Near-complete collection of this great English composerâ??s keyboard compositions including the eight suites the core of his keyboard works. Also included are many miscellaneous one-movement pieces: airs trumpet tunes (for harpsichord solo) grounds preludes dances etc. Edited with a preface by noted music scholar William Barclay Squire.

for Intermediate Piano. BACH: Air on the G String - Badinerie, BWV 1067 - Allegro, BWV 1048 - Jesu, Joy of Man's Desiring - Sheep May Safely Graze - Toccata and Fugue, BWV 565 · BEETHOVEN: Theme from Piano Concerto No. 5 (Emperor) - Theme from Symphony No. 3 (Eroica) - Theme from Symphony No. 5 - Theme from Symphony No. 7 - Theme from Symphony No. 9 · BIZET: Habanera from Carmen · BOCCHERINI: Minuet from String Quintet, Op. 11, No. 5 · BORODIN: Nocturne from String Quartet No. 2 · BRAHMS: Hungarian Dance, WoO 1, No. 5 - Lullaby, Op. 49, No. 4 · CLARKE: Trumpet Voluntary · DVORÁK: Theme from Symphony No. 9 (From the New World) · ELGAR: Nimrod from Enigma Variations - Pomp and Circumstance · FAURÉ: Après un rêve, Op. 7, No. 1 - Pavane, Op. 50 · FRANCK: Panis angelicus · GLUCK: Dance of the Blessed Spirits from Orfeo ed Euridice · GOUNOD: Ave Maria adapted from Prelude in C Major, BWV 846 by JS Bach · GREIG: Anitra's Dance from Peer Gynt Suite No. 1 - Morning from Peer Gynt Suite No. 1 - Norwegian Dance, Op. 35, No. 2 · HANDEL: Air from Water Music, HWV 348 - Allegro from Water Music, HWV 349 - Allegro from Water Music, HWV 348 - The Arrival of the Queen of Sheba from Solomon - Bourrée from Flute Sonata, HWV 363b - Hallelujah Chorus from Messiah - Largo from Serses · HAYDN: Theme from String Quartet, Op. 3, No. 5 - Theme from Symphony No. 94, Hob I:94 (Surprise) · LEHAR: Waltz from The Merry Widow · MASSENET: Meditation from Thaïs · MENDELSSOHN: Nocturne from A Midsummer Night's Dream - Wedding March from A Midsummer Night's Dream · MOZART: Ave Verum Corpus - Theme from Clarinet Concerto - Theme from Eine kleine Nachtmusik - Lacrimosa from Requiem - Theme from Piano Concerto No. 21 - Theme from Symphony No. 40 - Theme from Symphony No. 41 · Offenbach: Barcarolle from The Tales of Hoffmann - Can-Can from Orpheus in the Underworld · PACHELBEL: Canon in D · PARRY: Jerusalem · PUCCINI: Musetta's Waltz from La bohème - Un bel dì vedremo from Madame Butterfly - Vissi d'arte from Tosca · RACHMANINOFF: Theme from Piano Concerto No. 2 · RIMSKY-KORSAKOV: Flight of the Bumblebee - Song of India - The Young Prince and the Young Prince from Scheherazade · SAINT-SAËNS: Danse macabre - The Swan from The Carnival of the Animals · SCHUBERT: Ave Maria - Serenade · SOUSA: The Stars and Stripes

The River Kwai March was composed by Malcolm Arnold for the 1957 film The Bridge On The River Kwai. It is a counterpoint melody to the well-known theme tune of the film the Colonel Bogey March which was written earlier by the British Army Bandmaster Kenneth J Aldford. It has been arranged here for solo Piano.Sir Malcolm Arnold (1921-2006) was an English composer who is best remembered for his film scores most famously the St Trinian's series. However he also wrote several orchestral works and ballets. He studied Trumpet and composition at the RCM before becoming a professional trumpeter playing as Principal Trumpet with the London Philharmonic Orchestra and the BBC Symphony Orchestra.

Easy-to-play Classical Joy presents 10 of the ‘Greatest Pompety-Pom Tunes’ for solo Piano. Pieces included: Champagne Aria from Don Giovanni (Mozart) Cujus animam (Rossini) Finalefrom Trumpet Concerto (Haydn) Finale from Trumpet Concerto (Hummel) First movement from Emperor Concerto (Beethoven) First movement from Symphony No 40 (Mozart) Ode to Joy from Symphony No 9(Beethoven) Rondo from Horn Concerto No 4 (Mozart) Theme from Jupiter Symphony (Mozart) and William Tell Overture (Rossini).

Jazz Suite in Color for solo piano is an arrangement of the original Jazz Suite in Color, a trio for clarinet, trumpet, and piano. Now solo pianists can enjoy this exciting mix of jazz styles painted musically with a splash of color. As in the original, there are three movements, each with a distinctive jazz style. The first movement projects a jazzy feeling of celebration and happiness. The second movement is calm and serene, yet depicts the sadness of the blues. The third movement is a happy and carefree ragtime piece. / Piano

This piano accompaniment book is part of an instrumental series arranged for Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Horn in F, and Trombone. It includes a specially designed accompaniment that can be easily played by a teacher or intermediate piano student. The instrumental solo part, in concert pitch, is added above the piano part so the accompanist or teacher can follow the soloist. A CD has also been included that features live demonstration performances of various instrument tracks throughout the series. The instrumental arrangements in this series are completely compatible with each other and can be played together or as solos. Each book contains a carefully edited part that is appropriate for the Level 2-3 player, and a fully orchestrated accompaniment CD. Each song on the CD includes a DEMO track, which features a live instrumental performance, followed by the PLAY-ALONG track by itself. Titles are: from Episode I: Augie's Great Municipal Band * Duel of the Fates * Qui-Gon's Funeral * Star Wars (Main Title); from Episode II: Across the Stars * The Imperial March * May the Force Be with You * The Meadow Picnic; from Episode III: Battle of the Heroes * Princess Leia's Theme * The Throne Room.

Sarabande And Polka are two dances written in 1956 by Malcolm Arnold. Together with his English Dances they formed the music for Solitaire  a new ballet by the British dancer and choreographer Sir Kenneth MacMillan (1929-1992).Sir Malcolm Arnold (1921-2006) was an English composer who is best remembered for his film scores most famously the St Trinian's series. However he also wrote several orchestral works and ballets. He studied Trumpet and composition at the RCM before becoming a professional trumpeter playing as Principal Trumpet with the London Philharmonic Orchestra and the BBCSymphony Orchestra.

German Edition-Lang Lang Piano Academy: Mastering The Piano Level 2 (leicht) enthält vor allem ?'bungen und Repertoire zur Handkoordination Phrasierung und Geläufigkeit.Lektionen:1. Die Tastatur entdecken2. Handkoordination3. Den Rhythmus im Griff4. Phrasierung5. Geläufigkeits-Training6. Die Finger im Griff7. Die linke Hand8. Dynamik Enthaltenes Repertoire:Bärentanz (Schumann) Ecossaise in G (Hässler) Melodie (Le Couppey) Zum Anfang (Wilm) Scherz (Bartók) Tarantella (Bullard) Nächtliche Reise (Gurlitt) Takeda (Wiegenlied) (Trad.Japan) Arabesque (Burgmüller) Zigeunertanz (Haydn) Trumpet voluntary (Clarke) Soldatenmarsch (Schumann) Cello-Solo (Lang) Lied (Reinecke) Widmung (Heller) Tanz der Zuckerfee (Tschaikowsky).Mastering The Piano ist die erste Reihe in fünf fortlaufenden Bänden aus der Lang Lang Piano Academy. Sie bietet einen faszinierenden Einblick in Lang Langs Leidenschaft Motivation und Meisterschaft auf dem Klavier und gibt Klavierschülern die einmalige Chance von diesem weltweit geschätzten Ausnahmetalent zu lernen. Jeder Band enthält:- Acht Lektionen in denen alle zentralen Aspekte des Klavierspiels behandelt warden- Speziell entwickelte ?'bungen für die einzelnen technischen Bereiche- Eine vielseitige Auswahl an Klavierrepertoire sowie Lang Langs Lieblingsstücke- Ansprechende Bearbeitungen von Highlights aus aller Welt- Anregende Kommentare und Spielhinweise von Lang Lang selbst- Viele tolle Fotos von Lang Lang am Klavier und von Kunstwerken die ihn als Pianist inspiriert haben

for Piano and Orchestra. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 22 E-flat major K. 482. Piano Solo, Flute, Clarinet (in B-flat) (2), Bassoon (2), Horn (2), Clarin trumpet (2), Kettledrum, Violin (2), Viola (2), Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Piano

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Rock 'n' Roll' features idiomatic arrangements of rock 'n' roll classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: Be-Bop-A-Lula; Blue Suede Shoes; Blueberry Hill; C'mon Everybody; Great Balls Of Fire; Jailhouse Rock; Let's Twist Again; The Green Door