Jazzy Clarinet For Young Players 1 is an ideal introduction to the rhythms and syncopation for a variety of contemporary styles such as Rock Jazz and Pop. All six of the pieces here are in the bottom register with embellishment firmly rooted on basic chords so as to give a sound basis for more sophisticated improvisation later. Also this Clarinet book is perfect practice to enhance scales and arpeggios for examination purposes.

The finest Christmas carols in special easy jazzy arrangements - making these pieces sound fresh and interesting again. With improvisations written out in full and chord symbols for individual improvisation. All the music for piano accompaniment is included on the CD as PDF files that can be printed out with professional quality. Playbacks on the CD recorded by a live band guarantee just the right mood: it's like playing with a real band!

Contemporary Italian-French composer Armando Ghidoni brings together influences of both Italy and France in his music. Also as an expert on jazz the harmonies and rhythms of the composer's works reflect a huge diversity Jazzy Celtic Suite for Clarinet and Piano or Harp being no exception. Ghidoni is significant within the contemporary French music school and his works are regularly chosen as set pieces for leading national and international competitions. Jazzy Celtic Suite reflects Ghidoni's mastery of a range of instruments suitable for intermediate players. With a typical performance lastingabout thirteen minutes Jazzy Celtic Suite is an exciting addition to the intermediate Clarinet repertoire with the option of Piano or Harp accompaniment.

Par CHAMBERLAIN LOUISE. Step It Up! is the fun way to move your playing onwards and upwards. Packed full of original jazzy pieces by Louise Chamberlain - with imaginative arrangements of well-known tunes, unaccompanied pieces and duets too - this carefully graded volume for clarinet also includes a CD of groovy backing tracks. So whether practising at home or performing to your friends, take your playing to another level with Step It Up! - and prepare to step up a grade at the same time! Pamela Wedgwood writes as Louise Chamberlain for the Step It Up! series. She is recognised around the world as one of the UK's most prolific and successful composers of popular repertoire for young instrumentalists.     / Exams, Instrumental Music, Schools / Etude / Clarinette et Piano

An album of solos with Piano accompaniment in a variety of twentieth century classical and jazzy styles by Adam Gorb Stephen Dodgson Edward Gregson and Gordon Lewin. Each piece has been especially composed to be appropriate to the grade of the instrumentalist.

Teachers seeking further material for their pupils to relish and enjoy but without searching through quantities of music that is technically too challenging or inappropriate for the pupil's level need look no further. James Rae has carefully selected a variety of pieces suitable for the first 3 - 4 years of tuition from classical to modern and studies of all kinds. The pieces are presented in three groups: levels 1 2 and 3 providing a variety of tempting repertoire at each level.These books present an opportunity for pupils to broaden their musical experiences and explore the wide variety of music that is within their grasp. Selections include works by C. W.Gluck J. S. Bach Franz Schubert Johannes Brahms Anton n Dvorák Gabriel Fauré. Further pieces include: Scotland the Brave Hava Nagila and jazzy and latin pieces by Paul Harvey John Sands and James Rae.

Par ALLERME JEAN-MARC. Des pièces originales dans les styles jazzy, classique et variété. Une version clarinette et piano est enregistrée sur le CD, mais aussi une version piano seul pour jouer en play-back. / Niveau : Assez Facile / variété - jazz / Recueil / Clarinette et Piano

Une matière sonore qui circule sans cesse au sein de l'orchestre, des échos multiples qui jaillissent de toutes parts, une recherche de textures sonores aux couleurs les plus diverses : c'est avant tout ce qui caractérise ce concerto, poème symphonique concertant qui se déploie d'un seul tenant bien que structuré en trois mouvements. Le premier s'ouvre sur des espaces sonores aux couleurs sombres et inquiétantes d'où émerge la clarinette avant de se diffuser en échos multiples dans les bois de l'orchestre. Entre ces éléments de flux et de reflux scandés par de denses accords répétés, la clarinette impose progressivement des mélismes aux contours néo-baroques avant que ne s'engage une partie plus motorique en crescendo constant conduite par un martèlement obsédant de motifs staccatissimo. Après une lente transition où le discours s'apaise, le second mouvement débute par une longue mélodie descendante de clarinette ponctuée par un accompagnement chromatique lentement égrainé au piano. Cette mélodie semble dialoguer avec son double dans un enchevêtrement de lignes contrapontiques comme si l'on regardait au loin se déployer des polyphonies de la Renaissance. Après un renforcement expressif de cet épisode plus mélodique, commence une longue passacaille, au thème mécanique presque burlesque, distribué à tout l'orchestre comme dans une gigantesque Klangfarbenmelodie, qui avec ses différentes variations exploitera de multiples combinaisons instrumentales entre la clarinette et des groupes instrumentaux de l'orchestre comme les cuivres bouchés ou les percussions - bref une sorte de concerto grosso en perpétuel renouvellement, passant de réminiscences jazzy à des bouffées expressionnistes. / Clarinette Et Piano