Featuring: Come So Far (Got So Far to Go) / Big, Blonde and Beautiful (Reprise) / The New Girl in Town / Ladies' Choice. By Marc Shaiman, Scott Wittman. Arranged by Victor Lopez. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Movie. Level: 3 (grade 3). Score. 36 pages. Published by Alfred Publishing.

By Marc Shaiman, Scott Wittman. Arranged by Jay Althouse. For SoundPax. Choral Octavo. Pop Choral. Broadway; Movie; Novelty. Instrumental Accompaniment. 32 pages. Published by Alfred Publishing.

SKU: LO.99-2753H

Composed by Ruth Morris Gray. Choral. Concert. Performance/accompaniment CD. Heritage Music Press #99/2753H. Published by Heritage Music Press (LO.99-2753H).

UPC: 000308127874.

Ruth Morris Gray has created a spirited and artful setting of Shakespeare's flirtatious text from Much Ado About Nothing. Also a fabulous choice for smaller ensembles, the piece includes a playful polyphonic chorus of Hey, nonny, nonny-o and an accompaniment featuring a driving rhythmic ostinato that underscores the ladies' cry Men were deceivers ever. To one thing constant never. Sigh no more, ladies..

Lyrics by Lorenz Hart, music by Richard Rodgers. Vocal score for voice and piano accompaniment. With vocal score and piano reduction. 212 pages. Published by Hal Leonard.

Music by Marc Shaiman, lyrics by Scott Wittman. Songbook for voice, piano and guitar (chords only). 172 pages. Published by Alfred Publishing.

Arranged by Victor Lopez. For Marching Band. Marching Band. Mega Sounds for Marching Band. Pop. Conductor Score and Parts. 220 pages. Published by Alfred Publishing. (29524) Level: 3 (Medium) (grade 3).

By Franz Lehar (1870-1948). For Piano (Piano). Schott. 16 pages. Glocken Verlag #GL00076. Published by Glocken Verlag

By Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman. Arranged by Jay Althouse. For pending. Choral Octavo. Pop Choral. 0. Broadway; Movie; Novelty. CD. Published by Alfred Publishing.

Harpsichord solo

SKU: FZ.6048

1765-1766. Composed by Carl Philipp Emanuel Bach. Edited by Miklos Spanyi. This edition: Facsimile. Collection Dominantes. Score. Published by Anne Fuzeau Productions - France (FZ.6048).

ISBN 9790230660488. 24.00 x 33.00 cm inches.

This facsimile of an original by Carl Philipp Emanuel Bach is part of our Dominantes collection. Edition: Amsterdam, J. J. Hummel, undated (=1770). Presentation by Miklos Spanyi: C. P. E. Bach's keyboard works - the six Damensonaten (first editions and manuscripts - history, style and performance - editorial choices) - List of corrections and variants. Six very attractive sonatas by C. P. E. Bach, presented by a specialist of that composer, who has recorded his entire keyboard works. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Kunglika Musikaliska Akademiens Biblioteket of Stockholm (Sweden). Anne Fuzeau Classique propose period copies of classical music scores.

Trombone

SKU: GF.JPTB

Composed by Greg Fishman. Play-Along (Book+CD). Published by Greg Fishman Jazz Studios (GF.JPTB).

Milwaukee Avenue

Ogden Avenue

Narragansett Avenue

Belden Avenue

Chicago Avenue

Quincy Street

Rockwell Street

Dearborn Street

Franklin Street

Pearson Street

Jazz Phrasing for Trombone features ten melodic pieces which are easy to play, yet convey the essence of mainstream (Swing/Bebop/Bossa) jazz vocabulary. The pieces are catchy and melodic, demonstrating the use of sequence and voice-leading to make a musical statement.

This book includes a play-along CD featuring trombonist Russ Phillips playing each song with a world-class rhythm section. The CD also includes tracks featuring Greg Fishman demonstrating each song on alto saxophone, giving trombone players the option of playing along with Russ Phillips on trombone or with Greg Fishman on alto saxophone.

In addition, there are play-along tracks featuring just the rhythm section. These tracks are great for practicing the songs, chords, scales, voice-leading lines and soloing over the chords progressions.

Jazz Phrasing for Trombone will provide valuable insights into a melodic approach to jazz improvisation. This book is recommended for trombone players of all levels who wish to improve their tone, articulation, phrasing, and understanding of thematic development.

Special Features of Jazz Phrasing for Trombone:

o Suggested Use Section - Provides detailed instructions on a variety of ways to work with the book.
Style & Analysis Section - Provides clear, concise explanations of sequence, variation and voice-leading
Thematic Index - Lets you compare the opening themes of all ten songs in convenient two page at-a-glance format. Also includes detailed information on the opening interval of each song, as well as harmonic context of the opening interval.
Endorsements for Jazz Phrasing for Trombone:
Greg has done it again. Great melodies, interesting rhythms and beautiful chord progressions. This is the perfect foundation for learning jazz. - Jamey Aebersold
This book is a monument to Greg Fishman's superb teaching skills, as well as his clear understanding of the jazz student's early needs. He has purposefully selected accessible tempos, significant melodic rhythms (with their appropriate phrasing) and sensitive note choices, utilizing commonplace chord progressions within the jazz repertory, all impeccably demonstrated on the accompanying compact disc. This book is a must for the early conditioning of jazz students! - Jerry Coker
Greg Fishman has created a book of fun, well-written, catchy tunes in a variety of styles for developing jazz players---highly recommended. - Dr. Gregory W. Yasinitsky, Regents Professor of Music & Coordinator of Jazz Studies, Washington State University
Songs included in Jazz Phrasing for Trombone - Volume 1:
o Milwaukee Avenue
Ogden Avenue
Narragansett Avenue
Belden Avenue
Chicago Avenue
Quincy Street
Rockwell Street
Dearborn Street
Franklin Street
Pearson Street

A few words from the preface of the book:

Applying good phrasing to music is like using good punctuation in written or spoken language. It involves the grouping of ideas to make the meaning of the words clear to the listener. The words are grouped into sentences, and the sentences are then grouped into paragraphs. The same is true when interpreting a piece of music.

Good phrasing requires a musician to interpret the notes he plays, and determine which notes need to be grouped together to form a complete musical idea.

Each song in Jazz Phrasing for Trombone is designed to train your ear to hear the logical grouping of phrases through the use of sequence and thematic development.

While the art of good phrasing involves the interpretation of note groupings and their relationships, it also involves deciding where you're going to take a breath.

Read the following sentences aloud to compare examples of good and bad phrasing.

Good phrasing, spoken in one continuous breath:

Ladies and gentlemen, it gives me great pleasure to introduce the senior class president.

Bad phrasing, spoken with extra breaths, disrupting the flow and grouping of the words:

Ladies and gentlemen, it gives (breath) me great pleasure to introduce the senior class (breath) president.
The difference between these two sentences is very similar to the difference between a professional musician's phrasing and a student's phrasing. Both may be playing the correct notes with the correct rhythm, but the professional musician knows how to group the notes in a smooth, flowing fashion, while the student takes breaths at random, not even aware that he's disrupting the phrasing.

Jazz Phrasing for Trombone has been carefully designed to help you learn to phrase like a professional player.

These are pieces that will be fun for all musicians who love melodic writing with good thematic development..

Orchestra SSTB voice soli, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, viola, cello, double bass

SKU: CA.5148612

Komodie mit Musik. Composed by Wolfgang Amadeus Mozart. This edition: urtext. Stuttgart Urtext Edition: Mozart. Violin 2. Incidental music. Single Part, Violin 2. Composed 1786. KV 486. 16 pages. Duration 28 minutes. Carus Verlag #CV 51.486/12. Published by Carus Verlag (CA.5148612).

ISBN 9790007225162. Language: German. Text: Stephanie der Jungere, Johann Gottfried. Text: Johann Gottfried, Stephanie der Jungere.

Der Schauspieldirektor (The Impresario) was composed in the spring of 1786 to fulfill a commission from Joseph II for performance during a visit to Vienna by the Governor-General of the Netherlands. The visitors were meant to be entertained with a short German and an Italian musical comedy during a festival arranged on short notice in Schonbrunn Palace. The choice of composers fell to Mozart and Salieri. Both pieces spoofed the theatrical practices of the day. Der Schauspieldirektor, by Gottlieb Stephanie the Younger, has a loosely-constructed plot that hinges on the vanity of opera singers and the empty-headedness of many traveling companies. Frank Lustig wants to create a new theatrical troupe, for which Herr Eiler is willing to supply money, but only on condition that his lady friend is allowed to join. In the course of the piece, appearances are made by other ladies with resonant names who want to be retained as singers and who attempt to outdo each other until reason is allowed to prevail. Score and part available separately - see item CA.5148600.

Orchestra SSTB voice soli, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, viola, cello, double bass

SKU: CA.5148619

Komodie mit Musik. Composed by Wolfgang Amadeus Mozart. This edition: urtext. Stuttgart Urtext Edition: Mozart. Complete orchestral parts. Incidental music. Set of Orchestra Parts. Composed 1786. KV 486. Duration 28 minutes. Carus Verlag #CV 51.486/19. Published by Carus Verlag (CA.5148619).

ISBN 9790007133641. Language: German. Text: Stephanie der Jungere, Johann Gottfried. Text: Johann Gottfried, Stephanie der Jungere.

Der Schauspieldirektor (The Impresario) was composed in the spring of 1786 to fulfill a commission from Joseph II for performance during a visit to Vienna by the Governor-General of the Netherlands. The visitors were meant to be entertained with a short German and an Italian musical comedy during a festival arranged on short notice in Schonbrunn Palace. The choice of composers fell to Mozart and Salieri. Both pieces spoofed the theatrical practices of the day. Der Schauspieldirektor, by Gottlieb Stephanie the Younger, has a loosely-constructed plot that hinges on the vanity of opera singers and the empty-headedness of many traveling companies. Frank Lustig wants to create a new theatrical troupe, for which Herr Eiler is willing to supply money, but only on condition that his lady friend is allowed to join. In the course of the piece, appearances are made by other ladies with resonant names who want to be retained as singers and who attempt to outdo each other until reason is allowed to prevail. Score and parts available separately - see item CA.5148600.