POD-There Is A River is a work by Stephen Burtonwood for Upper Voices and Piano Accompaniment. The work sets text from Psalm 46 verses 1-5.

Universal Nature forms the second part of the Rochester Triptych. It was commissioned by Nicholas Fisher for the Birmingham Bach Choir. First performance 9 April 1994 in Prague. Scored for solo Soprano SA and Organ. Duration c. 8 minutes.

Initially composed for SATB this collection of Five Hebrew Love Songs is available here for women's voices (SA) with Violin and Piano accompaniment. Like the SATB version the suite is set for Piano and Violin but may also be performed with string quartet.

Hollywood's Best Movie Music (Medley)-Celebrate the silver screen and Hollywood's musical history in this choral revue by Mac Huff. Spanning eight decades of movie magic the six flexible sections are easily adaptable to a variety of staging options and can be accompanied with live instruments or the professionally-recorded CD. You'll enjoy all the memories the romance and the adventure as the cinema comes alive. Sections include: The Opening Reel Thanks for the Memory Isn't It Romantic? The Heat Is On The Envelope Please Give My Regards to Hollywood. Available: SATB Director's Score SAB Director's Score 2-Part Director's Score SATB Singer's Edition SAB Singer's Edition 2-Part Singer's Edition Instrumental Pak ShowTrax CD. Performance Time: Approx. 38:00.

One Latin phrase, 'Et in terra pax,' is beautifully echoed through the voices in this universal call for peace. Opens with a heartfelt optional solo and builds to a powerful finish. Consider adding sign language (available on Lights!) as a special touch. / 2 Parties Mixtes

Hal Hopson's adaptation of “Praise the Lord” from Handel's Judas Maccabaeus is a standard in most choral libraries. Now he gives us another performance option with his two-part version. This majestic andtriumphant song of adoration is now accessible to all choirs for any number of festive occasions. Available separately: SATB TTBB SAB 2-part.

Walls Come Tumbalin' Down! is an inventive partner song pairing two lively traditional spirituals: Didn't My Lord Deliver Daniel and Joshua Fit The Battle Of Jericho. This has been arranged for any combination of two-part voices and may be performed by both school and church choir singers of all ages.

This Puerto Rican folk song has been arranged as a lively partner song using an original melody and both English and Spanish text. Combined with the festive piano accompaniment and shakers for all to play this spirited choral isa multicultural gem and a sound teaching tool for part singing.

Uses: Benediction General Worship Scripture: Matthew 22:39 Ephesians 4:1 Philippians 2:1-3 From the inspired words of young poet and peacemaker Mattie J.T. Stepanek comes this benediction for peace. Mattie's poem is a strong reminder of our self-worth and potential as we strive for a more beautiful future. The music is approachable and emotive wrapping this tender invocation in gentle beauty. Special! NOTE: StudioTrax CD is only compatible with 2-Part Treble voicing.

Les Fables de La Fontaine ont depuis longtemps attire? les compositeurs, Rythme?es et hautes en couleurs, beaucoup de ces petites sce?nes appellent irre?sistiblement la mise en voix comme autant de petites sce?nes the?a?trales, C'est du moins dans cet esprit que j'ai traite? Le Rat de ville et le Rat des champs, selon une ve?ritable mise en sce?ne miniature, Le piano joue alors un ro?le majeur, commentant l'action et comple?tant le discours musical autant qu'il ' accompagne ' les voix,Divers e?pisodes narratifs alternent qui collent au plus pre?t a? la narration (sans refuser parfois un certain figuralisme re?cre?atif), Cette structure en e?pisodes nettement diffe?rencie?s, mais condense?s en une dure?e assez bre?ve (4 mn environ), explique le sous-titre de ' micro-cantate ', Le premier motif chante? par le choeur revient, apre?s les pe?ripe?ties centrales, vers la fin de l'oeuvre, qui se termine enfin par un fugato entre les deux voix en canon strict,D'une e?criture largement tonale et fonde?e sur des carrures claires pour en faciliter l'apprentissage, l'oeuvre a e?te? pense?e a? deux voix, Celles-ci sont la plupart du temps impe?ratives (notamment pour le final) mais il est possible, le cas e?che?ant, de re?duire plusieurs se?quences a? une seule voix : les parties vocales qui pourraient e?tre alors supprime?es sont signale?es entre crochets, De me?me, certains passages peuvent e?tre confie?s a? des voix solistes, soit pour varier les textures, soit pour alle?ger l'apprentissage pour l'ensemble des enfants, Enfin, les petites notes de la partie de piano (mes, 49-50) ne doivent e?tre joue?es que s'il s'ave?re indispensable de soutenir les voix en cas de difficulte? d'intonation - dans l'ide?al, on ne les jouera pas, / Choeur D'Enfants Et Piano