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| Litaniae Lauretanae B.M.V. in D Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 violins, viola, basso continuo,...(+)
SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 violins, viola, basso continuo, [3 trombones] SKU: CA.4005609 Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. 1x 40.056/21 oboe 1, 1x 40.056/22 oboe 2, 1x 40.056/31 horn 1, 1x 40.056/32 horn 2, 1x 40.056/33 trombone 1, 1x 40.056/34 trombone 2, 1x 40.056/35 trombone 3. Stuttgart Urtext Edition: Mozart. German title: Litaniae Lauretanae In D Rev.2001. Sacred vocal music, Litanies, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1774. KV 195 (186d). 28 pages. Duration 28 minutes. Carus Verlag #CV 40.056/09. Published by Carus Verlag (CA.4005609). ISBN 9790007059446. Key: D major. Language: Latin. Score available separately - see item CA.4005600. $28.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Angry Planet Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard [Vocal Score] Oxford University Press
(An environmental cantata). Composed by Bob Chilcott. For Children's choir, SATB...(+)
(An environmental cantata). Composed by Bob Chilcott. For Children's choir, SATB chamber choir and SATB double choir. Vocal score. 128 pages. Duration 45'. Published by Oxford University Press
$19.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Introduction and Rondo Capriccioso, Op. 28 (Original) Soli, Mixted choir and accompaniment Lucks Music Library
(2.2.2.2/2.2.0.0,timp,str ,violin solo) SKU: TM.00528SC Composed by Charl...(+)
(2.2.2.2/2.2.0.0,timp,str,violin solo) SKU: TM.00528SC Composed by Charles-Camille Saint-Saens. Edited by Francescatti. Score. Published by Lucks Music Library (TM.00528SC). Trans: Cl 1+2, Hn 1+2, Tpt 1+2. Solo/pf. $25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Two Preludes, Op. 28 No. 6 and 7 Soli, Mixted choir and accompaniment Lucks Music Library
(1.1.2.1/0.0+2.1.0,timp,s tr) SKU: TM.05285SET Composed by Frederic Chopi...(+)
(1.1.2.1/0.0+2.1.0,timp,str) SKU: TM.05285SET Composed by Frederic Chopin. Set Type: C. Set of parts. Published by Lucks Music Library (TM.05285SET). P/C in set. $40.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Nocturne, Op. 15 No. 2 and Prelude, Op. 28 No. 15 Soli, Mixted choir and accompaniment Lucks Music Library
(2.2.2.2/4.0+2.3.1,timp,h arm,str,vn obbligato) SKU: TM.05284SET Composed...(+)
(2.2.2.2/4.0+2.3.1,timp,harm,str,vn obbligato) SKU: TM.05284SET Composed by Frederic Chopin. Arranged by Hinrichs. Set Type: D. Set of parts. Published by Lucks Music Library (TM.05284SET). P/C in set. $50.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Introduction and Rondo Capriccioso, Op. 28 (Original) Soli, Mixted choir and accompaniment Lucks Music Library
(2.2.2.2/2.2.0.0,timp,str ,violin solo) SKU: TM.00528SET Composed by Char...(+)
(2.2.2.2/2.2.0.0,timp,str,violin solo) SKU: TM.00528SET Composed by Charles-Camille Saint-Saens. Edited by Francescatti. Set Type: D. Set of parts. Published by Lucks Music Library (TM.00528SET). Trans: Cl 1+2, Hn 1+2, Tpt 1+2. Solo/pf. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Overture on Russian Themes, Op. 28 Soli, Mixted choir and accompaniment Lucks Music Library
(2D1.2.2.2/4.2.3.0,timp,p erc,hp,str) SKU: TM.05857SC Composed by Nikolay...(+)
(2D1.2.2.2/4.2.3.0,timp,perc,hp,str) SKU: TM.05857SC Composed by Nikolay Andreyevich Rimsky-Korsakov. Score. Lucks Music Library #A1924. Published by Lucks Music Library (TM.05857SC). Large score and parts typeset; includes both versions of Credo. Mini score matches to cut version of Credo in parts. Trumpets and Timpani not indicated in mini score. Chorus sold as individual Soprano, Alto, Tenor, or Bass parts - please specify quantity for each voice when ordering. $30.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| SWAN LAKE SUITE: 6th movement: Scene and Finale Soli, Mixted choir and accompaniment Lucks Music Library
(2+1.2.2.2/4.2+2.3.1,perc ,hp,str) SKU: TM.14565SC Composed by Peter Illi...(+)
(2+1.2.2.2/4.2+2.3.1,perc,hp,str) SKU: TM.14565SC Composed by Peter Illich Tschaikowsky. Score. Published by Lucks Music Library (TM.14565SC). No. 28 + the first 26 measures of No. 29. See #12342 for Swan Lake No. 29 Complete (Scene Finale). Use with #06921 Swan Lake Suite movements 1-5 to equal the 6 movement version Suite (1900). Use #06921 Swan Lake in its entirety for the 8 movement Suite (1954). $15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Te Deum for the Victory at the Battle of Dettingen HWV 283 Soli, Mixted choir and accompaniment Soli, mixted choir and piano [Vocal Score] Barenreiter
Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arra...(+)
Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arranged by Andreas Kohs. For alto voice solo, tenor voice solo, bass voice solo, SSATB choir, piano reduction. This edition: urtext edition. Paperback. Level 3. Vocal score. HWV 283. Published by Baerenreiter Verlag
$26.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Juristenball Polka, Op. 280 Soli, Mixted choir and accompaniment Lucks Music Library
(1+1.1.1(+D).1/4.2.1.0,ti mp,perc,str) SKU: TM.06709SET Composed by Johan...(+)
(1+1.1.1(+D).1/4.2.1.0,timp,perc,str) SKU: TM.06709SET Composed by Johann Strauss Jr. Set Type: D. Set of parts. Lucks Music Library #A6579. Published by Lucks Music Library (TM.06709SET). P/C in set. $55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass in E-flat major D 950 Soli, Mixted choir and accompaniment [Score] Barenreiter
Composed by Franz Schubert (1797-1828). Edited by Internationale Schubert- ...(+)
Composed by Franz Schubert
(1797-1828). Edited by
Internationale Schubert-
Gesellschaft Faber and Rudolf.
This edition: complete
edition, urtext edition.
Linen. Complete edition,
Score. Baerenreiter Verlag
#BA05576_01. Published by
Baerenreiter Verlag
$551.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sound forth, now with singing (Erschallet, ihr Lieder) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, [flute, oboe(d'amore)], bassoon, 3 trumpe...(+)
Orchestra SATB vocal soli, SATB choir, [flute, oboe(d'amore)], bassoon, 3 trumpets, timpani, 2 violins, 2 violas, basso continuo, organ obligato (oboe, cello) SKU: CA.3117219 Cantata for the 1st day of Pentecost. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Erschallet, ihr Lieder. Sacred vocal music, Whitsun. Set of Orchestra Parts. Composed 1714. BWV 172. Duration 25 minutes. Carus Verlag #CV 31.172/19. Published by Carus Verlag (CA.3117219). ISBN 9790007134228. Key: C major. Language: German/English. Score and parts available separately - see item CA.3117200. $94.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Achilleus, Op. 50 Oratorio Soli, Mixted choir and accompaniment Lucks Music Library
(2.2.2.2/4.3.3.1,timp,per c,hp,str,soli,SATB chorus) SKU: TM.08634SC Comp...(+)
(2.2.2.2/4.3.3.1,timp,perc,hp,str,soli,SATB chorus) SKU: TM.08634SC Composed by Max Bruch. Score. Lucks Music Library #A3289. Published by Lucks Music Library (TM.08634SC). Chorus sold as separate Soprano, Alto, Tenor, or Bass parts. Please specify the quantity for each voice when ordering. $225.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sinfonia Concertante for Double Bass and Viola Soli, Mixted choir and accompaniment Lucks Music Library
(0.2.0.0/2.0.0.0,str,va & db solo) SKU: TM.10628SET Composed by Karl Ditt...(+)
(0.2.0.0/2.0.0.0,str,va & db solo) SKU: TM.10628SET Composed by Karl Dittersdorf. Edited by Altmann. Set Type: D. Set of parts. Lucks Music Library #A6117. Published by Lucks Music Library (TM.10628SET). Cembalo and organ in set. Alto solo (no chorus). Possibly by Hoffmann, attributed to Bach. $40.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bella mia fiamma-Resta oh cara! Recitative and Aria, K. 528 (Soprano) Soli, Mixted choir and accompaniment Lucks Music Library
(1.2.0.2/2.0.0.0,str,S solo) SKU: TM.02847SC Composed by Wolfgang Amadeus...(+)
(1.2.0.2/2.0.0.0,str,S solo) SKU: TM.02847SC Composed by Wolfgang Amadeus Mozart. Score. Lucks Music Library #A2923. Published by Lucks Music Library (TM.02847SC). Key of E. $10.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bella mia fiamma-Resta oh cara! Recitative and Aria, K. 528 (Soprano) Soli, Mixted choir and accompaniment Lucks Music Library
(1.2.0.2/2.0.0.0,str,S solo) SKU: TM.02847SET Composed by Wolfgang Amadeu...(+)
(1.2.0.2/2.0.0.0,str,S solo) SKU: TM.02847SET Composed by Wolfgang Amadeus Mozart. Set Type: D. Set of parts. Lucks Music Library #A2923. Published by Lucks Music Library (TM.02847SET). Key of E. $45.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| JUDAS MACCABAEUS: Hallelujah, Amen Soli, Mixted choir and accompaniment Lucks Music Library
(0.2.0.1/0.3.0.0,timp,org ,str,SATB chorus) SKU: TM.02771SET Composed by ...(+)
(0.2.0.1/0.3.0.0,timp,org,str,SATB chorus) SKU: TM.02771SET Composed by George Frideric Handel. Set Type: A. Set of parts. Lucks Music Library #A2858. Published by Lucks Music Library (TM.02771SET). Score in D only; Parts include keys of D (original) and C. $30.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| SONGS TO POEMS BY RUECKERT: (Seven Last Songs) Blicke mir nicht in die Lieder Soli, Mixted choir and accompaniment Lucks Music Library
(1.1.1.1/1.0.0.0,hp,str=4 .4.3.2.0) SKU: TM.02934SET Composed by Gustav M...(+)
(1.1.1.1/1.0.0.0,hp,str=4.4.3.2.0) SKU: TM.02934SET Composed by Gustav Mahler. Set Type: M. Set of parts. Lucks Music Library #A2889. Published by Lucks Music Library (TM.02934SET). Score and parts available in *F, Eb, or Ab - Please specify key when ordering. $25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| Georg Friedrich Händel:
Dettinger Te Deum - HWV
283: Mixed Choir: Part Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
6.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Missa longa In C Major
K.262: Voice: Vocal Score Soli, Mixted choir and accompaniment Soli, mixted choir and piano [Sheet music] Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
15.00 GBP - Sold by Musicroom UK | |
| Georg Friedrich Händel:
Dettinger Te Deum - HWV
283: Mixed Choir: Part Soli, Mixted choir and accompaniment Soli, mixted choir and piano Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
17.50 GBP - Sold by Musicroom UK | |
| Georg Friedrich Händel:
Dettinger Te Deum - HWV
283: Mixed Choir: Score Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
45.00 GBP - Sold by Musicroom UK | |
| Georg Friedrich Händel:
Dettinger Te Deum - HWV
283: Mixed Choir: Part Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
6.00 GBP - Sold by Musicroom UK | |
| Georg Friedrich Händel:
Dettingen Te Deum HWV
283: Mixed Choir: Vocal
Score Soli, Mixted choir and accompaniment Soli, mixted choir and piano [Sheet music] Peters
Handel's Dettingen Te Deum HWV 283 for SATB and Piano.
15.95 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
Kantate 128 Auf Christi
Himmel: Score Soli, Mixted choir and accompaniment Breitkopf & Härtel
Kantate 128 Auf Christi Himmel
14.70 GBP - Sold by Musicroom UK | |
| Georg Friedrich Händel:
Alessandro: Mixed Choir:
Score Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Oratorio in three parts-In quite characteristic fashion for the times Handel&rs...(+)
Oratorio in three parts-In quite characteristic fashion for the times Handel’s opera “Alessandro” looks at various episodes in the life and rule of Alexander the Great (356 323 BC). This legendary warrior and military commander conquered large parts of the world before meeting an untimely end at the age of 32. A central conflict in Handel’s opera is Alessandro being in love with two women Lisaura and Rossane who compete for his favour. In addition his claim to be of divine parentage is underlined occasioning him to demand the subservience of his followers which meets with vigorous disapproval.Handel composed “Alessandro” for the Royal Academyof Music to a libretto by Paolo Antonio Rolli in the 1725/26 season. The work was premiered at the King’s Theatre in London on 5 May 1726. “Alessandro” was the first of five operas for the Royal Academy operas which saw Handel compose for three of the most famous singers of his time: Francesco Bernardi (called Senesino) Francesca Cuzzoni and Faustina Bordoni.Ortensio Mauro’s libretto “La superbia d’Alessandro ” which was performed for the first time in Hanover in 1690 in a musical setting by Agostino Steffani and staged again in the city the following year under the title “Il zelo di Leonato” but with numerous alterations served as the source text for Handel’s “Alessandro”. One of the main aspects Rolli had to consider when preparing the libretto for the London performances was to keep the roles of the famous singers of the Royal Academy well balanced yet at the same time to engineer a musical contest between the prima donnas Cuzzoni and Bordoni (Lisaura and Rossane) as well. From a business point of view it made good sense for such rivalry would surely increase public interest in the opera.It is no longer possible to ascertain which changes Handel made during the following performance series of the 1727/28 season. For the performance series of 1732/33 Handel made substantial revisions to the opera: six numbers were deleted in their entirety the finale in part as well and the recitatives were made much shorter with the parts of Cleone and Leonato omitted
233.50 GBP - Sold by Musicroom UK | |
| Georg Friedrich Händel:
Saul HWV 53: Mixed Choir:
Score Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Oratorio in three acts-Saul was given its first performance under Handel’s...(+)
Oratorio in three acts-Saul was given its first performance under Handel’s direction at the Haymarket Theatre London on 16 January 1739. The original libretto (dated 1738) refers to the work as “an Oratorio or Sacred Drama”. This libretto was written by Charles Jennens (1700–1770) a wealthy amateur writer from Gopsall Leicestershire. A letter of 28 July 1735 from Handel to Jennens suggests that a complete raft of the text already existed at that time. Saul occupies an extraordinarily important position in the English oratorio tradition that Handel brought to perfection standing alongside Israel in Egypt at the end of the first creative period of such works.- Urtext of the Halle Handel Edition - Full score (BA4020) & vocal score (BA402090) available for sale - Performance material (BA402072) available for hire
380.00 GBP - Sold by Musicroom UK | |
| Der Messias Deutsch Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
/ S, S, A, T, B, Choeur Mixte (SSATB), Orchestre (X/28/1/2)
282.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Leos Janacek: Msa
glagolskaja: Score Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
?The Glagolitic Mass? one of the 20th century masterpieces of sacred music has...(+)
?The Glagolitic Mass? one of the 20th century masterpieces of sacred music has a very complex genesis and constitutes an intricate editorial challenge. This new critical edition presents two different versions of the work in two separate volumes (B/5-I BA 6862 und B/5-II BA 6863): the ?September 1927? version which the composer completed before the first rehearsals and subsequent premiere in Brno and the version he partly reworked for the first Prague performance in April 1928. This second version was then revised further and published after Janacek?s death by Universal Edition Wien in 1930. Known as the ?final authorised version? it has been newly edited for thispublication which is based on the engraver?s copy of the score prepared by Janacek?s regular copyist Václav Sedlacek. The new Barenreiter edition also contains an informative preface (Cz/Eng/Ger/Fr/Ru) as well as detailed critical commentary. The ?September 1927? version can be seen more as a supplement and appears without text commentary.
250.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Missa longa In C Major
K.262: Mixed Choir: Part Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
5.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Missa longa In C Major
K.262: Mixed Choir: Part Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
15.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Missa longa In C Major
K.262: Mixed Choir: Score Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Sheet music] Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
41.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Missa longa In C Major
K.262: Mixed Choir: Parts Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
35.50 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Litaniae Lauretanae
B.M.V.in B-flat major
K.109: Mixed Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Barenreiter
Besides the Masses the Requiem and the Vespers Mozart’s lengthier church...(+)
Besides the Masses the Requiem and the Vespers Mozart’s lengthier church-music works also include four Litanies all composed in Salzburg. After his first Italian journey (13 December 1769 to 28 March 1771) Mozart returned to his post as archiepiscopal “Konzertmeister”. Undoubtedly inspired by what he had just experienced he wrote the Litaniae Lauretanae (Loretian Litany) K.109 (74e) his first work in this genre which is dated May 1771.The form of the Litany was found already in early Christian times. Like its name suggests it is a prayer of supplication with a steady repetition of acclamations; however with regard to its manner ofperformance it is also a kind of responsory prayer. While the Loretian Litany is an eloquent expression of Marian devotion the Sacramental Litany is a testimony of praise and veneration of the Eucharist and a recognition of its salvational effect.- Urtext of the New Mozart Edition- Full score performance material (BA4890) and vocal score (BA4890-90) available for sale.
7.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Missa longa In C Major
K.262: Cello & Double
Bass: Part Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
5.00 GBP - Sold by Musicroom UK | |
| Johann Pachelbel: Christ
lay in grim deaths
prison: Mixed Choir:
Score Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Sheet music] Barenreiter
Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)East...(+)
Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)Easter CantataIn recent years the demand for making available a larger number of choral works by Johann Pachelbel (1653-1706) has made itself felt more strongly than ever before. Within the past few years the search for unpublished manuscripts of choral compositions written by Johann Pachelbel has been taken up again and not in vain. Approximately twenty instrumentally accompanied arias and thirty elaborate choral works intended for services of worship have recently been found. These date from the days when Pachelbel was an active church musician in Erfurt and Nuremberg and include compositionsof various categories e.g. motets cantatas magnificats and masses.The excellency of Pachelbel's choral works may be attributed in large part to the magnificence and splendour of their tonal character. They are unusually vocal choral and singable. In the very best sense of the term they are what the Germans call 'Gebrauchsmusik' that is to say they are functional music written for specific use in the church service. They are not music written for its own sake.Full score performance material (BA2875) choral score (BA2875-91) available for sale
19.50 GBP - Sold by Musicroom UK | |
| Kantate 128 Auf Christi
Himmel (BACH JOHANN
SEBASTIAN) Soli, Mixted choir and accompaniment [Sheet music] Breitkopf & Härtel
Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Raphael, Günter/ Répertoire /...(+)
Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Raphael, Günter/ Répertoire / Soliste, Choeur Mixte et Orchestre
11.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Ighigenie auf Tauris
(GLUCK CHRISTOPH
WILLIBALD) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Vienna version 1781. Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigenie auf Tauris (...(+)
Vienna version 1781. Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigenie auf Tauris (Vienna version 1781) (Vocal Score) Music drama in four acts Following upon the great success of “Iphigénie en Tauride”, Gluck arranged the popular drama of human passions, guilt and unconditional friendship once again for Vienna’s Burgtheater, where it was premièred in 1781. Especially remarkable is the masterly orchestration, which, among other things, turns the forces of Nature into a character in the drama and projects a striking contrast between civilization and savagery. Now Bärenreiter is issuing the carefully revised and corrected vocal score in a new engraving adapted to meet current standards. - Revised and newly engraved - Detailed foreword (Ger/Eng) on the work’s genesis and reception history, together with a summary of the plot - Practical, easy-to-play piano reduction - Performance material available for hire BA05843-72 - Full Score, hardback, available for sale BA02281 / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre
63.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
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