Par BUNK GERARD. As a 20th century composer, Gerard Bunk developed a distinctive musical style comparable perhaps to that of Max Reger or Sigfrid Karg-Elert. In addition to Bunk?s large-scale organ work ?Legende? Op.29 and its symphonic version Op.29II, there is a further well-known ?Legende? Op.55b written for organ and string orchestra (or string quartet) which was composed in 1945. This edition offers the earlier version of this work, dating from 1914, in its original instrumentation for organ and brass quartet. In order to facilitate performance, the sketchily notated score is carefully supplemented by performance markings from the string version. What Albert Schweitzer praised in the earlier ?Legende?, ?the calm and vivid layout of the complete work?, is also recognisable in Bunk?s later composition: the catchy, modestly beautiful theme alongside the clear musical form of this ?Legende? for organ and brass quartet. - Scored for 2 Flugelhorns, French horn, Trombone - Attractive chamber music for brass with organ - Edited by the composer?s grandson - Also suitable for amateur ensembles / Date parution : 2022-07-30/ Répertoire / Orgue et Quatuor de Cuivres

Hymn Flourishes for Organ Brass and Timpani-Mark Shepperd's ???Fanfares??? will elevate any service. The brass writing and organ arrangement are festive and brilliant. Each piece in the collection can stand alone in concert or in a service or serve as the introduction to the congreational carol. This collection includes: Hark! The Herald Angels Sing; O Come All Ye Faithful; Joy to the World; Angels from the Realms of Glory; Peace Peace with Silent Night. Brass instrumentation is for two trumpets and two trombones (opt. Fr. horn subs for trombone 1).

When I was approached to compose a work for brassband and church organ I already envisioned the concept I would use. It would indeed literally become a work for brassband and organ. Without the traditional solos the organ would form an addition to the brassband orchestration as would the brassband provide an extra register for the organ. In short a homogeneous entity. The most important reason for doing this is quite simple. Since this work can only be performed in a church and because of the specific acoustics of the church the brassband would sound in al its tone colour like an organ. By using certain registers of the organ and combining these with the brassband a wonderfulsound palette can be created. The use of complementary or contrasting tone quality is also possible. The primary theme of this composition is based on these three methods of ?colouring?. As far as structure is concerned this work consists of two parts. slow ? fast. It is built on a number of motifs in which some behave like a consecutive canon. In the fast movement the primary motif develops into a fugue-like section. The canon and fugato are techniques frequently used in classical and contemporary organ literature. The liberal use of structure and motif has lead to the title. ?Fantasy for Brassband and Organ?.

Worship Hymns for Organ and Brass-?Worship Hymns for Organ and Brass? is a new series with remarkable versatility. The arrangements are for Organ with Solo Trumpet or Brass Ensemble and Percussion. All parts are upper intermediate level with optional high notes for Trumpets and Horn.While the parts are not demanding they have a level of artistry that is compelling to all of the performers involved. Instrumental options with Organ include: Solo Trumpet; Brass Trio (2 Trumpets and 1st Trombone); Brass Quartet (2 Trumpets and 2Trombones OR 1st Trombone and Tuba); Brass Quintet (All but Horn 2nd Trombone or Tuba); and Brass Sextet. Versatile and regal perfect for the most triumphant season of the year.

To arrange one of the most beautiful organ fugues by the great classical composer Johann Sebastian Bach (1685-1750) for brass band is certainly a demanding task. Klaas van der Woude has however performed this feat to produce this excellent and exciting arrangement. Organ Fugue is suitable for any festive concert!

Similar to Lee Morgan's famous Sidewinder this tune is written in a moderate soul jazz vein. Mark's funky arrangement for 6 horns and rhythm section is sprinkled with stop time breaks and catchy riffs. A fun tune for soloing!

Junior Just Brass No. 19-Score and Parts for David S. Morgan's Miscellany Two edited by Philip Jones & Elgar Howarth for the Junior Just Brass series. The Just Brass series is regarded by brass players worldwide as the most important brassensemble series available. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together. Junior titles have beenspecifically chosen and edited for young players. The pieces are scored for four or five players and in some there are optional percussion parts. A large number of alternate parts are given allowing for maximum flexibility ininstruments required.

Similar to Lee Morgan's famous Sidewinder this tune is written in a moderate soul jazz vein. Mark's funky arrangement for 6 horns and rhythm section is sprinkled with stop time breaks and catchy riffs. A fun tune for soloing!

Edition : study score Instrumentation : organ, 2 oboes, bassoon and strings Catalogue of works : HWV 307 Date of Composition: 1743 Duration : 14' Number of Pages : 36 Arranger : Williams, Peter Series : Eulenburg Miniature Scores

Edition : study score Instrumentation : organ, 2 oboes, bassoon and strings Catalogue of works : HWV 306 Date of Composition: 1740 Duration : 20' Number of Pages : 64 Arranger : Williams, Peter Series : Eulenburg Miniature Scores