The ten works in Eric H Thiman's A Collection of Organ Music include Trumpet Tune and Air A Simple Air Chorale Intermezzo March for a Pageant A Country Tune A Christmas Pastorale On an Irish Air Elegia and Sortie. Many of the pieces fall within the abilities of moderately accomplished musicians.Eric Thiman was a 20th century composer teacher and Organist who was also an advocate of amateur music-making. He was a prolific composer of church music and Piano and Organ works and his craftsmanship and gift for melody were much admired. He was director of music at the City Temple in London. As an educator he was a professor at the Royal Academy of Music and he wrote manybooks on harmony counterpoint and musical form.

The Four Quiet Voluntaries include an aubade in waltz time a ¾ Chorale a cavatina and a piece on a poem by Thomas Campion ‘Never weather-beaten sail’. They fall within the abilities of moderately accomplished musicians.Eric Thiman was a 20th century composer teacher and Organist who was also an advocate of amateur music-making. He was a prolific composer of church music and Piano and Organ works and his craftsmanship and gift for melody were much admired. He was director of music at the City Temple in London. As an educator he was a professor at the Royal Academy of Music and he wrote many books on harmony counterpoint and musical form.

Eric Thiman was a 20th century composer teacher and Organist who was also an advocate of amateur music-making. He was a prolific composer of church music and Piano and Organ works and his craftsmanship and gift for melody were much admired. He was director of music at the City Temple in London. As an educator he was a professor at the Royal Academy of Music and he wrote many books on harmony counterpoint and musical form.

Melody (Melodi) for Organ solo was composed by Carl Nielsen in 1929. The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12      

The composer wrote of this work ‘Although purely abstract in design the work attempts to give musical expression to the individual’s struggle fo belief in the miracle of the resurrection…The form of the piece could be described as continuous variation.’Composer and pianist Kenneth Leighton is one of Britian’s most distinguished post-War composers whose works for Piano and Organ in particular manifest his intellectual rigour and Romanticism with virtuosic solo writing.

The Oxford Book of Organ Music by Women Composers presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works. The music is stylistically varied and encompasses secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument. ? 42 pieces for manuals and pedals, in a variety of musical forms, suitable for use at church services or as recital repertoire ? Original music for the instrument, spanning the sixteenth century to the present day, including compositions by Amy Beach, Clementine de Bourges, Nadia Boulanger, Jeanne Demessieux, Cecilia McDowall, Clara Schumann, and Ethyl Smyth, plus commissions from Kristina Arakelyan, Miriam Carpinetti, Ghislaine Reece-Trapp, Isabelle Ryder, Amy Summers, and Rebecca Groom te Velde ? Standalone miniatures, movements from organ sonatas and symphonies, transcriptions of piano, harpsichord, and flute pieces, and an orchestral opera overture ? A variety of difficulty levels, from ABRSM Grades 2-3 through to Diploma standard, with a graded index provided

Répertoire classique reste l'un des aspects les plus importants de la plupart des services religieux, des monuments et des mariages. Cette édition de l'organiste Sunday Morning caractéristiques uniques sélections classiques pour orgue et piano. Neuf accords Masterful disposent d'un large éventail de styles pour répondre aux besoins de performance. Services plus modernes peuvent tirer parti de 'Clair de lune' (arr. Reddick), tandis que 'Sheep May Safely Graze' (arr. Biggs) propose son traditionnel religieux qui a transcendé les époques. Duos d'orgue et piano classiques sont l'outil parfait pour aider votre congrégation à réfléchir et à adorer. / Orgue Et Piano

Instrument : organ Nombre de Pages : 62 This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo. The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especialle the fugue. The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing). The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach. Content : Grundlagen des Pedalspiels - T.L. da Vittoria: Bicinium: Bonum erat - A. Zoilo: Bicinium: Quare fremuerunt - Melius illi - W. Dietrich: Übung in e-Moll - G.P. Telemann: Largo - J.K.F. Fischer: Übung d-Moll - G.P. Telemann: Kanon - J. Pachelbel: Magnificat peregrini toni Meine Seele erhebt den Herrn - T.L. da Vittoria: Accedentes principes - J.K.F. Fischer: Übung in g-Moll - W. Dietrich: Pedalübung - S. Scheidt: Vater unser im Himmelreich VI. Versus Choralis in Basi - H.L. Haßler: Crucifixus - J.K.F. Fischer: Praeludium D-Dur - J. Pachelbel: Übung in a-Moll - W. Dietrich: Übung in As-Dur - R. Schwarz-Schilling: Kanon a 2 - Kanon a 3 - G. Aichinger: Stabat mater - J. Pachelbel: Durch Adams Fall ist ganz verderbt - J.K.F. Fischer: Praeludium fis-Moll - H.L. Haßler: Benedictus - J. Pachelbel: Was mein Gott will, das gescheh' allzeit - T.L.da Vittoria: Exclamans Jesus - S.Scheidt: Warum betrübst du dich, mein Herz IX. Versus. Choralis in Basso - D. Zipoli: Pastorale - J. Pachelbel: Vom Himmel hoch - J.S. Bach: Pedal-Exercitium - J.K.F. Fischer: Fuga g-Moll - J. Pachelbel: Komm, Gott Schöpfer, heiliger Geist - J.K.F. Fischer: Praeludium und Fuga cis-Moll - W. Dietrich: Pedalsolo - Übungen für mehrstimmiges Spiel in einer Hand: J.K.F. Fischer: Praeludium und Fuga e-Moll - H.L. Haßler: Da Jesus an dem Kreuze stund - M. Praetorius: Es ist ein Ros entsprungen - S. Scheidt: Vom Himmel hoch - M. Praetorius: Nun bitten wir den heiligen Geist - B. Resinarius: Nun bitten wir den heiligen Geist - S. Scheidt: Psalmus: Da Jesus an dem Kreuze stund - J.K.F. Fischer: Praeludium und Fuga h-Moll - J.S. Bach: Vom Himmel hoch - O Welt ich muß dich lassen - Herzlich tut mich verlangen - D. Buxtehude: Ach Herr, ich armen Sünder - J.S. Bach: Trio c-Moll - W. Dietrich: Pedalsolo/Trillerübung - J.S. Bach: Allein Gott in der Höh' sei Ehr' - J.K.F. Fischer: Praeludium und Fuga e-Moll - J.L. Krebs: Trio für 2 Manuale und Pedal

John Ireland's Cavatina was originally written for Violin and Piano however was later transcribed by the composer for his favourite instrument - the Organ.

from the Opera 'Tannhauser'-During his time in Weimar (1848 1861) Liszt developed a then entirely new organ style which stands out for both orchestral and pianistic elements. Together with the choirmaster Alexander Wilhelm Gottschalg (1827 1908) from Tiefurt he regularly initiated so-called 'organ conferences'. And it was at the suggestion of Gottschalg that the present arrangement of the Pilgrim's Choir from the opera 'Tannhäuser' was written. With his version for organ Liszt by means of this example laid the foundations for the (not always undisputed) tradition extending to the present day of organ transcriptions from the operas of Wagner. 'Organistic' elements in the Pilgrims' Choir are theclassical chorale theme the solemn 'sacred' atmosphere of the solemn tempo as well as the expressive cantability. The linear intensification from the antiphonal-organ-like piano dolce of the beginning to the 'full organ' can be realized in a convincing manner with an orchestrally conceived three-manual organ with the sensitive use of the swell box and the successive seamless build-up of the crescendo pedal being of particular significance. Important repertoire piece marking the 200th birthday of Richard Wagner in 2013.

Arranged by John Norris.Adagio un poco mosso (Piano Concerto No. 5) (Beethoven)Minuet (Quintet) (Boccherini)Flower Duet (Lakme) (Delibes)Zadok the Priest (Coronation Anthem No. 1) (Handel)Rondo (Trumpet Concerto) (Haydn)Porgi amor (The Marriage of Figaro) (Mozart)Waltz (Serenade for Strings) (Tchaikovsky)Spring (The Four Seasons) (Vivaldi)

Par THIMAN ERIC H.. Thiman wrote: 'The pieces in these volumes are intended for student who, having already acquired an adequate keyboard technique for the piano, need material to give practice in phrasing, registration and expression at the organ. With this in mind the pedal parts have been kept very simple.' / Date parution : 2022-04-01/ Recueil / Orgue

Variations for Piano Op.27 arranged for OrganIt may come as a surprise to learn that Anton Webern?s delicate refined and intimate music can be transferred to the organ. Xavier Darasse (1934-1992) a pupil of Duruflé and Messiaen has produced an organ adaptation of the famous three-movement Piano Variations Op.27 (1936) a groundbreaking composition in serial music. His arrangement is accompanied by judicious registration marks and division of the manuals. The result is fully convincing making this late work with its chamber-like atmosphere attractive to organists.Darasse?s adaptation is now presented to the public for the first time. His pupil BernhardHaas an organ professor in Munich has prefixed his teacher?s manuscript with a foreword containing important suggestions regarding the work?s performance.A première publicationPerformance suggestions from Bernhard Haas