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It was a lover and his lass for 2 alto voices and harpsichord (mp3)
It was a lover and his lass for 2 alto voices and harpsichord (mp3)
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Thomas Morley
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Flow My Tears (Voice & Harpsichord or Lute)
Flow My Tears (Voice & Harpsichord or Lute)
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Medium voice, Piano
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Minimally Fantastic Suite for Flute, Harpsichord, and Bass
Minimally Fantastic Suite for Flute, Harpsichord, and Bass
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Steven Mark Kudlo
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Details
Johann Jakob Froberger: Oeuvres Complètes Pour Clavecin Book 2 Vol.2:
Français
Harpsichord
[Sheet music]
Heugel
Second volume of the second tome and fourth book of the Complete Harpsichord Wor...
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Second volume of the second tome and fourth book of the Complete Harpsichord Work by Johann Jakob Froberger this volume is a set of twenty-five pieces for Harpsichord. Edited by Howard Schott the book has its preface and information in French English and German. It features eighteen suites numbered from Suite XIII to Suite XXX as well as seven other works including three guigues and four other pieces. The works are of medium difficulty and can be played by intermediate players. Johann Jakob Froberger (1616-1667) is a German Baroque composer. He was a famous musician among hispeers and influenced many of them.
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Livre De Pièces De Clavecin
Harpsichord
Anne Fuzeau Productions
Editeur : Paris, Boivin, 1724On a joint à ce livre de pièces de clavecin, la s...
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Editeur : Paris, Boivin, 1724On a joint à ce livre de pièces de clavecin, la seconde version des 'Caractères de la guerre et de la chasse', ainsi que la version pour orchestre des 'Caractères de la guerre'.Diverses version des Caractères de la guerrePréface de DandrieuLivre de pièces de clavecinVersion d'orchestre des Caractères de la guerre / Clavecin / 127 pages / niveau : 1 / Fac-Similés - Format: 24.5 X 32.5
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François Couperin: Pieces de Clavecin Vol.4: Harpsichord: Instrumental Work
Harpsichord
Heugel
Harpsichord work - Volume 4 LP.24 by Francois Couperin is the fourth in a serie...
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Harpsichord work - Volume 4 LP.24 by Francois Couperin is the fourth in a series of 4 volumes of suites for Harpsichord. Published in 1930 three years before Couperin’s death when he was very ill this volume initially presented some small mistakes and some white pages. It features seven Ordres from the 20th to the 27th with a total of 43 pieces. For upper-intermediate players this volume was edited by Kenneth Gilbert. François Couperin was a very famous French composer who played the Harpsichord the Organ. Coming from a famous family of musicians he was nicknamed“Couperin le Grand” ('Couperin the Great').
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Tony Oppenheim: Slap It!: Bass Guitar: Instrumental Tutor
Harpsichord
Anne Fuzeau Productions
Funk Studies for the Electric Bass-Learn the coolest funkiest and most dynamic ...
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Funk Studies for the Electric Bass-Learn the coolest funkiest and most dynamic of Bass guitar techniques with this fantastic book of funk studies. Slap It! is one of the most successful slap and pop methods and since its release has become a must-have for electric bass players wanting to learn more about playing and sight-reading slap bass lines. Tony Oppenheim’s fabulous collection of funk studies is comprehensive with a massive 151 exercises to learn hone and master this wrist wrangling and finger popping technique all in standard notation and Bass tablature. A CD is included which contains 98 recorded examples of the most important studies. This is stillthe most complete book yet on the art of slap bass playing!
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Musica Britannica Complete Harpsichord Music (GREEN MAURICE)
Harpsichord
[Sheet music]
Stainer and Bell
Par GREEN MAURICE. The suites, lessons and miscellaneous short pieces for harpsi...
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Par GREEN MAURICE. The suites, lessons and miscellaneous short pieces for harpsichord by Maurice Greene published in MB106 form an important corpus of eighteenth-century English keyboard music, complementary to the works of Handel, Thomas Roseingrave and Greene?s mentor Giovanni Bononcini, and also showing the influence of Domenico Scarlatti. The volume also includes a set of six overtures for the harpsichord, ?Being proper Pieces for the Improvement of the Hand?, which were first published in 1745 and are arrangements of earlier orchestral originals. / Date parution : 2022-10-25/ Recueil / Clavecin
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Zipoli, Domenico : Orgel- und Cembalowerke - Band 2 : Cembalowerke
Harpsichord
Süddeutscher Musikverlag
[Orgel- und Cembalowerke - Band 2 : Cembalowerke] / Classique / Editeur : Luigi ...
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[Orgel- und Cembalowerke - Band 2 : Cembalowerke] / Classique / Editeur : Luigi F. Tagliavini / Partition / Agrafé / Edition Urtext
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Chilcot Th. - 6 Suites Of Lessons For The Harpsichord
Harpsichord
Heugel
6 suites of lessons for the Claveçin (lp60). Par Chilcot aux éditions Leduc. P...
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6 suites of lessons for the Claveçin (lp60). Par Chilcot aux éditions Leduc. Partition / Livre de chansons pour Claveçin
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Cymbalum En Mi Majeur
Français
Harpsichord
Delatour France
Le clavecin étant lui aussi un instrument à cordes pincées, le guitariste l'a...
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Le clavecin étant lui aussi un instrument à cordes pincées, le guitariste l'accueille avec enthousiasme. Le répertoire de cet instrument est essentiellement celui de la musique baroque, mais le guitariste-compositeur peut facilement adapter son écriture au jeu éminemment polyphonique du clavicembalo des 'baroqueux'. / Clavecin
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Les Amusements Du Parnasse - Livre 1Er
Harpsichord
Anne Fuzeau Productions
Oeuvre écrite pour clavecin seul. / Clavecin / 36 pages / niveau : 1 / Fac-Simi...
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Oeuvre écrite pour clavecin seul. / Clavecin / 36 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
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Johann Jakob Froberger: Oeuvres Complètes Pour Clavecin Book 1 Vol.1:
Harpsichord
Heugel
First volume of the first tome of the Oeuvres Complètes Pour Clavecin by Joha...
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First volume of the first tome of the Oeuvres Complètes Pour Clavecin by Johann Jakob Froberger this book (Version 1649) is a set of twenty-four pieces for Harpsichord. Edited by Howard Schott the book has its preface and information in French English and German. It features six Toccatas six Fantasias six Canzones 5 Suites and a partite. The works are of medium difficulty and can be played by intermediate players. Johann Jakob Froberger (1616-1667) is a German Baroque composer. He was a really famous musician amongst his peers and influenced many of them.
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Premier Livre De Pièces De Clavecin
Harpsichord
Anne Fuzeau Productions
Iere Suite :- Prélude- Les Giboulées de Mars- Les jumelles- 2è Partie- Les Am...
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Iere Suite :- Prélude- Les Giboulées de Mars- Les jumelles- 2è Partie- Les Amants Enchantés- Feste Sauvages- 1er Tambourin- 2è Tambourin- La Babillarde- Le CourierIIème Suite :- Le Grondeur- Badine- Les Idées Heureuses- Feste Millanoise- La Triomphante- 1er Menuet, 2è Menuet et 3è MenuetIIIème Suite :- Prélude- L'Héroïne Allemande- La Dégourdie- 2è, 3è et 4è Double- 5ème Double- Les Bostes de Sept Lieus- Les EtoilesIV Suite :- Les Fanatiques- Sarabande- La prise de Jéricho- Explication des passages difficils - a doiterOeuvre écrite pour clavecin seul. / Clavecin / 32 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
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Premier Livre De Pièces De Clavecin
Harpsichord
Anne Fuzeau Productions
A Madame la Marquise de Clermont,- La Cheverny- Le Postillon- Les Trandresses mu...
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A Madame la Marquise de Clermont,- La Cheverny- Le Postillon- Les Trandresses mutuelles- La Naïve- La Marais- L'Obstinée- La Résolue- L'Agitée- La Tranquille- Les CaquetsOeuvre écrite pour clavecin seul. / Clavecin / 36 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
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Rob Keeley: Suite For Harpsichord: Harpsichord: Instrumental Work
Harpsichord
Cadenza Music
Rob Keeley's Suite For Harpsichord.
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Georg Philipp Telemann: Suite In a Minor Harpsichord Part: Harpsichord:
Français
Harpsichord
[Sheet music]
Leduc, Alphonse
Telemann Suite In a Minor Harpsichord Part
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François Couperin: Pieces De Clavin: Harpsichord: Instrumental Album
Harpsichord
Barenreiter
Second Livre Für Cembalo-Edited by Denis HerlinWith notes on performance practi...
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Second Livre Für Cembalo-Edited by Denis HerlinWith notes on performance practiceOnce again the French musicologist Denis Herlin who mastered the harpsichord under the tutelage of such keyboard legends as Kenneth Gilbert and Huguette Dreyfus has presented an exemplary edition of a classic from the harpsichord repertoire.?Bärenreiter presents Book II of Couperin?s ?Pièces de clavecin? first published in 1717. In addition the eight preludes and one allemande from his treatise ?L?Art de toucher le clavecin? are included in the appendix. For the first time Denis Herlin has evaluated the many later impressions of the original print most of which he unearthed himself ininternational libraries. By preserving the essential features of the original print while largely dispensing with disruptive page-turns within the pieces the volume brings modern performers close to the special sound of this music. Rounding off this pioneering new edition are an extensive Foreword notes on historical performance practice a comprehensive glossary facsimile pages and a detailed Critical Commentary.Pioneering edition with the first-time evaluation of an extensive body of sourcesIncludes Couperin?s original expression markswith 8 Préludes and 1 Allemande from 'L'Art de toucher le clavecin' (1716 1717)
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Blow J. - Twenty-five Harpsichord Pieces
Harpsichord
Stainer and Bell
Selected from Musica Britannica Volume 73. Edited by Robert Klakowich. Amateur a...
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Selected from Musica Britannica Volume 73. Edited by Robert Klakowich. Amateur and professional players with an interest in Baroque repertoire will welcome this generous selection of 25 harpsichord pieces by John Blow (1649-1708). Blow stands as the dominant figure of English harpsichord composition in the late seventeenth century, the master of an individual school that merged continental influences into a vigorous native tradition of keyboard writing. There are preludes, dances and grounds in this anthology, which is selected from Volume 73 of Musica Britannica, and also includes advice on ornamentation and a comprehensive editorial note. Along with its companion volume of 16 organ pieces, K43, this collection is an important addition to Stainer
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Shasta
Harpsichord
Schott
This suite has been conceived as an imaginary ballet in five movements: Rondo, A...
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This suite has been conceived as an imaginary ballet in five movements: Rondo, Aria, Capriccio, Recitativo and Toccata. It features driving rhythms, percussive effects and expressive harmonic motifs. / Clavecin
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3 Sonates Pour Clavecin Ou Piano Forte Avec Accompagnement De Flûte (Ou Violon) Et Violoncelle.
Harpsichord
Anne Fuzeau Productions
Edition : Paris, Sieber, 1788.Présentation par les étudiants du CeFEdeM-Île-d...
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Edition : Paris, Sieber, 1788.Présentation par les étudiants du CeFEdeM-Île-de-France : Biographie de Pleyel - L'oeuvre d'Ignace Pleyel - Pleyel, éditeur de musique - Ignace Pleyel, facteur de Piano - La salle Pleyel de la rue Rochechouart - Lecture de la partition.Trois parties instrumentales séparées : piano - flûte ou violon - violoncelle.Compositeur, éditeur, facteurs de pianos, Ignace Pleyel tint une place importante à la charnière des XVIIIe et XIXe siècles. La qualité des compositions de cet élève de Haydn, mérite leur réédition. / Trios (Piano, Flûte, Violoncelle Ou Piano, Violon Et Violoncelle) / 80 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Jean-Henri D'Anglebert: Pieces for Harpsichord (Volume 1): Harpsichord:
Harpsichord
Heugel
Jean-Henri d'Anglebert (1629-1691) was one of the foremost composers of Keyboard...
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Jean-Henri d'Anglebert (1629-1691) was one of the foremost composers of Keyboard music of his day. Therefore the collection of his works Pieces for Harpsichord is essential to all players of early Baroque Keyboard music. D'Anglebert's Pieces for Harpsichord represents some of the finest achievements of the French Harpsichord school and shows the composer's mastery of counterpoint as well as his ability to experiment with texture to achieve orchestral sonority. Moreover d'Anglebert's collection contains a table of ornaments which formed the basis of those of J. S. Bach and other significantcomposers. The first volume of Pieces for Harpsichord comprises four Harpsichord Suites composed by d'Anglebert each of which consist of the usual dance movements together with transcriptions from Lully's operas. Furthermore the three unmeasured preludes included in Suites one two and three are truly remarkable examples of their kind. With a descriptive preface in French English and German volume one of d'Anglebert's Pieces for Harpsichord is a sublime addition to the repertoire of early Baroque Keyboard music.
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Jean-Philippe Rameau: 4 Pieces extraits de Pygmalion: Harpsichord: Score
Français
Harpsichord
[Sheet music]
Leduc, Alphonse
4 Pieces extraits de Pygmalion
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Pièces De Clavecin
Harpsichord
Anne Fuzeau Productions
Documents : Edition de 1689 - Manuscrit Rés. 89 terNous présentons le premier ...
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Documents : Edition de 1689 - Manuscrit Rés. 89 terNous présentons le premier tirage du recueil gravé de pièces de clavecin de Jean-Henry d'Anglebert, ainsi que le manuscrit Rés. 89 ter de la Bibliothèque Nationale de France, qui comprend de nombreuses pièces du même compositeur, souvent dans une première version.Présentation de Jean Saint-Arroman et Philippe Lescat : biographie, catalogue, bibliographie, comparaison des sources, Table des matières du manuscrit Rés 89 ter. / Clavecin Et Orgue / 340 pages / niveau : 1 / Fac-Similés - Format: 24,5 X 33
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Karen Tanaka: Lavender (1989 Version): Harpsichord: Instrumental Work
Harpsichord
[Score]
-
Intermediate/advanced
Chester
Written for solo harpsichord.The composer writes: In 1989 I composed Jardin des...
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Written for solo harpsichord.The composer writes: In 1989 I composed Jardin des herbes a set of three pieces for solo harpsichord. My intention was to evoke the colour and delicate aromatic qualities of three herbs rosemary sweet violet and lavender. Rosemary is a bush with pale blue flowers glowing in the moonlight Sweet Violet is described as early spring flowers with seductive scent and Lavender with tranquility andpurity. Lavender was revised in 1995. This score represents the original 1989 version. Jardin des herbes was written for Akiko Kuwagata who gave the first performance in Tokyo in March 1989.
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Jacques Duphly: Pieces de Clavecin Vol.1: Harpsichord: Instrumental Album
Français
Harpsichord
[Sheet music]
Heugel
This first volume of Harpsichord Work by Jacques Duphly is the first of a series...
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This first volume of Harpsichord Work by Jacques Duphly is the first of a series of two which includes the two parts of Volume 1. Featuring 19 pieces this work for Harpsichord was reviewed and edited by Françoise Petit. With a preface in French English and German that sets the context of the work and presents the composer this first book offers a set of pieces for intermediate players. With simple rhythms it includes few accidental alterations and some arpeggios. Jacques Duphly (1715-1789) was a French organist who was living during the period of Jean-Jacques Rousseau.
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Fourteen Sonatas (SOLER ANTONIO)
Harpsichord
[Sheet music]
Faber Music Limited
Par SOLER ANTONIO. Soler (1729-83) was one of the outstanding keyboard composers...
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Par SOLER ANTONIO. Soler (1729-83) was one of the outstanding keyboard composers of 18th-century Spain. His sonatas show great brilliance and originality, many of them influenced by the characteristic colours of Iberian popular music. This edition offers a selection of 14 of the best sonatas from the set given by the composer to Viscount Fitzwilliam in 1772, as well as editorial notes from Kenneth Gilbert. **ABRSM selected piece (Piano 2019-2020): Sonata in D minor, R. 25 / Piano Music / Recueil / Clavecin
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SCARLATTI DOMENICO - SONATE PER CLAVICEMBALO - VOL. 10
Harpsichord
Ricordi
Édition critique de Emilia Fadini
Le 10e volume de la Sonate per clavicem...
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Édition critique de Emilia Fadini
Le 10e volume de la Sonate per clavicembalo de Domenico Scarlatti représente un jalon crucial de cette série, à savoir les trente Essercizi per gravicembalo (Londres, 1738-1739) au c?ur de la production du compositeur. Pendant longtemps, le style de ces sonates et leur rôle dans l'histoire de la musique pour clavier ont été débattus. Mais personne n'avait jamais examiné à fond les aspects clés de la critique textuelle, conçue non seulement comme une reconstruction détaillée du texte, mais comme une étude philologique avec une portée complète. Ce volume est le premier pas dans cette direction. Le texte musical de cette édition est le résultat d'une comparaison systématique de toutes les sources imprimées et manuscrites du XVIIIe siècle préservant les précieux Essercizi de Scarlatti. Dans certains cas, l'édition présente une version alternative de la même sonate, basée sur l'examen des sources et montrant parfois un réseau complexe de variantes d'auteur. Les Notes Critiques détaillées prennent en compte toutes les variantes transmises par les sources. De nombreux sujets sont abordés dans la riche Introduction, en premier lieu le contexte historique et la genèse des sonates de Scarlatti. Par ailleurs, d'autres thèmes importants sont investigués, tels que : la relation entre les Essercizi et l'édition londonienne rivale de Roseingrave : le rôle et la chronologie des éditions françaises contemporaines, connues sous le nom de Boivin : les premières interventions d'interprètes anonymes. / Partitions classique / Piano - instruments à clavier / Clavecin / RICORDI
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Méthodes Et Traités - Vol.2 - France 1600 - 1800
Harpsichord
Anne Fuzeau Productions
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...
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Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant le clavecin.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - deux volumes.ANCELET - Antoine BEMETZIEDER (1-2) - Jean-Laurent de BETHISY - Michel CORRETTE (2) - Denis DIDEROT - Jacques DUPHLY (1-2) - Encyclopédie - Encyclopédie méthodique - Louis-Joseph le neveu FRANCOEUR - Pierre Claude FOUCQUET (1-2) - François-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Philippe MACQUER - Friedrich Wilhelm MARPURG - Jean-Philippe RAMEAU (4) - Jean-Jacques ROUSSEAU - Simon SIMON.Table des matières : Corrette Michel : Les amusements du Parnasse - 1749Foucquet Pierre Claude : Les caractères de la paix - 1749Foucquet Pierre Claude : Second livre de pieces de clavecin - 1751Encyclopédie : Encyclopédie ou dictionnaire raisonné - 1751/1772Duphly Jacques : Troisième livre de pieces de clavecin - 1756Ancelet : Observations sur la musique - 1757Rameau Jean-Philippe : Code de musique pratique - 1760Garsault François-Alexandre-Pierre de : Notionnaire - 1761Simon Simon : Pieces de clavecin - 1761Béthisy Jean-Laurent de : Exposition de la théorie - 1764Rousseau Jean-Jacques : Dictionnaire de la musique - 1768Duphly Jacques : Du doigter - c.1769Diderot Denis : Manuscrit autographe - s.d.Bemetzrieder Antoine : Leçons de clavecin - 1771Francoeur Louis-Joseph le neveu : Diapason général - 1772Macquer Philippe : Dictionnaire raisonné - 1773Laborde Jean-Benjamin de : Essai sur la musique - 1780Bemetzrieder Antoine : Nouvelles leçons de clavecin - 1783Encyclopédie méthodique : Encyclopédie méthodique, arts et métiers mécaniques - 1788Marpurg Friedrich Wilhelm : L'art de toucher le clavecin - c.1797Téléchargez le catalogue Anne Fuzeau Classique / Clavecin / 232 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Magnificat Sur Les Huit Tons Avec Te Deum Laudamus, Et Deux Préludes. 1531.
Harpsichord
Anne Fuzeau Productions
Edition : Paris, Attaingnant, 1531.Présentation par Marcel Degrutère : - utili...
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Edition : Paris, Attaingnant, 1531.Présentation par Marcel Degrutère : - utilisation - sommaire - - principes de natation - remarques sur la partition. / Orgue, Epinette (Ou Clavecin) Et Manicordion / 124 pages / niveau : 1 / Fac-Similés - Format: 12 X 17
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Antonio de Cabezón: Ausgewahlte Werke 3 Tasteninstr.: Piano: Instrumental Album
Harpsichord
[Sheet music]
Barenreiter
The court organist Antonio de Cabezón (ca. 1510-1566) who was appointed to Qu...
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The court organist Antonio de Cabezón (ca. 1510-1566) who was appointed to Queen Isabella’s court chapel in Toledo at the young age of 16 was rightly regarded by his contemporaries as the leading Spanish organist and keyboard player of the 16th century. His hymns and versets are based on short decorated harmonisations of the psalm tones. In the tientos the transformation from vocal motet style to a style of writing suitable for keyboard instruments is perfectly executed. This Urtext edition contains a selection of Cabezon's best known works and consists of four volumes. It has been prepared by two editors working at Portuguese andSpanish universities who are both leading scholars of the works of Cabezón and reflects the latest research findings.
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Dieupart Ch. - 6 Suittes De Clavecin
Harpsichord
Mieroprint
Facsimilé de l'édition parue chez Roger à Amsterdam vers 1711
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