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Hungarian Dance No. 4 - J. BRAHMS - arranged for Full Orchestra by Marc Garetto
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Ole Schmidt: Suite Op. 21: Flute: Score
Flute, Orchestra
[Sheet music]
Wilhelm Hansen
Work for Flute and Orchestra.
34.99 GBP - Sold by Musicroom UK
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Bernhard Molique: Concerto: Flute: Score
Français
Flute, Orchestra
[Score]
Billaudot
for flute and orchestra
43.99 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Concerto in G major for Flute K.313: Flute: Score
Flute, Orchestra
[Sheet music]
Barenreiter
Mozart's Concerto in G major For Flute K.313 composed in 1778 in an authoritat...
(+)
Mozart's Concerto in G major For Flute K.313 composed in 1778 in an authoritative Urtext edition based on the New Mozart Edition. Scored for Flute Solo Flute (2) Oboe (2) Horn (2) Strings. Mozart exhibited a special affinity with the woodwind family writing prolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts and features a short editorial and scholarly history of the piece making it the ideal choice for both academic study and informed concert performance. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all theavailable sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. Full score Flute & Piano reduction (BA4854-90) and performance material (BA4854) available for sale.
22.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Flute Concerto No. 1 KV 313: Flute
Flute, Orchestra
Boosey and Hawkes
Arrangement for flute and piano-Flute Piano. Mozart Wa
40.50 GBP - Sold by Musicroom UK
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Johann Joachim Quantz: Flötenkonzert G-dur QV 5:174 / Flute Concerto: Flute:
Flute, Orchestra
Breitkopf & Härtel
Konzert für Flöte Streicher und Basso continuo-From among the nearly 300 flut...
(+)
Konzert für Flöte Streicher und Basso continuo-From among the nearly 300 flute concertos by Johann Joachim Quantz the flute teacher of King Frederick the Great the G-major work QV 5:174 has been enjoying a very special popularity ever since its rediscovery by the Dresden flautist Moritz F?rstenau in the late 19th century. The principal source for the present Urtext edition is the set of parts of the first performance which took place in Berlin's Charlottenburg Palace in 1745. This source assumes a unique significance due to the many entries and emendations in the hand of the composer.
15.20 GBP - Sold by Musicroom UK
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Christopher Rouse: Flute Concerto: Flute
Flute, Orchestra
Boosey and Hawkes
Flute Piano. Rouse Ch
32.50 GBP - Sold by Musicroom UK
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Malcolm Arnold: Flute Concerto No.2: Flute: Score
Flute, Orchestra
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Advanced
Faber Music Limited
Flute Concerto No.2
16.99 GBP - Sold by Musicroom UK
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John Corigliano: Pied Piper Fantasy: Flute: Study Score
Flute, Orchestra
[Study Score / Miniature]
Schirmer
Score-This piece by Grammy Award-winning composer John Corigliano was premiered ...
(+)
Score-This piece by Grammy Award-winning composer John Corigliano was premiered in 1982 by the Los Angeles Philharmonic conducted by Myung-Whun Chung and featuring James Galway as the flute soloist.
32.50 GBP - Sold by Musicroom UK
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Friedrich Schwindel: Flötenkonzert D-dur: Flute: Piano Reduction
Flute, Orchestra
Breitkopf & Härtel
Set on the ABRSM Flute syllabus.
18.90 GBP - Sold by Musicroom UK
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Flûte En Suite
Flute, Orchestra
Schott
This ?Suite' is not one of my 'epic' instrumental concertos such as the concerto...
(+)
This ?Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family) - the string section in the Sarabande - in both chorales (extremely muted in the first and brutalist in the second), the brass etc. - and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses - it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann / Flûte Et Orchestre
68.82 EUR - Sold by LMI-partitions
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Peter Maxwell Davies: Strathclyde Concerto No. 6 (Miniature Score): Miniature
Flute, Orchestra
[Study Score / Miniature]
Chester
The solo flute here is kept in high profile by the absence from the orchestra no...
(+)
The solo flute here is kept in high profile by the absence from the orchestra not only of other flutes but also of violins and oboes; in addition the trumpets are used sparingly (they do not for instance play in the slowmovement) so that for much of the time the flute is playing against a mellow ensemble of clarinets horns bassoons and low strings. If this is nevertheless one of Davies's most open-spirited pieces that comes partly from theready flights of the soloist partly from its glockenspiel accompaniments in the outer movements (replaced by ticking claves in the Adagio) partly from the dancing character of so much of the music and partly from the harmonicclarity in a light region not far from C minor.
22.99 GBP - Sold by Musicroom UK
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...Un Temps De Silence... Concerto Pour Flûte (JARRELL MICHAEL)
Français
Flute, Orchestra
[Sheet music]
Lemoine, Henry
Par JARRELL MICHAEL. Michael Jarrell est un compositeur du dialogue. La plupart ...
(+)
Par JARRELL MICHAEL. Michael Jarrell est un compositeur du dialogue. La plupart de ses oeuvres récentes pour grande formation mettent en regard, en écho ou en résonance un ou plusieurs solistes et la masse orchestrale. Citons ...prisme / incidences... pour violon et orchestre (1998), Assonance IX pour clarinette et orchestre (2000), le concerto pour piano Abschied (2001), Epigraphe pour accordéon et orchestre (2003), ou encore Sillages, avec flûte, hautbois et clarinette solistes, joué en première mondiale pendant la saison 2005-2006 de l'Orchestre de la Suisse Romande. Sa toute dernière création ...un temps de silence..., met cette fois la flûte seule en vedette. 'Ce n'est pas un concerto à proprement parler, mais un peu plus que les autres quand même !', confie avec malice le compositeur genevois (entretien réalisé par Luca Sabbatini en février 2007 à Genève). 'Bien sûr, il n'y a pas de hiérarchie traditionnelle soliste/accompagnement. La flûte doit constamment trouver sa place. L'orchestre ne joue pas un rôle de faire-valoir, il possède son autonomie. En cela, ...un temps de silence... est plus proche de mon concerto pour piano que de ...prisme / incidence..., où tout venait du violon.' Comme le titre le suggère, la musique de cette nouvelle oeuvre tend vers sa propre dissolution. 'J'ai voulu faire entendre différents types de silence', confirme Michael Jarrell. 'On ne peut les percevoir qu'en variant les contextes. Le silence n'est pas le même après un seul accord ou après une cascade de notes.' Plusieurs idées temporelles d'affrontent. L'une, très pulsée, naît de l'orchestre et se transmet à la flûte. Une autre correspond à 'des moments hors du temps, qui glissent vers le silence'. La virtuosité exigée du soliste atteint des niveaux de difficulté proprement diaboliques. 'Emmanuel Pahud est venu me rendre visite et nous avons travaillé sur ce qu'il était possible de faire à la flûte', raconte le compositeur. 'La partition est écrite sur mesure, en tenant compte des capacités d'Emmanuel.' ...un temps de silence... s'ouvre sur trois accords marqués des cordes, percussion, harpe et piano, qui reviendront trois fois de façon audible, mais orchestrés différemment. Ces accords génèrent également 'l'harmonie fantôme' sur laquelle repose l'oeuvre. L'orchestre installe peu à peu une pulsation régulière, ce qui 'plonge la flûte dans une situation de stress', selon Michael Jarrell. Elle s'accroche, tente de rattraper l'orchestre, court après lui à bride abattue. La subtilité de la mise en place, avec de nombreux échanges ou superpositions rapides entre soliste et orchestre, rend tout le passage périlleux. Un grand tutti introduit la partie centrale, où les protagonistes entrent en symbiose sur un tempo très lent, qui dérive peu à peu vers un 'hors temps' énigmatique. Puis le silence. La dernière partie repart au galop, mais cette fois c'est la flûte qui dicte son rythme à l'orchestre, qui devient l'axe autour duquel tous les autres instruments tournent. L'orchestre finit par prendre le dessus dans ce jeu du chat et de la souris, au cours d'un épisode d'environ une minute, mené à une vitesse vertigineuse. Deux des trois accords du début reviennent, puis se diluent sur un tempo lent, où les percussions, notamment le bongo, dominent. Michael Jarrell cite alors son propre opéra Galilée, créé au Grand Théâtre de Genève la saison dernière: soutenu par trois rins japonais et quelques instruments, un woodblock aigu joue une pulsation régulière, sur laquelle la flûte vient poser ses commentaires. L'harmonie fait du sur place, le temps se fige, comme un arrêt sur image. La musique ne disparaît pas dans le silence. Elle est devenue son négatif, son ombre, son souffle. Luca Sabbatini in Programme du concert de l'Orchestre de la Suisse Romande du 22 mars 2007, Victoria Hall (Genève) / contemporain / Répertoire / Flûte Traversière et Orchestre
40.80 EUR - Sold by LMI-partitions
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Concerto G Major Murray C23
Flute, Orchestra
Schott
F.A. Rössler (Antonio Rosetti), Bohème par naissance, a travaillé comme direc...
(+)
F.A. Rössler (Antonio Rosetti), Bohème par naissance, a travaillé comme directeur de la musique de Cour en Ludwigslust/Mecklembourg. Il écrit à 14 concertos de flûte complètement le plus important qui est le concerto sol majeur, op. 14. Le mouvement de tête élargi combine la forme sonate avec la technique de la ritournelle du concerto grosso. Tout au début, les basses de la ' Mannheimer-Walzermotiv ' clairement que Rössler sait comment utiliser efficacement la technique orchestrale de son temps. Malgré tous les motivique et thématiques ainsi que l'abondance des harmonique, Rössler - atteint dans ce concerto une unité musicale presque naturelle. / Flûte Traversière Et Orchestre
64.40 EUR - Sold by LMI-partitions
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Concerto G Major Murray C23
Flute, Orchestra
Schott
F.A. Rösler (Antonio Rosetti), Bohème par naissance, a travaillé comme direct...
(+)
F.A. Rösler (Antonio Rosetti), Bohème par naissance, a travaillé comme directeur de la musique de Cour en Ludwigslust/Mecklembourg. Il écrit à 14 concertos de flûte complètement le plus important qui est le concerto sol majeur, op. 14. Le mouvement de tête élargi combine la forme sonate avec la technique de la ritournelle du concerto grosso. Tout au début, les basses de la ' Mannheimer-Walzermotiv ' clairement que Rösler sait comment utiliser efficacement la technique orchestrale de son temps. Malgré tous les motivique et thématiques ainsi que l'abondance des harmonique, Rösler réalise dans ce concerto une unité musicale presque naturelle. / Flûte Traversière Et Orchestre
24.42 EUR - Sold by LMI-partitions
(Seller in french langage)
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Concerto G Major Murray C23
Flute, Orchestra
Schott
F.A. Rössler (Antonio Rosetti), Bohème par naissance, a travaillé comme direc...
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F.A. Rössler (Antonio Rosetti), Bohème par naissance, a travaillé comme directeur de la musique de Cour en Ludwigslust/Mecklembourg. Il écrit à 14 concertos de flûte complètement le plus important qui est le concerto sol majeur, op. 14. Le mouvement de tête élargi combine la forme sonate avec la technique de la ritournelle du concerto grosso. Tout au début, les basses de la ' Mannheimer-Walzermotiv ' clairement que Rössler sait comment utiliser efficacement la technique orchestrale de son temps. Malgré tous les motivique et thématiques ainsi que l'abondance des harmonique, Rössler - atteint dans ce concerto une unité musicale presque naturelle. / Flûte Traversière Et Orchestre
24.50 EUR - Sold by LMI-partitions
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Concerto G Major Murray C23 (ROSETTI FRANZ ANTON (ROSLER))
Flute, Orchestra
[Sheet music]
Schott
Par ROSETTI FRANZ ANTON (ROSLER). F. a. Rösler (Antonio Rosetti), Bohème par n...
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Par ROSETTI FRANZ ANTON (ROSLER). F. a. Rösler (Antonio Rosetti), Bohème par naissance, a travaillé comme directeur de la musique de Cour en Ludwigslust/Mecklembourg. Il écrit à 14 concertos de flûte complètement le plus important qui est le concerto sol majeur, op. 14. Le mouvement de tête élargi combine la forme sonate avec la technique de la ritournelle du concerto grosso. Tout au début, les basses de la ' Mannheimer-Walzermotiv ' clairement que Rösler sait comment utiliser efficacement la technique orchestrale de son temps. Malgré tous les motivique et thématiques ainsi que l'abondance des harmonique, Rösler réalise dans ce concerto une unité musicale presque naturelle./ Répertoire / Flûte Traversière et Orchestre
27.80 EUR - Sold by LMI-partitions
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3-10 days - In Stock Supplier
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Wolfgang Amadeus Mozart: Rondo KV Anh. 184 Andante KV 315: Score and Part
Flute, Orchestra
[Sheet music + CD]
Dowani
for Flute and Orchestra D major / Ré majeur / D-Dur C major / Ut majeur / C-Du...
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for Flute and Orchestra D major / Ré majeur / D-Dur C major / Ut majeur / C-Dur
17.99 GBP - Sold by Musicroom UK
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Fantasy (GRGIN ANTE)
Flute, Orchestra
[Sheet music]
-
Advanced
Editions Marc Reift (Swiss import)
Flute Solo. Par GRGIN ANTE. / Niveau : Difficile / Répertoire / Flûte Traver...
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Flute Solo. Par GRGIN ANTE. / Niveau : Difficile / Répertoire / Flûte Traversière et Orchestre
390.30 EUR - Sold by LMI-partitions
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7-9 days
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Minuet and Dance of the Blessed Spirits (GLUCK CHRISTOPH WILLIBALD / JOHNSTON MATT (Arr)
Flute, Orchestra
[Score]
Alry Publications
for Flute and Concert Band. Par GLUCK CHRISTOPH WILLIBALD / JOHNSTON MATT (Arr.)...
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for Flute and Concert Band. Par GLUCK CHRISTOPH WILLIBALD / JOHNSTON MATT (Arr.). / Date parution : 2022-11-29/ Répertoire / Flûte traversière et Orchestre d'Harmonie
18.26 EUR - Sold by LMI-partitions
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Play The 1St Flûte
Flute, Orchestra
[Sheet music]
Editions Marc Reift (Swiss import)
Classics With Swing. Play The 1St Flûte With The Philharmonic Wind Orchestra / ...
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Classics With Swing. Play The 1St Flûte With The Philharmonic Wind Orchestra / Niveau : Intermédiaire à Difficile / Répertoire / Flûte Traversière et Orchestre
28.40 EUR - Sold by LMI-partitions
(Seller in french langage)
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7-9 days
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Frammento E Adagio (SCIARRINO SALVATORE)
Flute, Orchestra
[Score]
Ricordi
Per Flauto E Orchestra (1986 - 92) - Partitura. Par SCIARRINO SALVATORE. / oeuv...
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Per Flauto E Orchestra (1986 - 92) - Partitura. Par SCIARRINO SALVATORE. / oeuvre solo et Orchestre / Date parution : 1905-06-23/ Répertoire / Flûte Traversière et Orchestre
36.98 EUR - Sold by LMI-partitions
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Play The 1St Flûte
Flute, Orchestra
[Sheet music]
-
Intermediate/advanced
Editions Marc Reift (Swiss import)
Play The 1St Flûte With The Philharmonic Wind Orchestra / Niveau : Intermédiai...
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Play The 1St Flûte With The Philharmonic Wind Orchestra / Niveau : Intermédiaire à Avancé / Répertoire / Flûte Traversière et Orchestre
28.40 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
7-9 days
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Play The 1St Flûte
Flute, Orchestra
[Sheet music]
Editions Marc Reift (Swiss import)
Play The 1St Flûte With The Philharmonic Wind Orchestra / Niveau : Elémentaire...
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Play The 1St Flûte With The Philharmonic Wind Orchestra / Niveau : Elémentaire à Difficile / Répertoire / Flûte Traversière et Orchestre
39.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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7-9 days
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Concerto (VASKS PETERIS)
Flute, Orchestra
[Sheet music]
-
Advanced
Schott
Par VASKS PETERIS. Dans le Concerto pour flûte et orchestre, exécutée pour la...
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Par VASKS PETERIS. Dans le Concerto pour flûte et orchestre, exécutée pour la première fois par Michael Faust, Semyon Bychkov et la WDR de Cologne Symphony Orchestra en 2009, le mouvement central burlesque, avec ses rappelle ferme détermination de Chostakovitch, est encadrée par élégiaque mouvements extérieurs qui coule le long de sereine tranquillité et la beauté. Passages avec chorals vent et lointain des cloches alternent avec des passages de l'état d'esprit qui va de la méditation par le biais de se lamenter euphorique. Cette partition de piano est adapté pour les étudiants, solistes et chefs de se familiariser avec la contribution Vasks 'au genre du concerto pour flûte solo. / Niveau : Difficile / Répertoire / Flûte Traversière et Orchestre
46.62 EUR - Sold by LMI-partitions
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3-10 days - In Stock Supplier
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