Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Standard US Set (without european suppl. parts)-Morton Gould's Ballad For Band for Symphonic Band. Score and parts.Born in Richmond Hill New York on 10 December 1913 Morton Gould was recognised early on as a child prodigy with theability to improvise and compose. At the age of six he had his first composition published. He studied at the Institute of Musical Art (now the Juilliard School) but his most important teachers were Abby Whiteside (Piano) andVincent Jones (composition).Gould enjoyed an illustrious career. In addition to gaining a Pulitzer Prize for 'Stringmusic' he was Musical America's 1994 Composer-of-the-Year and recieved a Kennedy Center Honor inrecognition of lifetime contributions to American culture.A long-time member of the American Society of Composers Authors and Publishers Gould was elected president of ASCAP in 1986 a post he held until 1994.In 1986 he was elected to the American Academy and Institute of Arts and Letters. He also served on the board of the American Symphony Orchestra League and on the National Endowment for the Arts music panel.

Scored for large orchestra The Keening was only the second of MacMillan's orchestral works, written between 1985-87 when he was a student of John Casken at the University of Durham. The composer explains that 'keening' is a form of vocal lament associated with mourning, found in folk traditions of Ireland, northern Scotland and other cultures. Much of this work is based on the Gaelic lament tune 'Great is the Cause of My Sorrow', often known as 'Murt Ghlinne Comhann' (The Lament for Glencoe).This 25-minute score was withheld by the composer until 2010, and it received its first performance in 2014, with the BBC Scottish Symphony Orchestra under the composer's direction. A significant addition to the orchestral repertoire by one the leading composers of today. / Orchestre

'Twas in the Moon of Wintertime' est une tradition canadienne Carol qui a été écrit dans la langue huronne Indien par un missionnaire jésuite. Robert W. Smith saisit la mystique de la culture amérindienne, et les voix de la percussion d'être aussi 'ethniquement' précise que possible. C'est du pur Robert W. Smith notation. Hantise! / Concert Band

from Hymn of the Highlands - Euphonium Solo-Hymn of the Highlands(?Hymne des Highlands?) est une suite en sept mouvements composée à la demande du Yorkshire Building Society Band et de son directeur David King. Le mouvement intitulé Summer Isles (du nom d?un ensemble d?îles situées au large des côtes nord-ouest de l?Écosse) est un superbe solo pour euphonium aérien et fluide qui célèbre la beauté sauvage de ces îles réputées pour la richesse de la faune et de la flore.

In 1918 Gabriel Fauré, then 73 years old, received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell?arte. The four-movement orchestral suite Op.112, consisting of Ouverture, Menuet, Gavotte and Pastorale, combines previously unpublished parts of this stage music. The Pastorale of 1919 was Fauré?s last composition for orchestra, the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The Op.112 orchestral suite demonstrates how the composer, now older and more experienced, reworked and improved his earlier music. This scholarly-critical edition of the four-movement Masques et Bergamasques Op.112 is based on Gabriel Fauré The Complete Works, Volume IV/2. First Urtext edition Based on Gabriel Fauré The Complete Works Score and orchestral parts in a large format (25.5 x 32.5 cm) available for sale

Cross-curricular connection at its best! Your music students can bring Don Quixote’s faithful but ramshackle horse Rozinante to life with this delightful new concert band piece by young band specialist Mike Hannickel. You will find lots of articulation and dynamic contrasts along with other important teaching considerations. Don Quixote is one of the world’s great comic heroes. Shouldn’t his horse get a little credit too?

Cross-curricular connection at its best! Your music students can bring Don Quixote’s faithful but ramshackle horse Rozinante to life with this delightful new concert band piece by young band specialist Mike Hannickel. You will find lots of articulation and dynamic contrasts along with other important teaching considerations. Don Quixote is one of the world’s great comic heroes. Shouldn’t his horse get a little credit too?

Par HANNICKEL MIKE. Cross-curricular connection at its best! Your music students can bring Don Quixote’s faithful but ramshackle horse Rozinante to life with this delightful new concert band piece by young band specialist Mike Hannickel. You will find lots of articulation and dynamic contrasts, along with other important teaching considerations. Don Quixote is one of the world’s great comic heroes. Shouldn’t his horse get a little credit too? / Niveau : 2 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Call of the Clans (?L?appel des clans?) est un voyage musical à travers les Highlands (Hautes-Terres) d?Écosse une région de montagnes aux contours déchiquetés de collines verdoyantes de lacs aux eaux cristallines de châteaux en ruines et de villages pittoresques jadis organisés en clans. Chaque clan peut s?enorgueillir de posséder un patrimoine riche en traditions conquis et défendu par le fer et par le feu. C?est ainsi que les superbes Highlands devinrent le théâtre de nombreuses guerres et luttes entre clans.Call of the Clans de Kevin Houben est une confrontation musicale dans un style authentiquement écossais. Accompagnés d?une mélodie entraînante lesclans se préparent à défendre leurs traditions sous un ciel menaçant. Si les nuages gâchent un peu le début des festivités on voit progressivement apparaître quelques timides rayons de soleil qui réchauffent la terre ; les festivités reprennent. Chaque clan présente ses meilleurs danseurs et la compétition se termine avec un grand finale.

Call of the Clans (?L?appel des clans?) est un voyage musical à travers les Highlands (Hautes-Terres) d?Écosse une région de montagnes aux contours déchiquetés de collines verdoyantes de lacs aux eaux cristallines de châteaux en ruines et de villages pittoresques jadis organisés en clans. Chaque clan peut s?enorgueillir de posséder un patrimoine riche en traditions conquis et défendu par le fer et par le feu. C?est ainsi que les superbes Highlands devinrent le théâtre de nombreuses guerres et luttes entre clans.Call of the Clans de Kevin Houben est une confrontation musicale dans un style authentiquement écossais. Accompagnés d?une mélodie entraînante lesclans se préparent à défendre leurs traditions sous un ciel menaçant. Si les nuages gâchent un peu le début des festivités on voit progressivement apparaître quelques timides rayons de soleil qui réchauffent la terre ; les festivités reprennent. Chaque clan présente ses meilleurs danseurs et la compétition se termine avec un grand finale.