1945-1995'', Akademia Muzyczna w Krakowie, 1996].
SKU: GI.G-007965
UPC: 641151079653.
SKU: BT.VOLMB216
ISBN 9788863882100. French.
The Art of Saxophone Playing by Larry Teal, the 'Master' of America Saxophone schools, is unfortunately only available in French. It has remained since its publication in 1963 until today as the main reference book inthe study of Saxophone learning in the Anglo-Saxon world, and is deemed a must have in the majority of Saxophone resources on the web.
It contains a precise ensemble of very useful methods and information for anyone wantingto learn to play the Saxophone, for every saxophonist who wants to perfect their knowledge or correct the occasional default and for every Saxophone teacher as a work tool and teaching delight.
SKU: GI.G-9281
UPC: 785147928102. English. Text Source: Charles Wesley, 1707-1788, alt. Text by Charles Wesley.
For many of us, brass embellishment is an easy default for a celebration like Christmas. A proven master of hymn concertato arrangements for parishes presents us with a stately, dignified, and inspiring version of this carol employing organ and (optional) string quartet.
SKU: GI.G-008211
UPC: 641151082110. Scripture: Psalm 118.
From the music collection and CD titled Awake to the D.ay.
SKU: HL.1117962
UPC: 847986002228. 9.5x20.0x17.5 inches.
Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Imagine getting the perfect sound every time. Like a painter who uses his color palette, the LCT 1040 gives you the power to create the sound you envision. •Record with premium sound from high-end components and 1″ true condenser capsule •Create the perfect sound for different vocalists and instruments using 4 all-analog tube characteristics and a crystal-clear FET circuit •Adjust all settings from your sweetspot via the remote control A wide range of outstanding tube tones developed in close cooperation with world-renowned engineers and producers. •Clear - Tube works at technical optimum •Warm - Smooth and pleasant high-end •Dark - Tamed highs for bright sources •Saturated - Rich harmonics and subtle compression Together, these 100% all-analog tube characteristics are designed to cover all applications and styles recorded in the studio - from the finest violin to roaring Rock voices. They are the result of LEWITT's close cooperation with industry professionals and the global audio community. Extra punch and precision with the blendable FET circuit. Tweak your sound to perfection. You can dial in the FET circuit via the Circuit control whenever you're looking for that extra punch or precision for your voice or instrument. Tweak all settings from your sweetspot via the remote control Set up the LCT 1040 in the recording room where the artist performs. Detach the remote control from the PSU and connect them via your standard 3-pin XLR cable. Now you can finetune your sound from your sweetspot via the remote control, ensuring a smooth-running session. Seamless polar pattern control to get exactly what you want. Set the directivity with the seamless polar pattern control of the LCT 1040, giving you exactly what you were looking for. Additionally, you can also freely define the front of the mic depending on your recording scenario using the Default/Reverse flip switch. Two XLR outputs for full flexibility in post-production. To prepare you for all possible scenarios, the LCT 1040 features two XLR outputs with Neutrik connectors. •The Mix output delivers the ratio set with the Circuit control, a combination of the tube and FET circuit. •The FET output delivers 100% pure FET independent from the Circuit control. Shock mount with carbon fiber elements and quick release mechanism •Quick release mechanisms for the microphone and the adjustment of the angle. •Carbon fiber elements support efficient decoupling of the microphone. •The microphone can be turned by 360 degrees when inside the shock mount. Dual-layer magnetic pop filter for clean recordings. The high-performance magnetic pop filter of the LCT 1040 protects your capsule from unwanted plosives and moisture. Its double-layer desig.
SKU: GI.G-005745
UPC: 641151057453. English.
Your children‚ choir will love the simple words and lyrical melody of this sweet Christmas anthem.
SKU: GI.G-008338
UPC: 641151083384.
SKU: HL.50606939
ISBN 9788881921225. UPC: 196288207344. 8.0x10.75x0.159 inches.
In a miscellaneous manuscript in the Este Music Collection belonging to the Österreichische Nationalbibliothek in Vienna, a new sonata for violin and basso continuo by Antonio Vivaldi has recently been identified. Although it has until now been attributed by default to the Bolognese Giuseppe Aldrovandini, by virtue of a heading written (but subsequently rubbed out) by the copyist of the manuscript on one of the pages of the violin part, this sonata has been recognized as an authentic composition by the Red Priest. This work - which can be placed chronologically no later than the middle of the 1710s - represents the most clear-cut example in Vivaldi's music of a “Sonate auf Concertenart”: more specifically, a kind of solo sonata for violin that the Red Priest could perform in order to show off his prowess on that instrument, as signalled by the presence of many passages featuring double stoppingor the use of the ultra-high register.