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European Companies
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| Double Concerto Violin, Viola and Orchestra Chester
By Benjamin Britten (1913-1976). Edited by Colin Matthews. For Orchestra, Viola,...(+)
By Benjamin Britten (1913-1976). Edited by Colin Matthews. For Orchestra, Viola, Violin (Study Score). Music Sales America. Softcover. 102 pages. Chester Music #CH81081. Published by Chester Music
$21.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ulvi Cemal Erkin : Lullaby - Improvisation - Zeybek Air Violin, Viola and Orchestra Schott
(Violin and Piano). Composed by Ulvi Cemal Erkin. For Violin, Piano Accompan...(+)
(Violin and Piano). Composed
by Ulvi Cemal Erkin. For
Violin, Piano Accompaniment.
String. Softcover. Schott
Music #VLB180. Published by
Schott Music
$18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Johann Pachelbel : Canon and Gigue for Three Violins and Basso Continuo in D Major Violin, Viola and Orchestra G. Henle
By Johann Pachelbel (1653-1706). Edited by Norbert MÌ_llemann. Score and Parts....(+)
By Johann Pachelbel (1653-1706). Edited by Norbert MÌ_llemann. Score and Parts. Henle Music Folios. Softcover. 32 pages. G. Henle #HN963. Published by G. Henle
$25.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| Benjamin Britten: Double
Concerto: Violin & Viola:
Study Score Violin, Viola and Orchestra [Study Score / Miniature] Chester
Study score for Britten's early and ambitious three-movement work (1932) for Vio...(+)
Study score for Britten's early and ambitious three-movement work (1932) for Violin Viola and Orchestra brought to light and edited by Colin Matthews for it first performance at the 1997 Aldeburgh Festival.
16.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violin, Viola and Orchestra Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
20.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violin, Viola and Orchestra [Score] Barenreiter
E flat major-There is no reference to the origin occasion or a performance of t...(+)
E flat major-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
42.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Michael Nyman: Drowning
By Numbers: Chamber
Ensemble: Score Violin, Viola and Orchestra [Study Score / Miniature] Chester
Drowning By Numbers arranged by the composer from his sound-track for the film ...(+)
Drowning By Numbers arranged by the composer from his sound-track for the film by Peter Greenaway for Violin Viola and Chamber Orchestra. This work was commissioned by the London Mozart Players and first performedDecember 1998 at the Warwick Arts Centre. Duration 20 minutes. Full Score and parts are available on hire from the publishers. Instrumentation: Solo Violin Solo Viola 2 Flutes Oboe Cor Anglais 2 B Flat Clarinets 2 Bassoons 2 Horns in F 2 Trumpets in C Bass Trombone Piano Strings (8.6.4.4.2).
34.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
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