SKU: CL.SCM-1093-00

This chart was written when Thad lived in Denmark and was named after jazz organist Rhoda Scott. This writing is typical Thad that was a favorite of the Mel Lewis Orchestra and it is still played by the Village Vanguard Orchestra. This medium tempo AABA composition displays the classic Thad Jones harmonic and melodic approach to writing for a big band. Not as well known as Don’t Get Sassy or Tip Toe as it was first recorded in Denmark and then again with the Mel Lewis Orch on the The Definitive Thad Jones CD’s recorded in the US in 1988, but it is a great one. Written solos. Written ranges: Trp. 1 (A), Trb. (G) , Alto (D).

SKU: CL.SCM-1093-01

This chart was written when Thad lived in Denmark and was named after jazz organist Rhoda Scott. This writing is typical Thad that was a favorite of the Mel Lewis Orchestra and it is still played by the Village Vanguard Orchestra. This medium tempo AABA composition displays the classic Thad Jones harmonic and melodic approach to writing for a big band. Not as well known as Don’t Get Sassy or Tip Toe as it was first recorded in Denmark and then again with the Mel Lewis Orch on the The Definitive Thad Jones CD’s recorded in the US in 1988, but it is a great one. Written solos. Written ranges: Trp. 1 (A), Trb. (G) , Alto (D).

SKU: CL.032-4956-00

This up-tempo setting of the classic spiritual is fire! From start to finish, Wayfaring Stranger is high octane all the way, featuring Larry Barton’s signature driving rock feel. Written solidly at the medium easy level, this chart features repetitive rhythms and patterns that will help you get performance ready with a minimum of rehearsal time. Playable with limited instrumentation or full big band, with careful attention to instrument ranges, and written out solos over easy changes, Wayfaring Stranger will be accessible to the smallest and youngest ensembles, as well as a lot of fun for more advanced groups. Loaded with performer and audience appeal, this tune is an ideal contest/concert selection. Don’t miss this one!

SKU: CL.032-4853-01

This is up-tempo setting of the classic spiritual is a guaranteed winner! After a short and solemn introduction, featuring an alto sax solo, Down to the River kicks into high gear, with the composer’s signature driving rock feel. Written solidly at the medium easy level, this tune features repetitive rhythms and patterns that will help you get performance ready with a minimum of rehearsal time. Playable with limited instrumentation, with careful attention to instrument ranges, and written out solos over easy changes, Down to the River is accessible to the smallest and youngest ensembles, as well as a lot of fun for more advanced groups. Loaded with lots of appeal, this tune is an ideal contest/concert selection. Don’t miss this one!