SKU: WD.080689654237
UPC: 080689654237.
From the Easter musical My Easter Story, arranged and orchestrated by Cliff Duren, comes Glorious Day coupled with Christ the Lord Is Risen Today. This jubilant and freeing anthem encourages us to proclaim our own resurrection day when we ran out of the grave and straight into the arms of Jesus! How wonderful it is that He has called us by name to come out of the darkness and into His glorious day!
SKU: CA.5280700
ISBN 9790007164164.
Since January 2008, the first scholarly, critical edition of the works of Max Reger (RWA) is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a hybrid edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's arrangements of works by other composers. To begin the series, the first seven volumes have been published and contain the organ works, which have been eagerly awaited by many. The Max-Reger-Institut (MRI), located in Karlsruhe, Germany, has initiated the first ever scholarly-critical edition of works by Max Reger. The Reger-Werkausgabe (RWA) is sponsored by the Mainzer Akademie der Wissenschaften und der Literatur and with its design as a hybrid edition breaks new ground in the editorial techniques. The seventh and final volume in the series of organ works includes, in chronological order, the organ pieces Max Reger composed in 1904 and 1906 in Munich, in 1912 in Berchtesgaden, in 1913 in Kolberg, and in 1915 to 1916 in Jena.
SKU: SU.80101433
Easter Soundings (2019) is is a free fantasy on motives from traditional Easter melodies: the plainchants Haec dies and Victimae paschali laudes; and the chorale Christ ist erstanden. Instrumentation: Organ Duration: 2019 Composed: 6' Published by: Zimbel Press.
SKU: LO.99-3348L
UPC: 000308141177.
Behold the Lamb! is a musical and narrative journey that illustrates the significant price that Jesus paid for our freedom and salvation. It recalls Israel's release from Egyptian bondage with the Passover Lamb, a foretelling of God's divine plan to provide the Holy Lamb as the ultimate sacrifice for our spiritual freedom. The despair of Christ's crucifixion eventually gives way to joy in a triumphant celebration of His resurrection! Blending original melodies with timeless hymns, Molly Ijames, Lloyd Larson, and Jay Rouse combine forces to create a compelling worship experience and a dramatic reminder of God's relentless love and grace.
SKU: HL.35032430
UPC: 888680858490. 5.0x5.0x0.189 inches. Ephesians 2:16, I Peter 2:24, Luke 23:26, Mark 15:30.
Presented as a troubadour song telling the story of Christ's crucifixion, this folk-like octavo is written from the perspective of the tree that became the cross. The harp-like piano accompaniment brings a delicate simplicity to the atmosphere of the piece and stands in deep contrast to the sadness of the text. A good balance of unison and four-part writing makes the note learning easy, freeing the director to cultivate a culture of expressiveness in the interpretation of the work. Splendid! Score and Parts (alto rec, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, chm, perc 1-2, hp, vn 1-2, va, vc, db).
SKU: HL.9971618
ISBN 9781458407542. UPC: 884088581572. 8x10 inches.
Discover the magic and fun of the Kazoo-Boo Magical Music Adventure Series. Special introductory package includes an illustrated Christopher Kazoo & Bongo Boo storybook along with a DVD sampler of two full-length animated segments, plus preview excerpts and two free downloadable songs.
SKU: SU.80401271
SSAATTBB Chorus & Organ Duration: 23' Composed: 1999 Published by: Paulus Publications (SP148) I. We Belong to GodII. We Trust in Jesus ChristIII. We Trust in GodIV. We Trust in the Holy SpiritV. We Believe.
SKU: HL.14035318
Written for SATB choir.
SKU: WD.080689662171
UPC: 080689662171.
Freedom bought; Salvation given; and the Lamb who was slain… He. Is. Alive! Exploding with passionate lyrics and energetic dynamics in celebration of Christ’s victory over death is this new unison/2-part Easter musical from the Very Simply Word Series, He Arose, Hallelujah! “Low in the grave He lay, Jesus, my Savior; waiting the coming day, Jesus, my Lord!†Death had no power, no sway; the tomb could not hold Him. In just 3 days… He Arose, Hallelujah! Lift your voices in triumphant praise of our Redeemer King with this reverent remembrance of Christ’s ultimate sacrifice and powerful declaration of His mighty resurrection, from Word Music & Church Resources.
SKU: GI.G-8829
UPC: 785147882909. English. Text Source: English carol, 17th c., alt.
Set in free meter, this early seventeenth-century English carol has a regal sound that builds to a triumphant end. For SATB voices and optional timbrel, this piece develops in intensity throughout using a variety of harmonic textures that add interest and a distinctive quality. The memorable refrain heralds the wondrous announcement of Christ’s birth. This work can be used throughout Christmastide. The ad lib Timbrel part is optional.
SKU: WD.080689613234
UPC: 080689613234.
From the Gospel Collection Great God Great Praise, arranged and orchestrated by Bradley Knight, comes Worth. There is no other sound quite like an exuberant Gospel Choir, and this anthem is perfect for capturing that quintessential sound. Worth reminds us that Christ believes we were worth dying for, so we could be free and made whole.
SKU: CA.402200
ISBN 9790007163983.
The supreme and most individual of all the song motets of the entire Late Renaissance period: this is Friedrich Blume's evaluation of Lechner's choral music. The focus of this choir book is on Leonhard Lechner's compositions in the German language. With them, he realized one of the concepts of the Reformation which went hand in hand with Martin Luther's translation of the Bible: the German-language chorale and the German-language motet. Lechner followed the ideals of the Reformation more consciously than most composers; indeed, he embodied their music-dramatic perceptions. With his conception of word and sound, he concentrated on furthering the development of the German song towards a freer strophic song which leads to a unique compaction of the words.
SKU: HL.14043072
9.0x12.0x0.105 inches.
Mand lion Was Commissioned For The 1982 Dublin International Organ Festival By Rhm Foods. It Was First Performed On The 27Th June 1982 By Pete Sweeney, At St. Patrick'S Cathedral In Dublin. The Piece Takes Its Name From The Greek Word For 'Handkerchief', A Word That Is Also Used In Iconography To Refer To An Ikon 'Not Made By Hands', Which Is Equivalent To The Idea Of The Shroud. Mand lion Is A Meditation Upon Ikons, And Upon The Changing Image Of The Face Of Christ. Tavener Recommends That This Piece Should Be Played Freely And With Great 'Sweep'.
SKU: HP.2908
UPC: 763628129088.
The Solid Rock is a classic hymn tune by William B. Bradbury Combining bells and piano, alternating gentle, lyrical passages with triumphant, bold sections, this arrangement of the beloved hymn is sure to enhance your worship throughout the church year. The melody passes back and forth freely between the handbells and piano, with each part contributing to the harmony, texture, and overall effect of the piece. A key change on the last verse draws the piece to its final, joyous ending.
SKU: SU.80101289
A collection of freely-composed and hymn-based organ pieces suitable for church service or recital. Includes:Prelude for a CelebrationPrelude for ChristmasPrelude for EpiphanyPrelude for EasterPrelude for All SaintsPrelude and Fugue in CPrelude on Duke StreetPrelude on Halton HolgatePrelude on Morning LightHymn Prelude on Lauda AnimaPrelude on St. AnnePrelude on Stuttgart. Instrumentation: Organ Duration: ca. 30 min. Composed: 2013 Published by: Zimbel Press.
SKU: JK.00955
Matthew 6:6, Alma 33:3-11.
Arranged for mixed chorus (SATB) and piano, with words by Richard G. Scott asking: Oh, dear Father help me pray; ...give me strength and set me free... I'm not the soul I want to be.Composer: K. Newell Dayley Lyricist: Richard G. Scott Performance time: 3:42Reference: Matthew 6:6, Alma 33:3-11.