Piano Duet Play-Along Volume 44-Piano Duet Play-Along Volume 44: Frozen contains 7 hits from the Disney Smash Hit Frozen composed by Kristen Anderson-Lopez and Robert Lopez and arranged for Piano Duet.Online access to audio for download or streaming is included offering you separate tracks for the Primo and Secondo parts that are perfect for practice and performance.This collection includes the favorites Do You Want To Build A Snowman? For The First Time In Forever Love Is An Open Door Fixer Upper Let It Go and more.

Pour récitant et piano à quatre mains-During the visit to Brive-la-Gaillarde in 1940 Poulenc sketched a little piece for the children of his cousins: Sophie Sylvie Benoit Florence and Delphine Périer Yvan Alain Marie-Christine and Marguerite-MarieVillotte and their two friends Marthe Bosredon and André Lecoeur. This took the form of a musical background to Jean de Brunhoff's popular illustrated children's story about Babar a baby elephant whose mother is killed by ahuntsman. Fortunately Babar meets a kind elderly lady who dresses him in a fine suit and gives him an impressive motor-car.However Babar feels homesick for his forests and is pleased when his cousins Arthur and Celeste find him and needs no persuasion to go home with them. Back in the forest where the King of the Elephants has eaten a poisonous mushroom Babar is elected to succeed as King. He marries Celeste and the last we hear of him isthinking of a rosy future as he dreamily looks up at a marvellously star-filled sky.Poulenc's score to which he returned and completed in 1945 is for a narrator and a Piano so written that the individualsections offer the pianist a number of self-contained descriptive pieces such as a Lullaby a Reverie a Galop a Nocturne and so on. Indeed some of Poulenc's finest Piano music isfound in these charming pages.In 1962 Jean Françaix made an orchestral version and Barbar has been enjoyed by children of all ages all over the world. An English translation of the text was made by Nelly Rieu.Thisparticular edition is arranged for Narrator and Piano duet (1 Piano 4 hands) and a separate insert with English translation is included.

Series One-Like Chopin before him Debussy found new previously unexplored possibilities and refinements in the art of playing and composing for the piano. His compositions for piano four hands and for two pianos are among his most inventive and interesting works. Reprinted from authoritative French editions these works ranging widely in mood display the brilliant pianism at the heart of Debussyâ??s musical imagery.

The Czech composer Emil Hradecký (born 1953) is the author of a whole number of instructive pieces for children often inspired with dance music and jazz. The previously published Piano works of Hradecký – A Little Jazz Album Dance Compositions for Piano Four Hands and Jazz Etudes – are further complemented by Jazz Pieces For Twenty Fingers. The publication offers simple four-hand stylisations of popular modern dances (waltz cha-cha ragtime samba tango etc.)

Following the great success of the Slavonic Dances Op. 46 the publisher Simrock was extremely happy when Dvo ák presented him with the prospect of a new cycle for Piano Four Hands the ?Legends? inOctober 1880. Barely a year was to pass before the new work was published. Shortly before this Dvo ák and Simrock had travelled to Karlsbad with the proofs where the Viennese music critic Eduard Hanslick was taking thewaters. They played through the work together and proofread it. Hanslick was delighted and even became the dedicatee of these ten charming pieces. Later he wrote in a review of the Legends that one felt a?sense of pleasure? that ?feels doubly good in our pessimistic times?.

Par HORST MICHAEL. Louis Vierne (1870-1937) raised the organ symphony to its stylistic zenith. One of his pupils, Marcel Dupré, was the teacher of Thierry Escaich, the co-editor of this complete edition. Vierne's 'Symphony” #4 is one of the most important works in the organ repertoire. Until now it was thought to have originated during the three months of summer 1914. However, the editor has discovered a letter from Vierne, dated 23 June 1914, that disproves any connection with events of war. As a result, the work has been chronologically reclassified, leading to its fresh assessment and interpretation - see the detailed Foreword in this new edition for further information. The registration of this seminal work in the organ literature is in parts reminiscent of César Franck's 'Chorale in B” minor. In general terms, Franck's influence was already singled out by reviewers of the first performance. - Detailed trilingual preface (Fr/Eng/Ger) with a full account of the work's genesis and notes on performance practice - Comprehensive Critical Commentary (Fr/Eng/Ger) - New source material - Many illustrations and facsimile pages/ Livre / Livre

Pantomimes, pour piano à 4 mains et dispositif électronique stéréo, est pensé comme un rêve, une déambulation, un parcours initiatique se déroulant entre le moment où l'enfant doit aller dormir et celui où il se réveille. Ces rêves nocturnes, peuplés de personnages divers, fantastiques, grotesques, poétiques, ont une évolution constante, le faisant passer par des pays tantôt merveilleux, tantôt e?rayants, et des états allant de l'apaisement à la passion, de la joie à la peur. Puis lorsque la danse devient furie, vient le moment de revenir à la réalité. L'oeuvre se présente comme une suite de tableaux pensée selon une progression pédagogique, abordable dès la ?n du premier cycle de piano (environ la quatrième année selon les normes usuelles en conservatoire) jusqu'aux niveaux préprofessionnels :La Pantomime n'est pas seulement une évocation musicale, elle est aussi perceptible dans la mise en scène et les modes de jeux demandés aux interprètes, puisque chaque tableau demande à l'un ou l'autre, parfois aux deux, des utilisations non conventionnelles de l'instrument (autres que le jeu sur le clavier). Ainsi transformés en marionnettes, les pianistes investissent alors un matériau sonore total et pourtant uniquement dédié au piano (sans préparation ni autres arti?ces), créant un univers repris et développé par la partie électronique avec laquelle ils dialoguent.Tous les fichiers électroniques nécessaires sont disponibles en téléchargement via notre site www.edu.billaudot.com (versions avec clic pour le travail, en plusieurs vitesses, en quadriphonie pour un concert, player?). Ces fichiers sont à déclencher très précisément lorsque le symbole correspondant apparaît dans la partition. / Piano / Billaudot

Par LIANG LEI. I was fascinated with the Chinese landscape painter Huang Binhong (1865-1955), particularly with the albums the artist painted when he was nearly blind from cataracts. The image that inspired this composition was a detail taken from the painting. The detail was reconstructed by high-resolution scanning, and it reveals an intricate world hidden within the paintings' brushstrokes. It draws us into the landscape of microscopic elements - a fiber in the rice paper, or the trace left by a single hair in the brush. Will you come to my dream? is about discovering such a world, and the moment when we lose ourselves in the landscape together. – Lei Liang / Niveau : Avancé / Répertoire / Piano 4 Mains

Sur le territoire de Saint Etienne de Puycorbier, dans la Double du Périgord, le hameau de Colombat est tapi dans les bois, entre chênes et marais, Décrit par Eugène Le Roy, romancier humaniste du XIXe siècle, ce refuge d'elfes et de salamandres est propice aux divagations poétiques, aux chants occitans revisités, aux réminiscences d'un passé paysan qui surgit à chaque promenade dans les sous-bois, Cette suite pour piano à 4 mains en est l'évocation, familière (Ulysse est un chat !) et engagée (' Turlututu ' est une chanson encore bien présente à l'esprit des Périgourdins), - Ulysse a de nouvelles chaussures (2'30'')- Les yeux d'Ipomée (1'20'')- Berceuse (1'30'') `- Pavane (1'20'')- Turlututu (4'45'') / Piano À 4 Mains

1.1.1874 - 28.10.1884. A collection of letters, critical reviews, reports of performances, diary entries, and other contemporary documents. An indispensible reference work for Rheinberger research and a living biography of the composer./ Répertoire / Livre

9.12.1859 - 16.1.1868. A collection of letters, critical reviews, reports of performances, diary entries, and other contemporary documents. An indispensible reference work for Rheinberger research and a living biography of the composer./ Répertoire / Livre

13.12.1884 - 3.1.1893. A collection of letters, critical reviews, reports of performances, diary entries, and other contemporary documents. An indispensible reference work for Rheinberger research and a living biography of the composer./ Répertoire / Livre

Par TCHAIKOVSKI PIOTR ILITCH. Arrangement de Yoshiki Miyamoto du ballet du Tschaikowsky ' The Sleeping Beauty ' pour deux pianos est 3 en 1: c'est un livre de musique d'une part, c'est un livre d'images coloré en revanche et ainsi, c'est un livre d'histoire, qui raconte le conte de fées de Princess Aurora, qui est maudite par une fée à s'endormir pendant 100 ans.Cet ouvrage est construit de nombreuses scènes différentes. Chaque scène a des images colorées qui montrent la scène et un thème à être joué à souligner l'humeur de la scène. L'histoire commence avec les pièces simples. Comme le degré de difficulté augmente de pièce à pièce, les enfants sont désireuses d'améliorer leurs compétences pour découvrir comment l'histoire continue. Les deux parties sont égaux concernant le degré de difficulté./ Répertoire / Piano 4 Mains