This lyric piano piece was given as a present to Fanny Mendelssohn by her brother Felix for her birthday in 1828; he wrote it down into her music notebook and she named it 'song without a word'. Such piano-songs as 'music that fulfills ones soul with

Une pièce pour piano en mi bémol majeur, avec le titre simple 'Lied' (chanson) a été surprise de Felix Mendelssohn présent à Fanny de sa soeur sur son anniversaire le 14 novembre 1828. Peu de temps après elle le travail appelés ' Chanson sans paroles ' et probablement inventé l'expression en vertu de laquelle lyrique pièces pour piano son frère, numérotation presque 50, sont connus aujourd'hui. La présente édition contient en plus des 48 ' chansons connues sans mots ' un certain nombre de compositions individuels qui, en raison de leur titre ou de caractère, semblent s'adapter la classification 'Chanson sans paroles'. Ces et ci-dessus mentionné premier exemple de 1828 sont Unis dans cette compilation essentielle des oeuvres dans un genre favorisé par le compositeur. Un ajout enrichissant pour le répertoire de piano, d'intérêt pour l'enseignement ainsi qu'à des fins de récital. / Piano

This collection of compositions for piano solo spans four centuries including a rarely heard piece by Gottchalk's sister Clara as well as a charming piece by Marie Antoinette. Other composers include Madame Dussek TeresaCarreno Amy Beach Clara Schumann Fanny Mendelssohn and others. Three new solos are also offered by the author Gail Smith.

18 Intermediate to Late Intermediate Piano Pieces by 8 Composers-This collection of works by women composers features music by Amy Marcy Beach Teresa Carreño Cécile Chaminade Louise Dumont Farrenc Fanny Mendelssohn Hensel Margaret Ruthven Lang Clara Gottschalk Peterson and Clara Schumann. With composer biographies.

Intermediate to Upper Intermediate Level. Par . 'Upon embarking on this project, I had little idea of what I would find. There were, of course, the 'usual suspects:' women composers whose name and whose music have stood the test of time and are familiar to many. There were also those whose names ring a bell but whose music does not. The real unknowns were, well, the unknowns. How many women composers whose music is worth studying and listening to were out there? (...) When selecting, I searched for the following: beautiful interesting compositions that students can benefit from and will love learning, teachers will enjoy teaching, and audiences will appreciate; a variety to styles, composers, and nationalities; showcasing as many composers as possible, while striking a balance between well-known, lesser know, and unknown composers.' - Immanuela Gruenberg, in the Preface. These brand new collecions come in two volumes, with book 1 arranged for upper elementary to early intermediate pianists, and Book 2 arranged for intermediate to upper intermediate level pianists. / Date parution : 2023-06-01/ Recueil / Piano

The Piano Player: Classical Tear-Jerkers presents 20 of the saddest pieces of classical music, guaranteed to make you weep, specially arranged for intermediate solo piano. Contents include Un bel di vedremo from ?Madam Butterfly? by Puccini Parry and Dido?s Lament by Purcell. The striking cover features Edward Bawden?s colour linocut Aesop?s Fables: The Ant and the Grasshopper, 1970, and a 4-page pullout provides the full artwork as a beautiful collectible. The Piano Player series includes six wonderful collections of some of the greatest classical music ever written, specially arranged for the intermediate pianist, each with its own collectible pull-out poster of the stunning Edward Bawden cover artwork.