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Fesche Geister (ZIEHRER CARL MICHAEL)
Orchestra
Doblinger
Ouverture. Par ZIEHRER CARL MICHAEL. Ouverture/ Répertoire / Orchestre
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Full Orch - 2.2.2.2 Ð 4.3.3.1 + hp. + timp + 1 perc. + Str. Par TROTTA MICHAEL ...
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Full Score-Full orchestra score for Per Nørgård's Symphony No. 5 (1987-90 rev...
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Full Score-Full orchestra score for Per Nørgård's Symphony No. 5 (1987-90 rev.1991). Manuscript copy. Programme note: My 5th Symphony was commissioned by the Danish Radio Symphony Orchestra and premiered on December 6th 1990 by and dedicated to the Danish Radio Symphony Orchestra and conductor Esa-Pekka Salonen. After the premiere in 1990 I decided to revise the beginning (and only the beginning) of the work. The first pages of the score were discarded and about 20 seconds of new music was written in the summer of 1991. The new and final versionwas premiered on 1st of May 1992. The symphony progresses without pauses between movements often in several layers of tempo with mutual ´golden section´proportions. The listener´s experience of form in the work will therefore depend on the directions of his own attention. But so far as overall divisions are concerned four sections (perhaps five) - running into each other - can be traced: an expansive cascading introduction a kind of scherzo an chaconne-like adagio and a kind of finale again with the phenomenon of ´cascades´ as a main idea. However as the course is from time to time thrown into chaos by convulsive twitching and crises other experiences of form are opened out within a spectrum from wild to cautious from dramatic to contemplative in a universe of tempi which can suggest the title of a book of poems by the Danish Michael Strunge (1958-1986): ´Velocity of life.´ A listener described the symphony as “a walk with a fire-breathing dragon” and a reviewer described it with words like “a pacifist in times of war”. Anyway words and programme note are – as Carl Nielsen said about titles – only “road signs” for personal experiences in the area of music itself. Per Nørgård
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Claude Debussy: Children's Corner: Orchestra: Score
Orchestra
[Score]
Wilhelm Hansen
Claude Debussy Children's Corner orchestrated by Hans Abrahamsen (2011). Dedicat...
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Claude Debussy Children's Corner orchestrated by Hans Abrahamsen (2011). Dedicated with affection to Amalie Malling and Michael Schønwandt. I Doctor Gradus ad Parnassum II Jimbo’s Lullaby III Serenade of the Doll IV The Snow is Dancing V The little Shepherd VI Golliwogg’s Cake Walk The orchestration by Hans Abrahamsen of Children’s Corner by Claude Debussy was commissioned by Radio KamerFilharmonie to celebrate Debusy at 150 in 2012. Arranged in 2011 it was then premiered by the Radio KamerFilharmonie conducted by Michael Schønwandt in Utrecht in February2012. Debussy’s six movement work for piano has been cherished the world over for its whimsical charm and the way in which they are evocative of childhood. Abrahamsen expands on these traits in his orchestration of the six little masterpieces; be it the mystical heaviness of Jimbo’s Lullaby the icy pirouettes in The Snow is Dancing or the buoyant ending: Golliwogg’s Cakewalk
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Poul Ruders: Symphony No.3 - Dream Catcher: Orchestra: Score
Orchestra
Wilhelm Hansen
For Orchestra. Premiered by The Royal Danish Orchestra conducted by Michael Sch...
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For Orchestra. Premiered by The Royal Danish Orchestra conducted by Michael Schonwandt Koncerthuset DR 29th May 2009.Commissioned by and written for The Serge Koussevitzky Music Foundation in the Library of Congress.Dedicated to the memory of Serge and Natalie Koussevitzky.Instrumentation.3 Flutes 3rd doubling Piccolo3 Oboe 3rd doubling Cor Anglais3 Clarinets in Bb 3rd doubling Bass Clarinet In Bb3 Bassoons 3rd doubling Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba3 Percussion (three players)1 - Triangle Mark Tree Tubular Bells TamTam (Large) Glockenspiel Snare Drum Lion's Roar.2 - TamTam (Large) Chinese Cymbal Spring Coil (Mounted) TamTam (Large) Reco-Reco.3 - Bass Drum (Large) Antique Cymbals (full range) Spring Coil (mounted) TamTam (large) Cymbal (suspended) Reco-Reco.The three large TamTams should differ slightly in pitch.Strings (minimum 16-14-12-10-8)
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Stephen Hartke: Muse of the Missouri for Orchestra - Full Score: Orchestra:
Orchestra
Lauren Keiser Music Publishing
Muse of the Missouri takes its title from a magnificent fountain located at 8th ...
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Muse of the Missouri takes its title from a magnificent fountain located at 8th and Main in Kansas City but as the composer writes the piece is really more about the city and its surroundings. It begins gently with an evocation of the Missouri River and then unfolds as something of a journey through a landscape. Written for Michael Stern and the KC Symphony the work employs full orchestra with banjo.
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I Wonder As I Wander (full Score): Concert Band: Score
Orchestra
[Sheet music]
Schirmer
Score-John Jacob Niles' I Wonder As I Wander arranged for Orchestra.This Christ...
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Score-John Jacob Niles' I Wonder As I Wander arranged for Orchestra.This Christian folk hymn was inspired by a song heard by Niles at a fundraising meeting for evangelicals which he attendedin Murphy North Carolina. Niles wrote of the moment he first heard the tune:'A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes wereunbelievable dirty and ragged and she too was unwashed. Her ash-blond hair hung down in long skeins.... But best of all she was beautiful and in her untutored way she could sing. She smiled as she sang smiled rather sadly and sang only a single line of a song'.Niles requested that the girl repeat the fragment seven times paying her a quarter per performance and left with 'three lines of verse a garbled fragment ofmelodic material—and a magnificent idea'. He completed his composition on October 4 1933 and I Wonder As I Wander was first performed on December 19 1933 at the John C. Campbell Folk School in Brasstown North Carolina.This melodic arrangement by Michael Brown offers an opportunity for every group of instruments to shine making it an excellent choice for school concerts or showcases.
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Peter Maxwell Davies: Fanfare Musis Aurora Benigna: Brass Ensemble: Score
Orchestra
[Sheet music]
-
Advanced
Chester
Work for 2 Trumpets 2 Horns and 2 Trombones premiered in the Museum of Scotland...
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Work for 2 Trumpets 2 Horns and 2 Trombones premiered in the Museum of Scotland in 1998 by members of the Scottish Chamber Orchestra. Maxwell Davies has relished incorporating brilliant tuckets and alarms for brass in hislarger-scale scores too much to write a perfunctory fanfare; a seminal influence was the statue of St. Michael on the Castel Sant'Angelo in Rome where he studied in the late 1950s generator of high trumpet fanfares throughouthis output which resurface in apocalyptic style towards the end of his orchestral work Roma Amor. Parts available: SOS05301
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Dance Of The Reed Flûtes (TCHAIKOVSKI PIOTR ILITCH)
Orchestra
[Sheet music]
Warner Bros.Publications
Arrangeur: Michael Story. Par TCHAIKOVSKI PIOTR ILITCH. Edité par George Megaw....
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Arrangeur: Michael Story. Par TCHAIKOVSKI PIOTR ILITCH. Edité par George Megaw. Arrangé par l'histoire de Michael. Chef d'orchestre partie - de ballet classique de Tchaïkovski, casse-noisette, cet air de fête intemporelle est inscrit pour compter les chaînes. Une danse de proportions monumentales qui sera une joie de répétition ainsi que des performances. (01:45)/ Répertoire / Orchestre
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Ronan Hardiman: Music from The Lord of the Dance: Orchestra: Score
Orchestra
Hal Leonard
Michael Flatley's dazzling dance and music extravanganza is certainly an enterta...
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Michael Flatley's dazzling dance and music extravanganza is certainly an entertainment icon of stage shows mixing Irish/Celtic dance music and spectacular theatrics. Larry Moore's popular arrangement features several of the great moments from the top-selling CD and video.
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Greensleeves: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Hal Leonard
Expert Level (correlates with Book 2 p. 30) Veteran arranger Michael Sweeney br...
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Expert Level (correlates with Book 2 p. 30) Veteran arranger Michael Sweeney brings us this well-scored new arrangement of the beloved English carol and folk tune specifically designed for younger players for holiday use or most any program throughout the year.
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Around the World in 80 Days: Orchestra: Score
Orchestra
Southern Music Ltd
Jules Vern's popular 1873 adventure novel Around the World in Eighty Days has ...
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Jules Vern's popular 1873 adventure novel Around the World in Eighty Days has inspired countless readers as well as two motion pictures. The first of these produced by Michael Todd and released in 1956 featured a score by Victor Young that would earn him his sole Oscar Award (awarded posthumously in 1957) for best motion picture score. This arrangement for concert band by Alfred Reed captures the magical essense of Young's original score. Reed's singular talent for band writing would lead to engagements as staff composer for NBC and ABC television from 1948-1953.
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George Benjamin: Sudden Time: Orchestra: Score
Orchestra
Faber Music Limited
Michael White writing in the Independent On Sunday newspaper says '. . .perhaps...
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Michael White writing in the Independent On Sunday newspaper says '. . .perhaps the most impressive motivated handling of orchestral forces in an output which has always demonstrated an extraordinary control of large forms. And the most telling of its time-tricks is that it compacts such a fecundity of ideas into a duration that you are astonished to discover barely exceeds 15 minutes. It feels twice as long; and I don't say that as criticism. Merely as a tribute to the substance depth and technical accomplishment of an outstanding score'.The Independent on Sunday 25th July 1993
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Victor Young: Around the World in 80 Days: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Southern Music Ltd
Jules Vern's popular 1873 adventure novel Around the World in Eighty Days has ...
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Jules Vern's popular 1873 adventure novel Around the World in Eighty Days has inspired countless readers as well as two motion pictures. The first of these produced by Michael Todd and released in 1956 featured a score by Victor Young that would earn him his sole Oscar Award (awarded posthumously in 1957) for best motion picture score. This arrangement for concert band by Alfred Reed captures the magical essense of Young's original score. Reed's singular talent for band writing would lead to engagements as staff composer for NBC and ABC television from 1948-1953.
79.99 GBP - Sold by Musicroom UK
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Alexander Porfiryevich Borodin: Sonata in B Minor: Orchestra: Instrumental Work
Orchestra
Simrock
Borodin's Sonata in B Minor (h-Moll) for Cello and Piano. Edited by Michael Gol...
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Borodin's Sonata in B Minor (h-Moll) for Cello and Piano. Edited by Michael Goldstein.
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Ronan Hardiman: Music from The Lord of the Dance: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Hal Leonard
Michael Flatley's dazzling dance and music extravanganza is certainly an enterta...
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Michael Flatley's dazzling dance and music extravanganza is certainly an entertainment icon of stage shows mixing Irish/Celtic dance music and spectacular theatrics. Larry Moore's popular arrangement features several of thegreat moments from the top-selling CD and video.
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Sicilianischer Jahrgang (TELEMANN GEORG PHILIPP)
Orchestra
[Sheet music]
Barenreiter
Zwölf Kirchenmusiken Vom 7. Bis Zum 18. Sonntag Nach Trinitatis Und Michaelis. ...
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Zwölf Kirchenmusiken Vom 7. Bis Zum 18. Sonntag Nach Trinitatis Und Michaelis. Par TELEMANN GEORG PHILIPP. Following the principles of the edition, the volume contains a segment of 12 contiguous pieces of church music from a single cycle. They are excerpted from the so-called 'Sicilian Cycle” and consist of the compositions for the 7th - 18th Sundays after Trinity (except the 11th Sunday), the music for which is no longer extant) plus the feast of Michaelmas. The pieces in the cycle reveal elements attributed to the music of southern Italy, which occur in at least one movement of each work. Among these elements are pastoral instrumentation, with oboes and occasionally recorders, and the melodious writing of the arias, all embedded in a translucent texture. The cycle was written for the ducal court in Eisenach, where Telemann was titular chapel-master. It cannot be precisely dated, but the period of composition can be narrowed down between 1717 and 1721. The underlying words, printed as an annual cycle in 1720, stem from the singer, instrumentalist and later Eisenach court secretary Johann Friedrich Helbig. A Foreword and Critical Commentary provide information on the genesis, sources and reception of this very widely disseminated cycle. Also included are facsimiles from the musical and textual sources and an edition of the underlying texts./ Répertoire / Orchestre
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Symphony #3 (Pastoral) (Score) (VAUGHAN WILLIAMS RALPH)
Orchestra
[Sheet music]
Faber Music Limited
Par VAUGHAN WILLIAMS RALPH. A heartfelt and subtly beautiful tribute to the dead...
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Par VAUGHAN WILLIAMS RALPH. A heartfelt and subtly beautiful tribute to the dead of the First World War, Vaughan Williams' Third Symphony is amongst his most powerful works. Misunderstood at its premiere in 1922, the haunting 35-minute elegy is almost entirely quiet and contemplative, though beneath its tranquillity lies a deep sadness. In the second movement a lone trumpet calls over a bleak and desolate landscape whilst the fourth and final movement is framed by a wordless lament for solo soprano. Faber Music publishes this long-awaited hardback critical edition. 'His greatest and most original symphony'. Michael Kennedy/ Répertoire / Orchestre
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Sérénade #1 En Ré Majeur Op. 11
Orchestra
[Score]
G. Henle
D'une durée de plus de quarante minutes et composée en 1858-59 pour une grande...
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D'une durée de plus de quarante minutes et composée en 1858-59 pour une grande formation comprenant cors, trompettes et timbales, la Sérénade en Ré majeur de Johannes Brahms caresse le genre de la symphonie. Pourtant l'opus 11 de ce compositeur alors en plein essor avait tout d'abord commencé par quatre mouvements pour 'petit orchestre', avant de prendre la forme de la 'Sinfonie-Serenade' que nous connaissons aujourd'hui. Notre Studien-Edition offre non seulement la partition critique de l'édition complète des oeuvres de Brahms, mais également une préface détaillée, dans laquelle l'éditeur Michael Musgrave commente la genèse compliquée de cette première grande oeuvre pour orchestre de Johannes Brahms. / Piano 4 Mains
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Antonio Vivaldi: Dixit Dominus. Salmo 109 RV 595: Mixed Choir
Orchestra
[Score]
Ricordi
Edizione Critica A Cura Di Michael Talbot
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Debussy, Claude : 3 Nocturnes
Orchestra
[Study Score / Miniature]
Schott
Préface : Michael Stegemann / Partition /
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Norwegian Dance N.2 (GRIEG EDVARD)
Orchestra
[Sheet music]
Warner Bros.Publications
Arranged By Michael Story (Ascap).. Par GRIEG EDVARD. WBBFOM04010C/ Répertoire ...
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Arranged By Michael Story (Ascap).. Par GRIEG EDVARD. WBBFOM04010C/ Répertoire / Orchestre
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Brahms, Johannes : The Symphonies - 4 Volumes in a Slipcase
Orchestra
[Study Score / Miniature]
G. Henle
Johannes Brahms n?aborda le genre de la symphonie que sur le tard et avec de nom...
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Johannes Brahms n?aborda le genre de la symphonie que sur le tard et avec de nombreux scrupules.
Après avoir retravaillé et finalement rejeté de nombreux essais de jeunesse, il se présenta au public comme symphoniste seulement en novembre 1876 avec son opus 68.
Trois symphonies suivirent ensuite en l?espace d?une petite décennie. Ces quatre ?uvres figurent aujourd?hui au répertoire de toutes les grandes phalanges symphoniques ? et elles viennent jalonner la progression de l?édition complète des ?uvres de Brahms commencée à Kiel en 1996 par la publication de la 1re Symphonie.
Les spécialistes renommés de Brahms Robert Pascall et Michael Struck ont entretemps publié les quatre ?uvres dans l?édition intégrale.
Nous profitons de l?occasion pour réunir les symphonies de Brahms dans un coffret à un prix tout à fait abordable: De la recherche scientifique du plus haut niveau en quatre partitions d?étude tout à fait maniables. / [Les Symphonies - 4 Volumes réunis dans un coffret] / Classique / Partition de poche / Cartonné / Plats de carton /
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Ophelias Schattentheater
Orchestra
Schott
Ce récit est sur ??le sort de Miss Ophélia qui, avec une grande ambition, tent...
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Ce récit est sur ??le sort de Miss Ophélia qui, avec une grande ambition, tente de faire une carrière d'actrice, mais seulement parvient à devenir un souffleur à cause de sa petite voix. Michael Ende raconte une histoire à propos de la prise de congé-le du monde du théâtre, sur les ombres perdues, sur la mort prochaine d'Ophélie et de la transformation de son théâtre d'ombres dans une scène de lumière. / Orchestre
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Michael Ching Michael Ching: Buoso's Ghost: Orchestra: Score
Orchestra
ECS Publishing
Buoso's Ghost
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Michael Horvit: Concerto For Brass And Orchestra: Orchestra: Score
Orchestra
Southern Music Ltd
Concerto For Brass And Orchestra
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Michael Lankester: A Pocket-Sized Guide to The Orchestra: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
Part 1 from The Time Machine-For Young Audiences. Introduces the instruments of ...
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Part 1 from The Time Machine-For Young Audiences. Introduces the instruments of the orchestra to the audience one by one.
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Michael Schelle: The Big Night: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
for Large Orchestra
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Michael Daugherty: Red Cape Tango: Orchestra: Score
Orchestra
Peermusic Classical
(1993)Since its premiere by the Baltimore Symphony in 1994 at Carnegie Hall the...
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(1993)Since its premiere by the Baltimore Symphony in 1994 at Carnegie Hall the GRAMMY®-winning Metropolis Symphony has entered the orchestral repertoire and been performed by orchestras all over the world.Metropolis Symphony is a five-movement musical response to the world of Superman; Red Cape Tango Daugherty's final work based on the Superman mythology is set after Superman's fight to the death withDoomsday. The principal melody (first heard in the bassoon) is derived from the medieval Latin death chant Dies Irae. This dance of death is conceived as a tango presented at times like a concertino comprising stringquintet brass trio bassoon chimes and castanets. The orchestra alternates between legato and staccato sections to suggest a musical bullfight.
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