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| Beethoven, Schubert and More - Volume I (Bass) Double Bass [CD Sheet Music] Hal Leonard
(Complete Bass Parts to 90 Orchestral Masterworks on CD-ROM) For bass. Includes ...(+)
(Complete Bass Parts to 90 Orchestral Masterworks on CD-ROM) For bass. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.
$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Diversions I and II Double Bass Seesaw Music Corp
Contrabass SKU: SU.50022360 For Contrabass. Composed by Eldon Obre...(+)
Contrabass SKU: SU.50022360 For Contrabass. Composed by Eldon Obrecht. Strings, Contrabass. Part. Seesaw Music Corp #50022360. Published by Seesaw Music Corp (SU.50022360). Published by: Seesaw Music. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony 88, Double Bass Double Bass Universal Edition
Double Bass SKU: PR.HM000171E Critical Edition of the Complete Symphon...(+)
Double Bass SKU: PR.HM000171E Critical Edition of the Complete Symphonies. Composed by Franz Joseph Haydn. Edited by H. C. Landon. Haydn-Mozart Presse. Part. With Standard notation. Composed 1787. Hob. I:88. Duration 25 minutes. Universal Edition #HM000171E. Published by Universal Edition (PR.HM000171E). ISBN 9783702433383. UPC: 680160500093. Key: G major. $13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 3 C minor op. 78 Double Bass Barenreiter
Double bass SKU: BA.BA07896-85 Composed by Camille Saint-Saens. Edited by...(+)
Double bass SKU: BA.BA07896-85 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 78. 15 pages. Baerenreiter Verlag #BA07896_85. Published by Baerenreiter Verlag (BA.BA07896-85). ISBN 9790006563395. 32.5 x 25.5 cm inches. Key: C minor. In this work I gave everything I had to give. [...] What I did here I will never do again. Camille Saint-Saens was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886.
In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected.
The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of Camille Saint-Saens - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series.
* First scholarly-critical edition of this famous symphony based on Camille Saint-Saens aEUR Complete Edition of the Instrumental Works * Now with separate parts for all winds * Orchestral parts in a large format (25.5 cm x 32.5 cm). About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony 99, Double Bass Double Bass [Critical Reports|Part] Universal Edition
(Critical Edition of the Complete Symphonies). By Franz Joseph Haydn (1732-1809)...(+)
(Critical Edition of the Complete Symphonies). By Franz Joseph Haydn (1732-1809). Edited by H.C. Robbins Landon. For Bass. Haydn-Mozart Presse. Part(s). Standard notation. Hob. I:99. Duration 29 minutes. Published by Universal Edition
$11.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jazz Bass on Top Double Bass Hal Leonard
(A Guide to Left-Hand Technique). Bass. Softcover. Guitar tablature. 64 pages. P...(+)
(A Guide to Left-Hand Technique). Bass. Softcover. Guitar tablature. 64 pages. Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony 69, Db Double Bass Universal Edition
Double Bass SKU: PR.HM000151E Critical Edition of the Complete Symphon...(+)
Double Bass SKU: PR.HM000151E Critical Edition of the Complete Symphonies. Composed by Franz Joseph Haydn. Edited by H. C. Landon. Part. With Standard notation. Composed 1778. Hob. I:69. Duration 22 minutes. Universal Edition #HM000151E. Published by Universal Edition (PR.HM000151E). ISBN 9783702403676. UPC: 803452001232. Key: C major. $12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony 97, Db Double Bass Universal Edition
Double Bass SKU: PR.HM000078E Critical Edition of the Complete Symphon...(+)
Double Bass SKU: PR.HM000078E Critical Edition of the Complete Symphonies. Composed by Franz Joseph Haydn. Arranged by H. C. Landon. Haydn-Mozart Presse. Part. With Standard notation. Composed 1792. Hob. I:97. Duration 26 minutes. Universal Edition #HM000078E. Published by Universal Edition (PR.HM000078E). ISBN 9783702403201. UPC: 803452000761. Key: C major. $12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concepts for Bass Soloing Double Bass [Sheet music + CD] Sher Music Company
By Chuck Sher and Marc Johnson. For Bass. The only book ever published specifica...(+)
By Chuck Sher and Marc Johnson. For Bass. The only book ever published specifically designed to improve your soloing!. Book and 2 CD's. Published by Sher Music Company.
$34.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| More Than Fake Book Bass Double Bass [Sheet music] Hal Leonard
Charles Mingus était une figure de pionnier dans le jazz moderne. En plus d'êt...(+)
Charles Mingus était une figure de pionnier dans le jazz moderne. En plus d'être un bassiste virtuose qui a joué avec les meilleurs musiciens de jazz depuis quatre décennies, il était également un pianiste accompli, chef d'orchestre et compositeur qui a enregistré plus de 100 albums et a écrit plus de 300 partitions originales et innovantes. Cette incroyable collection explore des Mingus arrière-plan et prestigieuse carrière ainsi que 55 de ses pièces. Les histoires derrière chaque chanson sont donnés et accompagnées de notes sur comment Mingus joue la pièce. Mingus photos, anecdotes, citations et une importante discographie combler ce volume de collectionneurs chériront. Un travail vraiment personnels qui célèbre le génie au sein de cette légende jazz / Guitare Basse / Partition
38.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| La Contrebasse Dans
L'Orchestre (MASSARD
DANIEL) Français Double Bass [Sheet music] - Beginner Combre
Par MASSARD DANIEL. '[La répétition] des trente-six contrebasses surtout fut c...(+)
Par MASSARD DANIEL. '[La répétition] des trente-six contrebasses surtout fut curieuse. Quand nous en vînmes au trait du scherzo de la symphonie en ut mineur de Beethoven, qui figurait dans le programme, il nous sembla entendre les grognements d'une cinquantaine de porcs effarouchés : telle était l'incohérence et le défaut de justesse de l'exécution de ce passage. Peu à peu cependant elle devint meilleure, l'ensemble s'établit et la phrase apparut nettement dans toute sa sauvage rudesse'.
Hector Berlioz, Mémoires, Chapitre LIII
Dans ses Mémoires, Hector Berlioz, compositeur français de l'époque romantique (1803-1869) se tenait 'pour satisfait de pouvoir organiser et diriger un concert gigantesque' pour lequel il parvint 'à réunir un personnel de mille vingt deux exécutants'. Cette citation relate les répétitions partielles (par pupitre) du scherzo de la cinquième symphonie de Beethoven placées sous sa direction pour un concert exceptionnel donné à Paris lors de l'Exposition des produits de l'industrie en 1844. Ce scherzo réputé difficile pour la justesse, la conduite de l'archet et la manière de l'interpréter devenait particulièrement délicat, exécuté par un pupitre de trente-six contrebasses.
Depuis l'époque de Berlioz, l'apprentissage de la contrebasse a évolué. Les professeurs enseignant dans les structures musicales permettent à nos élèves de devenir de vrais contrebassistes, de vrais techniciens, de vrais professionnels, de vrais musiciens. Néanmoins, le travail de pupitre (ou répétitions partielles) reste indispensable.
Contrebassiste au sein de l'Orchestre National du Capitole de Toulouse pendant quarante ans, mon expérience professionnelle m'a permis de découvrir un vaste répertoire musical. De la musique symphonique à la musique de chambre en passant par le répertoire lyrique, j'ai pu aborder tous les styles de musique depuis l'époque baroque à la musique contemporaine. Les grands chefs d'orchestre qui m'ont dirigé m'ont appris à connaître tous les grands compositeurs de notre musique occidentale, la manière d'interpréter une oeuvre, de la comprendre et de l'analyser. Nous devons écouter et surtout entendre. J'ai voulu donc, par ce premier recueil, transmettre ce que j'avais appris à l'Orchestre et permettre aux élèves de découvrir ce répertoire musical.
Professeur de contrebasse au CRD de Montauban, j'ai mis au programme du premier cycle et expérimenté avec mes élèves tous les textes présentés dans ce recueil. Les jeunes contrebassistes ont toujours été très sensibles au travail des extraits musicaux. Ils sont au contact avec la Musique. Afin de parachever leur travail personnel, il est souhaitable qu'ils écoutent les musiques étudiées (enregistrements et concerts). Ces acquisitions leur permettront de découvrir les compositeurs et d'apprendre le langage musical.
Ce recueil pédagogique offre un voyage musical de l'époque baroque à l'époque postromantique (de Johann Sebastian Bach à Camille Saint-Saëns). Il est destiné aux élèves du premier cycle des conservatoires et écoles de musique. Les professeurs pourront commencer à l'aborder dès la première année.
Tous les extraits musicaux sont tirés du répertoire d'orchestre : de chambre, lyrique et symphonique. Ils sont joués dans la tonalité originale.
Les coups d'archet originaux sont notés en noir. Les coups d'archet préconisés par les contrebassistes professionnels jouant dans les plus grandes formations orchestrales symphoniques ou lyriques en France et à l'étranger sont ajoutés en rouge.
Daniel Massard
Contrebassiste à l'Orchestre National du Capitole de Toulouse,
Professeur au CRD de Montauban.
Je remercie mes élèves de la classe de contrebasse du Conservatoire à Rayonnement Départemental de Montauban, les bibliothécaires de l'Orchestre National du Capitole de Toulouse et Véronique Lafargue, docteur en musicologie. / Niveau : 1er Cycle / classique / Méthode / Contrebasse
30.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Franz Joseph Haydn:
Symphony Nr. 91 E-flat
major Hob. I:91:
Orchestra: Part Double Bass Barenreiter
Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symph...(+)
Hob. I:91-This four-movement work with a slow introduction is Haydn?s last symphony for ?Small? Orchestra i.e. without Trumpets and Timpani. However it has long passages for solo Violoncello and is also scored for two Bassoons. The editor of this edition recommends a performance with low Horns (additionally included in the wind set) to prevent the musical character of the Andante from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works operas and symphonies this edition is appearing based on the Henle Complete Edition of theWorks of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the Works of Joseph Haydn.- Orchestral parts in a large format (25.5 × 32.5 cm).- Full score & performance material (BA10978) available for sale.
11.00 GBP - Sold by Musicroom UK | |
| Nate Sabat: Dirt Simple
Upright Bass: Double Bass
Solo: Instrumental Tutor Double Bass [Sheet music + Audio access] Mel Bay
Dirt Simple Upright Bass. Although designed for newcomers to the upright bass an...(+)
Dirt Simple Upright Bass. Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, ?Going Down the Road Feeling Bad,? author Nate Sabat reveals his creative process in crafting effective basslines from the song?s melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Don?t this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band.Nate?s warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. You?ll not only want to back Nate up?but sing harmony with him too! The impulse to sing can?t help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, you?ll soon be able to play along with the book?s 50 companion online recordings.With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If you?ve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, you?ll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.
13.99 GBP - Sold by Musicroom UK | |
| Aebersold Sup Bass 34
(GILMORE S) Double Bass Jamey Aebersold Jazz
Par GILMORE S.. For All musicians wishing to learn fantastic bass lines. While r...(+)
Par GILMORE S.. For All musicians wishing to learn fantastic bass lines. While reading from the book, play along with the bassist on the recording (sold separately) until you feel you’ve mastered his “feel” and nuances. Then, using the special stereo separation on all of our Play-A-Long recordings, switch the bassist off and play along by yourself with just the piano and drums! This book (like all the Aebersold bass line transcription books) is a great study in professional bass line construction, and is a natural companion to the Aebersold Play-A-Longs. Combo instructors can use this book to give their bass students instant, professional bass lines. Includes notes in bass clef withchord symbols above each measure. THIS BOOK: Transcribed bass lines to the chord changes of: Blue Moon, Don’t Blame Me, I Left My Heart In San Francisco, Invitation, Just Friends, Laura, My Secret Love, No Greater Love, On The Trail, On Green Dolphin Street, Once In Awhile, Over The Rainbow, Spring Is Here, Star Eyes, Stompin’ At The Savoy, The Shadow Of Your Smile, You Stepped Out Of A Dream, and Without A Song. / Rép International / Recueil / Guitare Basse
21.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Lennox Berkeley:
Introduzione and Allegro:
Double Bass: Instrumental
Album Double Bass [Sheet music] - Advanced Yorke Edition
Good work for examinations and recitals by an important British composer. Durati...(+)
Good work for examinations and recitals by an important British composer. Duration c.6'. AMEB (Australian Syllabus) 2004. Programme notes as follows:Lennox Berkeley was born in 1903 and died in 1989. After reading modern languages at Oxford he had no intention of becoming a composer until he met Ravel in 1926 who encouraged him to study in Paris with Nadia Boulanger. He stayed in Paris until 1932 developing his own musical language. In 1936 after the death of his mother he went to Barcelona for the International Society for Contemporary Music festival where he met Benjamin Britten. The two lived together at Snape in Suffolk for a while until the outbreak ofwar before Berkeley moved back to London to work for the BBC. Here he met his future wife Freda Bernstein. He taught at the Royal Academy of Music in London from 1946 until 1968 where his pupils included Richard Rodney Bennett Nicholas Maw and John Tavener among others. He was knighted in 1974. In early February 1971 I was playing in a concert at St. John's Smith Square London then only relatively recently restored as a superb venue for music. The programme which I believe was being broadcast included Berkeley's Serenade Op.12. It was a work I had always enjoyed playing and was standard string orchestra repertoire at the time. There was initially no platform at St. John's and so the audience sat virtually on top of the performers. So close were they on this occasion that I had to ask for a little more room in order to play. At the end of the piece the orchestra acknowledged the applause and the gentleman who I had all but practically decapitated with my over-enthusiastic playing stood up and took a bow. I had been almost playing in Lennox Berkeley's lap! The opportunity was too good to miss and I wasted little time in introducing myself. Mr Berkeley said that he had been fascinated by my playing and asked me to write to him about a possible commission.This I did on 6 February mentioning that
9.50 GBP - Sold by Musicroom UK | |
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