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| Requiem in C Major Soli, Mixted choir and accompaniment Soli, mixted choir and piano Carus Verlag
(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (18...(+)
(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (1818-1893). Edited by Barbara Grolmann. Arranged by Zsigmond Szathmary. For SATB vocal soli, SATB choir, organ. This edition: Paperbound. C-Dur (C major). Choir and Organ. German title: Requiem. End of the church year, Mourning, death. Full score. Language: Latin. Posth.. 48 pages. Duration 35 minutes. Published by Carus Verlag
$46.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Messiah - Carus Choir Coach Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 viol...(+)
SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.5505694 Composed by George Frideric Handel. Carus Choir Coach. Messiah.Ccc (3 Cds). Sacred vocal music, Oratorios. Compact Disc. Composed 1742. HWV 56. Duration 150 minutes. Carus Verlag #CV 55.056/94. Published by Carus Verlag (CA.5505694). Text language: English. Text: Jennens, Charles. George Frideric Handel is considered England's first and foremost composer of oratorios. Above all, the Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often performed today is a combination of various versions. Consequently, the present critical edition by Ton Koopman contains all the surviving alternative versions of the solo movements. A concordance makes it possible to assign these movements to those various performances of the work conducted by Handel between the Dublin premiere in 1742 and the London concerts which took place up to 1759. In accordance with the wishes voiced by many choral conductors and singers, the vocal score is available in separate English and German versions. Score available separately - see item CA.5505600. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Church Cantatas for Various Partly Unknown Occasions Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Vocal soli, mixed choir, orchestra (Voices, Mixed choir, Orch) SKU: BA.BA0506...(+)
Vocal soli, mixed choir, orchestra (Voices, Mixed choir, Orch) SKU: BA.BA05062-01 Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Ryuichi Higuchi. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/34. Complete edition, Score, anthology. Baerenreiter Verlag #BA05062_01. Published by Baerenreiter Verlag (BA.BA05062-01). ISBN 9790006463022. 33 x 26.3 cm inches. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$405.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| B minor Mass Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Study Score / Miniature] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For S...(+)
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flute, 3 oboe/2 oboe d'amore, 2 bassoon, horn, 3 trumpet, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Latin Masses. Study score. Language: Latin. BWV 232. 312 pages. Duration 100 minutes. Published by Carus Verlag
$24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| B minor Mass Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Vocal Score] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For S...(+)
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flute, 3 oboe/2 oboe d'amore, 2 bassoon, horn, 3 trumpet, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Latin Masses. Vocal score. Language: Latin. BWV 232. 184 pages. Duration 100 minutes. Published by Carus Verlag
$21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Messiah Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Vocal Score] Carus Verlag
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siem...(+)
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. Score available separately - see item CA.5505600. Oratorios. Vocal score. Language: English/German. Composed 1742. HWV 56. 184 pages. Duration 150 minutes. Published by Carus Verlag
$17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Messiah Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score] Carus Verlag
By George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arra...(+)
By George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB soli, S(S0ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Messiah kart GA-Format. Oratorios. Full score. Language: English/German. Composed 1742. HWV 56. 328 pages. Duration 150 minutes. Published by Carus Verlag
$142.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Messa da Requiem Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Study Score / Miniature] Carus Verlag
Composed by Giuseppe Verdi (1813-1901). Edited by Norbert Bolin. For SMTB vocal ...(+)
Composed by Giuseppe Verdi (1813-1901). Edited by Norbert Bolin. For SMTB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 4 trumpets, 4 offstage trumpets, 3 trombones, ophicleide, timpani, percussion, 2 violins, viola, cello, contrabass. This edition: Paperbound. Requiem, Mourning, death. Study score. Language: Latin. 320 pages. Duration 90 minutes. Published by Carus Verlag
$70.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. John Passion O Mensch, bewein , BWV 245.2 (1725) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edit...(+)
(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edited by Manuel Bärwald. This edition: Edition of selected works, Urtext edition. Linen. Johann Sebastian Bach. Neue Ausgabe samtlicher Werke. Revidierte Edition (NBArev) 6. Edition of selected works, Score. Composed 1725. BWV 245. Baerenreiter Verlag #BA05938_01. Published by Baerenreiter Verlag (BA.BA05938-01). ISBN 9790006556335. 33 x 26.2 cm inches. Language: German. Preface: Barwald, Manuel. The St. John Passion, Bach's first passion oratorio, can hardly be understood asonework. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer's direction and for every one of these occasions it was revised - sometimes quite substantially.
This edition presents the St. John Passion in its second version of 1725, of which only excerpts were rendered in the New Bach Edition volume II/4 (1973). This version as well as the last one of 1749 constitute the two versions that have come down to us almost in their entirety.
Most recently found sources - in particular the libretto print of the passion rediscovered in 2015 - are taken into consideration in this edition for the first time.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$371.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| B Minor Mass, BWV 232 (Messe in h-Moll) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score and Parts] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. This ...(+)
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. Complete orchestral parts. Innovative practice aids, Masses, Latin, Lent and Passiontide. Orchestral Parts. BWV 232. Duration 100 minutes. Carus Verlag #CV 31.232/19. Published by Carus Verlag (CA.3123219).
$364.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Messiah Soli, Mixted choir and accompaniment Carus Verlag
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siem...(+)
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. Stuttgart Urtext Edition. Score available separately - see item CA.5505600. Oratorios. Complete orchestral parts. Language: English/German. Composed 1742. HWV 56. Duration 150 minutes. Published by Carus Verlag
$316.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| For the righteous light is sown (Dem Gerechten muss das Licht) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3119512 Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, Violin 2. BWV 195. 8 pages. Duration 16 minutes. Carus Verlag #CV 31.195/12. Published by Carus Verlag (CA.3119512). ISBN 9790007210397. Text language: German/English. The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| For the righteous light is sown (Dem Gerechten muss das Licht) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3119511 Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, Violin 1. BWV 195. 8 pages. Duration 16 minutes. Carus Verlag #CV 31.195/11. Published by Carus Verlag (CA.3119511). ISBN 9790007210380. Text language: German/English. The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| For the righteous light is sown (Dem Gerechten muss das Licht) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3119513 Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, Viola. BWV 195. 8 pages. Duration 16 minutes. Carus Verlag #CV 31.195/13. Published by Carus Verlag (CA.3119513). ISBN 9790007210403. Text language: German/English. The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| For the righteous light is sown (Dem Gerechten muss das Licht) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3119514 Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, basso continuo. BWV 195. 12 pages. Duration 16 minutes. Carus Verlag #CV 31.195/14. Published by Carus Verlag (CA.3119514). ISBN 9790007210410. Text language: German/English. The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| For the righteous light is sown (Dem Gerechten muss das Licht) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3119505 Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Choral Score. BWV 195. 20 pages. Duration 16 minutes. Carus Verlag #CV 31.195/05. Published by Carus Verlag (CA.3119505). ISBN 9790007181383. Text language: German/English. The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score available separately - see item CA.3119500. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| For the righteous light is sown (Dem Gerechten muss das Licht) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3119500 Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Full score. BWV 195. 96 pages. Duration 16 minutes. Carus Verlag #CV 31.195/00. Published by Carus Verlag (CA.3119500). ISBN 9790007171674. Language: German/English. The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. $57.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso continuo SKU: CA.3550214 As a pasticcio by Johann Sebastian Bach, with arias from Hande'ls Brockes-Passion. Composed by George Frideric Handel and fruher zugeschrieben Reinhard Keiser. Edited by Christine Blanken. Arranged by Johann Sebastian Bach. Edition Bach-Archiv Leipzig - Musical Monuments. German title: Markuspassion. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Single Part, Viola 2. Composed circa 1747. 12 pages. Duration 90 minutes. Carus Verlag #CV 35.502/14. Published by Carus Verlag (CA.3550214). ISBN 9790007213459. Language: German. Third version, first performed around 1747 in Leipzig. First version available under 35.304/00. The St. Mark Passion, which probably originated in the first decade of the 18th century, by a composer known until now only as Kaiser, is only preserved in various copies. It occupies a prominent place in Bach's music library as the only music for Passion by another composer which he performed several times, usually in different forms. For the young Bach in Weimar this St. Mark Passion was a didactic piece for learning the art of the modern narrative recitative; as the Leipzig Thomaskantor he also performed it (1726). The present edition reconstructs the third version, first performed in Leipzig (1747), in which Bach inserted seven arias from Handel's famous Brockes-Passion. Only in this pasticcio did a direct encounter occur between him and his famous compatriot in London, a real encounter which Bach longed for, but which never came about. Score and part available separately - see item CA.3550200. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso continuo SKU: CA.3550249 As a pasticcio by Johann Sebastian Bach, with arias from Hande'ls Brockes-Passion. Composed by George Frideric Handel and fruher zugeschrieben Reinhard Keiser. Edited by Christine Blanken. Arranged by Johann Sebastian Bach. This edition: Paperbound. Edition Bach-Archiv Leipzig - Musical Monuments. German title: Markuspassion. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Single Part, Organ. Composed circa 1747. 64 pages. Duration 90 minutes. Carus Verlag #CV 35.502/49. Published by Carus Verlag (CA.3550249). ISBN 9790007141202. Language: German. Third version, first performed around 1747 in Leipzig. First version available under 35.304/00. The St. Mark Passion, which probably originated in the first decade of the 18th century, by a composer known until now only as Kaiser, is only preserved in various copies. It occupies a prominent place in Bach's music library as the only music for Passion by another composer which he performed several times, usually in different forms. For the young Bach in Weimar this St. Mark Passion was a didactic piece for learning the art of the modern narrative recitative; as the Leipzig Thomaskantor he also performed it (1726). The present edition reconstructs the third version, first performed in Leipzig (1747), in which Bach inserted seven arias from Handel's famous Brockes-Passion. Only in this pasticcio did a direct encounter occur between him and his famous compatriot in London, a real encounter which Bach longed for, but which never came about. Score and part available separately - see item CA.3550200. $66.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso continuo SKU: CA.3550213 As a pasticcio by Johann Sebastian Bach, with arias from Hande'ls Brockes-Passion. Composed by George Frideric Handel and fruher zugeschrieben Reinhard Keiser. Edited by Christine Blanken. Arranged by Johann Sebastian Bach. Edition Bach-Archiv Leipzig - Musical Monuments. German title: Markuspassion. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Single Part, Viola 1. Composed circa 1747. 12 pages. Duration 90 minutes. Carus Verlag #CV 35.502/13. Published by Carus Verlag (CA.3550213). ISBN 9790007213442. Language: German. Third version, first performed around 1747 in Leipzig. First version available under 35.304/00. The St. Mark Passion, which probably originated in the first decade of the 18th century, by a composer known until now only as Kaiser, is only preserved in various copies. It occupies a prominent place in Bach's music library as the only music for Passion by another composer which he performed several times, usually in different forms. For the young Bach in Weimar this St. Mark Passion was a didactic piece for learning the art of the modern narrative recitative; as the Leipzig Thomaskantor he also performed it (1726). The present edition reconstructs the third version, first performed in Leipzig (1747), in which Bach inserted seven arias from Handel's famous Brockes-Passion. Only in this pasticcio did a direct encounter occur between him and his famous compatriot in London, a real encounter which Bach longed for, but which never came about. Score and part available separately - see item CA.3550200. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso continuo SKU: CA.3550219 As a pasticcio by Johann Sebastian Bach, with arias from Hande'ls Brockes-Passion. Composed by George Frideric Handel and fruher zugeschrieben Reinhard Keiser. Edited by Christine Blanken. Arranged by Johann Sebastian Bach. Edition Bach-Archiv Leipzig - Musical Monuments. German title: Markuspassion. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Set of Orchestra Parts. Composed circa 1747. Duration 90 minutes. Carus Verlag #CV 35.502/19. Published by Carus Verlag (CA.3550219). ISBN 9790007139629. Language: German. Third version, first performed around 1747 in Leipzig. First version available under 35.304/00. The St. Mark Passion, which probably originated in the first decade of the 18th century, by a composer known until now only as Kaiser, is only preserved in various copies. It occupies a prominent place in Bach's music library as the only music for Passion by another composer which he performed several times, usually in different forms. For the young Bach in Weimar this St. Mark Passion was a didactic piece for learning the art of the modern narrative recitative; as the Leipzig Thomaskantor he also performed it (1726). The present edition reconstructs the third version, first performed in Leipzig (1747), in which Bach inserted seven arias from Handel's famous Brockes-Passion. Only in this pasticcio did a direct encounter occur between him and his famous compatriot in London, a real encounter which Bach longed for, but which never came about. Score and parts available separately - see item CA.3550200. $361.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. John Passion (Johannes-Passion) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB ch...(+)
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo SKU: CA.3124582 Version IV. Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1749. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Single Part, Laute. Composed 1749. BWV 245. 4 pages. Duration 120 minutes. Carus Verlag #CV 31.245/82. Published by Carus Verlag (CA.3124582). ISBN 9790007211448. Language: German/English. With the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score and part available separately - see item CA.3124500. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass in E flat major (Messe in Es) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, ...(+)
Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns] SKU: CA.2300713 Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Viola. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/13. Published by Carus Verlag (CA.2300713). ISBN 9790007037703. Key: E flat major. Language: Latin. In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. Mark Passion (Markus-Passion) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso con...(+)
SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 violins, 2 violas, basso continuo SKU: CA.3550205 As a pasticcio by Johann Sebastian Bach, with arias from Hande'ls Brockes-Passion. Composed by George Frideric Handel and fruher zugeschrieben Reinhard Keiser. Edited by Christine Blanken. Arranged by Johann Sebastian Bach. Edition Bach-Archiv Leipzig - Musical Monuments. German title: Markuspassion. Sacred vocal music, Passions, Lent and Passiontide, Holy Week. Choral Score. Composed circa 1747. 16 pages. Duration 90 minutes. Carus Verlag #CV 35.502/05. Published by Carus Verlag (CA.3550205). ISBN 9790007213411. Language: German. Third version, first performed around 1747 in Leipzig. First version available under 35.304/00. The St. Mark Passion, which probably originated in the first decade of the 18th century, by a composer known until now only as Kaiser, is only preserved in various copies. It occupies a prominent place in Bach's music library as the only music for Passion by another composer which he performed several times, usually in different forms. For the young Bach in Weimar this St. Mark Passion was a didactic piece for learning the art of the modern narrative recitative; as the Leipzig Thomaskantor he also performed it (1726). The present edition reconstructs the third version, first performed in Leipzig (1747), in which Bach inserted seven arias from Handel's famous Brockes-Passion. Only in this pasticcio did a direct encounter occur between him and his famous compatriot in London, a real encounter which Bach longed for, but which never came about. Score available separately - see item CA.3550200. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso contin...(+)
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115113 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Single Part, Viola. Composed 1725. BWV 151. 4 pages. Duration 19 minutes. Carus Verlag #CV 31.151/13. Published by Carus Verlag (CA.3115113). ISBN 9790007049409. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and part available separately - see item CA.3115100. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass in E flat major (Messe in Es) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, ...(+)
Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns] SKU: CA.2300712 Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/12. Published by Carus Verlag (CA.2300712). ISBN 9790007037697. Key: E flat major. Language: Latin. In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| Johann Pachelbel: Christ
lay in grim deaths
prison: Mixed Choir:
Score Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Sheet music] Barenreiter
Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)East...(+)
Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)Easter CantataIn recent years the demand for making available a larger number of choral works by Johann Pachelbel (1653-1706) has made itself felt more strongly than ever before. Within the past few years the search for unpublished manuscripts of choral compositions written by Johann Pachelbel has been taken up again and not in vain. Approximately twenty instrumentally accompanied arias and thirty elaborate choral works intended for services of worship have recently been found. These date from the days when Pachelbel was an active church musician in Erfurt and Nuremberg and include compositionsof various categories e.g. motets cantatas magnificats and masses.The excellency of Pachelbel's choral works may be attributed in large part to the magnificence and splendour of their tonal character. They are unusually vocal choral and singable. In the very best sense of the term they are what the Germans call 'Gebrauchsmusik' that is to say they are functional music written for specific use in the church service. They are not music written for its own sake.Full score performance material (BA2875) choral score (BA2875-91) available for sale
19.50 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
Mass in G minor BWV 235
Lutheran Mass 3: Mixed
Choir: Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Sheet music] Barenreiter
Lutheran Mass 3-Mass G minor BWV 235 'Lutheran Mass No.3'for Alto solo Tenor so...(+)
Lutheran Mass 3-Mass G minor BWV 235 'Lutheran Mass No.3'for Alto solo Tenor solo Bass solo mixed choir (SATB) and orchestraOften overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts. Urtext of the New Bach EditionFull score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
12.00 GBP - Sold by Musicroom UK | |
| Georg Friedrich Händel:
Alessandro: Mixed Choir:
Score Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Oratorio in three parts-In quite characteristic fashion for the times Handel&rs...(+)
Oratorio in three parts-In quite characteristic fashion for the times Handel’s opera “Alessandro” looks at various episodes in the life and rule of Alexander the Great (356 323 BC). This legendary warrior and military commander conquered large parts of the world before meeting an untimely end at the age of 32. A central conflict in Handel’s opera is Alessandro being in love with two women Lisaura and Rossane who compete for his favour. In addition his claim to be of divine parentage is underlined occasioning him to demand the subservience of his followers which meets with vigorous disapproval.Handel composed “Alessandro” for the Royal Academyof Music to a libretto by Paolo Antonio Rolli in the 1725/26 season. The work was premiered at the King’s Theatre in London on 5 May 1726. “Alessandro” was the first of five operas for the Royal Academy operas which saw Handel compose for three of the most famous singers of his time: Francesco Bernardi (called Senesino) Francesca Cuzzoni and Faustina Bordoni.Ortensio Mauro’s libretto “La superbia d’Alessandro ” which was performed for the first time in Hanover in 1690 in a musical setting by Agostino Steffani and staged again in the city the following year under the title “Il zelo di Leonato” but with numerous alterations served as the source text for Handel’s “Alessandro”. One of the main aspects Rolli had to consider when preparing the libretto for the London performances was to keep the roles of the famous singers of the Royal Academy well balanced yet at the same time to engineer a musical contest between the prima donnas Cuzzoni and Bordoni (Lisaura and Rossane) as well. From a business point of view it made good sense for such rivalry would surely increase public interest in the opera.It is no longer possible to ascertain which changes Handel made during the following performance series of the 1727/28 season. For the performance series of 1732/33 Handel made substantial revisions to the opera: six numbers were deleted in their entirety the finale in part as well and the recitatives were made much shorter with the parts of Cleone and Leonato omitted
233.50 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
Mass in A major BWV 234
Lutheran Mass 2: Mixed
Choir: Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four ...(+)
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts.- Urtext of the New Bach Edition- Full score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
6.00 GBP - Sold by Musicroom UK | |
| Francesco Cavalli: La
Calisto: Orchestra: Score Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Dramma per musica in three acts-La Calisto one of Cavalli?s most frequently pe...(+)
Dramma per musica in three acts-La Calisto one of Cavalli?s most frequently performed operas today was premiered in Venice in 1651 but didn?t achieve its first real breakthrough until the 20th century.The foundation for this success may be the rediscovery of the dramaturgic and musically masterful construction: Faustini interwove several mythological models; the love between the Nymph Kallisto and Jupiter and between Diana and the shepherd Endymion as well as Kallisto?s transformation into a bear and his emanation as a well-known constellation. Numerous amusing minor roles are included and Cavalli succeeded in combining the various storylines and characters to produce an effective musically cohesive whole.This first volume of the new Bärenreiter series of the works of Cavalli presents a critical edition of the musical text and libretto complete with an English translation and provides a comprehensive insight into the development of the genre in Italian opera life of the 17th century.Performance material available for hire.
272.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Vesperae Solennes De
Confessore K.339: SATB:
Score Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Sheet music] Barenreiter
We know that Mozart held his Vespers in high regard since he once asked his fath...(+)
We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae Solennes De Confessore K. 339 both call for four Vocal parts two Violins two Clarini Kettledrums Basses (Violoncello Double Bass and Bassoon) three Trombones and Organ.They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms anautonomous unit; the Doxology at the end is derived from the themes of the various Psalms.Urtext of the New Mozart EditionPerformance material (BA4894) vocal score (BA4894-90) available for sale
35.00 GBP - Sold by Musicroom UK | |
| Giuseppe Verdi: Messa da
Requiem: SATB Soli, Mixted choir and accompaniment Soli, mixted choir and piano Carus Verlag
Among Verdi’s many compositions as a work of sacred music the Requiem r...(+)
Among Verdi’s many compositions as a work of sacred music the Requiem remains unique. It was composed as a musical memorial for the Italian national poet Allessandro Manzoni deeply admired by Verdi and was first performed on the first anniversary of his death on 22 May 1874 in Milan Cathedral. The exploration of many extremes places Verdi’s tonal language with musical means wholly in the service of a dramatized liturgy. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In addition to the musical text the score contains a detailed foreword in threelanguages a critical report with information on the source situation the edition and the various readings. The complete performance material will be available for sale.
17.10 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Johann Sebastian Bach:
Cantata BWV 80 Ein feste
Burg ist unser Gott:
Voice: Soli, Mixted choir and accompaniment Soli, mixted choir and piano [Sheet music] Barenreiter
Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for t...(+)
Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext ofthe New Bach EditionPerformance material (BA10080) vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale
9.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Vesperae Solennes De
Confessore K.339: SATB:
Parts Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Barenreiter
Set of Wind Parts-We know that Mozart held his Vespers in high regard since he o...(+)
Set of Wind Parts-We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae Solennes De Confessore K. 339 both call for four Vocal parts two Violins two Clarini Kettledrums Basses (Violoncello Double Bass and Bassoon) three Trombones and Organ.They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms anautonomous unit; the Doxology at the end is derived from the themes of the various Psalms.Urtext of the New Mozart EditionPerformance material (BA4894) vocal score (BA4894-90) available for sale
17.00 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
Mass in A major BWV 234
Lutheran Mass 2: Mixed
Choir: Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard Barenreiter
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four ...(+)
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts.- Urtext of the New Bach Edition- Full score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
9.50 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
Mass in A major BWV 234
Lutheran Mass 2: Mixed
Choir: Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard Barenreiter
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four ...(+)
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts.- Urtext of the New Bach Edition- Full score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
6.50 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
Mass in A major BWV 234
Lutheran Mass 2: Mixed
Choir: Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard Barenreiter
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four ...(+)
Lutheran Mass 2-Often overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts.- Urtext of the New Bach Edition- Full score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale
6.00 GBP - Sold by Musicroom UK | |
| Francesco Durante:
Magnificat in B: SATB Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Sheet music] Carus Verlag
B-Dur-Francesco Durante's Magnificat in B flat major is one of his most importan...(+)
B-Dur-Francesco Durante's Magnificat in B flat major is one of his most important works and also one of the most siginifcant settings of the Magnficat text here in cantata form. This work displays a mastery of the polyhonic style and though the use of certain pre-classical 'modern' elements its various forms never sound archaic rather the work presents a synthesis leading to a unique style. For a performance during the Christmas season Christmas hymns can be inserted between each of the individual movements. Six arrangements of such hymns are also available as octavos (Carus 10.270/06): - Johann Crüger: Nun komm der Heiden Heiland - Cornelius Freundt: Wie schön singt unsder Engel Schar - Johann Sebastian Bach: Uns ist ein Kindlein heut geborn - Erhard Bodenschatz: Joseph lieder Joseph mein - Johann Crüger: Fröhlich soll mein Herze springen - Gregor Joseph Werner: Der Tag der ist so freudenreich The string parts for these movements are included in the parts Carus 10.270/11-14.
108.00 GBP - Sold by Musicroom UK | |
| Charles Gounod: Requiem
in C: Piano: Vocal Score Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard Carus Verlag
Charles Gounod's Requiem Op. Posth in C for SATB and Piano.Charles Gounod compos...(+)
Charles Gounod's Requiem Op. Posth in C for SATB and Piano.Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson Maurice. According to information handed down while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil Henri Busser but the only complete version from the pen of Gounod is the version for large orchestra which is published here for the first time in a critical edition.Gounod?s Requiem unlike many contemporary settings of the Mass of the Dead is not characterized by darkness and terror. Rather with all of itstrepidation expressed through a marked chromaticism an atmosphere of hopeful expectation of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod?s death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press.
14.60 GBP - Sold by Musicroom UK | |
| Georg Friedrich Händel:
Messiah HWV 56: Mixed
Choir: Part Soli, Mixted choir and accompaniment Barenreiter
Oratorio in three parts-Messiah occupies a unique position in Handel???s work. E...(+)
Oratorio in three parts-Messiah occupies a unique position in Handel???s work. Even if it does not represent the absolute zenith several other oratorios could challenge it in this respect its strongly universal character and directness of expression which appeal to men of all creeds make it the most renowned work in the whole of the composer???s monumental output.That this oratorio is unquestionably a work of individual character is shown by all its features: its material which presents liturgical traditions alongside popular elements; its structure which combines an ever-changing variety of elements from opera cantata concerto and anthem; its musicalorganization which at once unifies and dramatically juxtaposes the various styles. All are united in an extraordinary manner with great artistry most accomplished technique and superb invention.Urtext of the Halle Handel EditionFull score and performance material (BA4012) vocal score (BA4012-73 English; BA4012-90 English-German) and study score format 22.5 x 16.5cm (TP175) available for sale.
11.00 GBP - Sold by Musicroom UK | |
| Francesco Durante:
Magnificat in B: SATB
Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard [Sheet music] Carus Verlag
B-Dur-Francesco Durante's Magnificat in B flat major is one of his most importan...(+)
B-Dur-Francesco Durante's Magnificat in B flat major is one of his most important works and also one of the most siginifcant settings of the Magnficat text here in cantata form. This work displays a mastery of the polyhonic style and though the use of certain pre-classical 'modern' elements its various forms never sound archaic rather the work presents a synthesis leading to a unique style. For a performance during the Christmas season Christmas hymns can be inserted between each of the individual movements. Six arrangements of such hymns are also available as octavos (Carus 10.270/06): - Johann Crüger: Nun komm der Heiden Heiland - Cornelius Freundt: Wie schön singt unsder Engel Schar - Johann Sebastian Bach: Uns ist ein Kindlein heut geborn - Erhard Bodenschatz: Joseph lieder Joseph mein - Johann Crüger: Fröhlich soll mein Herze springen - Gregor Joseph Werner: Der Tag der ist so freudenreich The string parts for these movements are included in the parts Carus 10.270/11-14.
18.90 GBP - Sold by Musicroom UK | |
| James MacMillan: A Child
Is Born In Bethlehem:
Men's Voices: Vocal Score Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard Boosey and Hawkes
Composed in 1978 this is a setting of a Dutch traditional carol. The work opens ...(+)
Composed in 1978 this is a setting of a Dutch traditional carol. The work opens with an extended passage for solo Oboe molto rubato. The vocal writing includes sections for various combinations of voice-parts both with and without the Oboe. A further solo oboe passage brings the work soflty to a close. Suitable for advanced standard performers. The oboe part is available as a free download from Boosey.com.
3.25 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
Johannespassion: SATB Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard [Sheet music] Carus Verlag
Fassung IV-with the unfinished revision [1739] an an appendix. The St. John Pass...(+)
Fassung IV-with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach?s Leipzig years. In contrast to his other large-scale choral works however Bach never gave this work a definitive final form. Rather for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach?s direction in 1749. At the same time with the aid of the appendix it is possibleto perform the work in the traditional ?mixed version.?
15.20 GBP - Sold by Musicroom UK | |
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