The Complete Buxtehude Organ Works in a five volume performing edition.This truly reliable and comprehensive edition of Buxtehude’s Organ works is based on the latest musicological research. Editions published previously were either incomplete or editorial amendments were not identified as such.Primarily a practical edition these volumes reflect the state of the art in Buxtehude scholarship. Each volume includes a comprehensive preface (German/English) and every editorial decision is available for examination in the critical report.All volumes also available separately: Set BA 8220; separate BA 8221-8223 BA 8404 BA 8405.Volume 5 BA8405.Chorale Settings Mi-W BuxWV 76 207-224.Appendix: O lux beata trinitas / Der du bist drei in Einigkeit BuxWV 216 Fragment.Muss der Tod denn auch entbinden (zu BuxWV 76).

Kompositionen von Beethoven, Boccherini, J. Haydn und W. A. Mozart. / Recueil / Orgue Electronique

Kompositionen von Bizet, Gluck, Lortzing, W. A. Mozart, Offenbach, Verdi, Wagner und Weber. / Recueil / Orgue Electronique

Band 1: Nr. 1 - 12. Par MUFFAT GOTTLIEB. Der in Wien erzogene Fux-Schüler Gottlieb Muffat (1690-1770) stand bisher im Hintergrund seines Vaters Georg. Mit dieser Ausgabe und der vorhergehenden der 32 Ricercati und 19 Canzonen sind neben seinen zwei Orgelmessen und den 72 Versetten und 12 Toccaten nun endlich seine wichtigsten Werke breitest wieder zugänglich. Während Muffat in den Ricercati den Stylus gravis vorführt, geht es ihm bei seinen 24 Pedaliter-Toccaten um den Stylus phantasticus, den er mit viel Spielfreude in z. T. mehrteiligen Sätzen zeichnet und diese mit arien- oder tanzartigen Capriccii krönt/ Répertoire / Orgue

Vorspiele zum Regionalteil Württemberg des Evangelischen Gesangbuchs/ Répertoire / Orgue

Instrument : organ Nombre de Pages : 62 This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo. The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especialle the fugue. The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing). The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach. Content : Grundlagen des Pedalspiels - T.L. da Vittoria: Bicinium: Bonum erat - A. Zoilo: Bicinium: Quare fremuerunt - Melius illi - W. Dietrich: Übung in e-Moll - G.P. Telemann: Largo - J.K.F. Fischer: Übung d-Moll - G.P. Telemann: Kanon - J. Pachelbel: Magnificat peregrini toni Meine Seele erhebt den Herrn - T.L. da Vittoria: Accedentes principes - J.K.F. Fischer: Übung in g-Moll - W. Dietrich: Pedalübung - S. Scheidt: Vater unser im Himmelreich VI. Versus Choralis in Basi - H.L. Haßler: Crucifixus - J.K.F. Fischer: Praeludium D-Dur - J. Pachelbel: Übung in a-Moll - W. Dietrich: Übung in As-Dur - R. Schwarz-Schilling: Kanon a 2 - Kanon a 3 - G. Aichinger: Stabat mater - J. Pachelbel: Durch Adams Fall ist ganz verderbt - J.K.F. Fischer: Praeludium fis-Moll - H.L. Haßler: Benedictus - J. Pachelbel: Was mein Gott will, das gescheh' allzeit - T.L.da Vittoria: Exclamans Jesus - S.Scheidt: Warum betrübst du dich, mein Herz IX. Versus. Choralis in Basso - D. Zipoli: Pastorale - J. Pachelbel: Vom Himmel hoch - J.S. Bach: Pedal-Exercitium - J.K.F. Fischer: Fuga g-Moll - J. Pachelbel: Komm, Gott Schöpfer, heiliger Geist - J.K.F. Fischer: Praeludium und Fuga cis-Moll - W. Dietrich: Pedalsolo - Übungen für mehrstimmiges Spiel in einer Hand: J.K.F. Fischer: Praeludium und Fuga e-Moll - H.L. Haßler: Da Jesus an dem Kreuze stund - M. Praetorius: Es ist ein Ros entsprungen - S. Scheidt: Vom Himmel hoch - M. Praetorius: Nun bitten wir den heiligen Geist - B. Resinarius: Nun bitten wir den heiligen Geist - S. Scheidt: Psalmus: Da Jesus an dem Kreuze stund - J.K.F. Fischer: Praeludium und Fuga h-Moll - J.S. Bach: Vom Himmel hoch - O Welt ich muß dich lassen - Herzlich tut mich verlangen - D. Buxtehude: Ach Herr, ich armen Sünder - J.S. Bach: Trio c-Moll - W. Dietrich: Pedalsolo/Trillerübung - J.S. Bach: Allein Gott in der Höh' sei Ehr' - J.K.F. Fischer: Praeludium und Fuga e-Moll - J.L. Krebs: Trio für 2 Manuale und Pedal

Handbook of classical-modern organ playing-Handbook of classical-modern Organ playing.Barenreiter's two-volume edition is the first to offer a reference work on Organ technique systematically subdivided into 60 exercise units. It provides an overview of all relevant topics on manual and pedal playing based on the tutors by Marcel Dupré Fernando Germani Charles-Louis Hanon and Johannes Brahms as well as on their sequels and supplements. There is also a comprehensive set of exercises to maintain the achieved performance level.This compendium is a tutor for all levels of expertise and training from ambitious semi-professional organists through to fully professional church musicians and conservatorystudents. Furthermore it is aimed at all of those who teach the Organ whether privately or at academies colleges conservatories or universities.Two-volume reference work on Organ technique (Ger/Eng)Covers all relevant areas of manual and pedal playingIncludes a comprehensive set of exercisesConcise introductory text (Ger/Eng)Index for topics and keywords on teaching and performing issuesFor every level of expertise and trainingPeter Wagner (b. Karlstadt 1967) studied Catholic church music (A-level certification) Organ improvisation concert Organ and music theory in Cologne Würzburg and Salzburg. His later career led him to a wide variety of teaching consultancy and jury activities in the areas of Organ playing music theory choral and orchestral conducting voice training and children?s choirs. He has also given concert tours in Germany and abroad. From 2001 to 2003 Wagner was an educational consultant and teacher at the Bavarian State Academy of Music in Hammelburg. Since then he has been cathedral organist and choral director in Minden as well dean church musician for the archbishopric of Paderborn.

Sonntagsorgel is a collection of stylistically varied pieces for the amateur organist comprising three volumes. The editions are ideal for teaching purposes or for use in church services.The third volume contains liturgical organ music (chorale preludes and hymnaccompaniments) and includes works by composers from Johann Christian Bach to Augustinus Franz Kropfreiter. The first volume includes festive preludes toccatas and fugues trios and pastorals by German and French composers from the 17th through to the 20th century. In the second volume meditative pieces by composers ranging from Christian Heinrich to Th?odore Salom? are presented.The piecesare easy to sight-read and sound impressive. The volumes will be appreciated by amateur and professional church-musicians alike.Collection of organ music which does not require much practisingMainly for amateur organistsSuitable for teaching purposesAlready published:Volume I: Festive Music Fugues Trios BA 9287Volume II: Meditative Music Pastorals BA 9288?? a collection that brings pleasure to the musical amateur and also offers some attractive discoveries for the professional.? (Musica sacra)?Who amongst us amateur organists doesn?t ask himself ?What will I play this Sunday? with little time to practice and if possible a piece which isn?t too well-known? In these volumes one will find the answer!?W?rttembergische Bl?tter f?r Kirchenmusik)

W G Alcock was among the most highly respect cathedral Organists of the early twentieth century and had the unique distinction of having performed in Westminster Abbey for the coronations of three English monarchs Edward VII George V and George VI. He was Organist of Salisbury Cathedral for thirty years and travelled extensively as an Organ recitalist.His compositions for Organ are now performed less frequently than they once were. These short voluntaries would be appropriate for the intermediate level Organist.

Fantasia In F Minor K.608 'for a mechanical Organ' by W.A. Mozart. Edited by Walter Emery.

This arrangement of George Frideric Handel's famous and popular composition is for organ manuals and pedals B flat major by W. Van Suijdam.

This 'March' was composed in honor of Saint Cecilia who John Dryden immortalised in his writing in 1697. W.T Best Edition arranged for the organ.

Lisztkomponierte dieses virtuose Werk für die Einweihung der renovierten Orgel im Merseburger Dom. Das Manuskript wurde jedoch erst nach dem Festkonzert fertig die Erstausgabe erschien um 1859 in Holland. Heute wird das Werk vor allemin seiner zweiten Fassung von 1872 gespielt die Liszt auf Anregung seines Schülers A. W. Gottschalg erarbeitete. ? Gottschalg überzeugte den Komponisten die technischen Anforderungenetwas zu vereinfachen was den Intentionen des späten Liszt entgegenkam. Unsere Urtextausgabe bringt diese Fassung von 1872; der Anhang enthält darüber hinaus eine Ossia-Version der Takte 130 166. Im Textteil werden dieÄnderungen Liszts gegenüber der ersten Fassung kommentiert.