SKU: BA.BA05858
ISBN 9790006497973. 33 x 27 cm inches. Language: German. Preface: Ute Poetzsch.
Continuo-Aussetzung von Andreas Kohs.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA10506-01
ISBN 9790006552009. 33 x 26 cm inches. Text Language: Italian. Text: Sterbini, Cesare.
Barenreiter's publication of a new volume of theWorks of Gioachino Rossini, in collaboration with the Center for Italian Opera Studies at the University of Chicago, makes available an edition of the operaIl barbiere di Sivigliawhich meets modern demands. The editors have recently identified numerous carelessly edited places in the last critical edition by referring to additional sources. The greatest changes relate to the overture; for the new edition, no fewer than twenty different autograph manuscripts have been consulted. A detailed appendix containing alternative vocal parts, advice on ornamentation and compositions by Rossini significant in the performance history of the opera complete the volume. A 420-page Critical Commentary is published separately. With this, a critical edition is now available to interpreters, enabling them to perform Rossini's ,,Barber of Sevillewith the greatest possible confidence in the accuracy of the musical material. The performance material is available on hire, and a vocal score will be published at the end of 2009. Through 1829 Rossini was an extraordinarily prolific composer of operas, comic, serious, and semiserious, in Italian and French, as well as of a great deal of vocal and instrumental music. He composed sacred music, vocal treatises, cantatas. Then, for many different reasons, he wrote very little music for more than twentyfive years, if we except some songs and the ' Stabat Mater' . Only after he left Italy definitively for Paris in 1855 did he find his voice again. Between 1857 and 1868 a fresh group of masterpieces issued from his pen, the so-called ' Peches de vieillesse' (Sins of Old Age), including chamber music, songs, and the 'Petite Messe Solennelle'. Philip Gossett, General Editor of Works of Gioachino Rossini, is the Robert W. Reneker Distinguished Service Professor at The University of Chicago and a professordi chiara famaat the University of RomeLa Sapienza. He is also general editor of The Works of Giuseppe Verdi. Barenreiter in cooperation with the Center for Italian Opera Studies at The University of Chicago will publish ten volumes in the series Works of Gioachino Rossini, in critical editions, during the period 2007-2011. These are all volumes that were not issued in theEdizione critica delle opere di Gioachino Rossini.
SKU: BA.BA05854
ISBN 9790006497935. 33 x 25.9 cm inches. Text: Müller, Johann Samuel.
SKU: BA.BA08862-90
ISBN 9790006558223. 27 x 19 cm inches. Text Language: French. Preface: Kocevar, Ã?rik. Text: Charles Colle.
The heroic pastoral Daphnis et Egle was performed only once, on 29 October 1753, for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today.This edition is based on Rameau's autograph manuscript, a copy of the separate parts, and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau, whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version--which is actually more complete in its musical form, in particular with its overture and two ariettas--but also reconstructs the original state of the final divertissement (presented in the appendix) before it was revised.
SKU: CA.3913719
ISBN 9790007133115. Language: German.
The cantata cycle Die Tageszeiten, which was composed in Hamburg in 1757, is one of the outstanding late works of Georg Philipp Telemann. A Symphonie and four cantatas (each of which consists of an aria, accompagnato, aria, and chorus) portray, in a richly sensitive manner, the course of a day, beginning with the awakening of nature to the sunset. The poetry of Friedrich Wilhelm Zachariae and Telemann's music herald the beauty of nature, as well as the greatness of God revealed within it. Colorful instrumentation and pictures in sound corresponding to each time of the day, delicate compositional structure, and an ingenious realization of the text characterize this work, whose musical idiom is at times reminiscent of Haydn. Score and parts available separately - see item CA.3913700.
SKU: CA.3913718
ISBN 9790007216122. Language: German.
The cantata cycle Die Tageszeiten, which was composed in Hamburg in 1757, is one of the outstanding late works of Georg Philipp Telemann. A Symphonie and four cantatas (each of which consists of an aria, accompagnato, aria, and chorus) portray, in a richly sensitive manner, the course of a day, beginning with the awakening of nature to the sunset. The poetry of Friedrich Wilhelm Zachariae and Telemann's music herald the beauty of nature, as well as the greatness of God revealed within it. Colorful instrumentation and pictures in sound corresponding to each time of the day, delicate compositional structure, and an ingenious realization of the text characterize this work, whose musical idiom is at times reminiscent of Haydn. Score and part available separately - see item CA.3913700.
SKU: CA.3913709
ISBN 9790007216078. Language: German.
SKU: CA.3913707
ISBN 9790007135652. Language: German.
The cantata cycle Die Tageszeiten, which was composed in Hamburg in 1757, is one of the outstanding late works of Georg Philipp Telemann. A Symphonie and four cantatas (each of which consists of an aria, accompagnato, aria, and chorus) portray, in a richly sensitive manner, the course of a day, beginning with the awakening of nature to the sunset. The poetry of Friedrich Wilhelm Zachariae and Telemann's music herald the beauty of nature, as well as the greatness of God revealed within it. Colorful instrumentation and pictures in sound corresponding to each time of the day, delicate compositional structure, and an ingenious realization of the text characterize this work, whose musical idiom is at times reminiscent of Haydn. Score available separately - see item CA.3913700.
SKU: CA.3913705
ISBN 9790007129187. Language: German.
SKU: LM.JJ20288
ISBN 9790230820288.
SKU: LM.JJ10289
ISBN 9790230810289.
SKU: CA.3113309
ISBN 9790007207977. Language: German.
The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and parts available separately - see item CA.3113300.
SKU: CA.3113319
ISBN 9790007141127. Language: German.
SKU: CA.3113349
ISBN 9790007207984. Language: German.
The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures. Score and part available separately - see item CA.3113300.
SKU: CA.3113300
ISBN 9790007097486. Language: German.
The cantata Ich freue mich in dir was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett (Zink), which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word Getrost! (safely). The oboes d'amore which accompany the alto lend the movement a special color. In the second aria (for soprano), Bach again shows himself to be the master of text interpretation. The words Wie lieblich klingt es in den Ohren are emphasized in an exchange between open strings and sixteenth note figures.
SKU: CA.3912419
ISBN 9790007139322. Key: D major. Language: German/English.
This nine-movement psalm composition allows all the participants to shine, in some cases with rich virtuosity: the string ensemble in the opening Sonata; the solo singers and choir in the chaconne-like first vocal movement, Singet dem Herrn; also the solo singers in two duets (alto + tenor, soprano + alto), an alto solo and an extensive bass solo; the choir in two further movements - a fugue on the 6th verse of the psalm Es stehet herrlich und prachtig fur ihm and the concluding movement in two sections, Betet an den Herrn, which ends with a brilliant fugue on Es furchte ihn alle Welt. This is a festive sacred work suitable for many occasions (including weekday Epiphany psalm services and for services on the 4th Sunday after Easter). The present edition presents the source material in revides form, transcribed into current editorial and performance usage. Score and parts available separately - see item CA.3912400.
SKU: CA.3912414
ISBN 9790007055813. Key: D major. Language: German/English.
This nine-movement psalm composition allows all the participants to shine, in some cases with rich virtuosity: the string ensemble in the opening Sonata; the solo singers and choir in the chaconne-like first vocal movement, Singet dem Herrn; also the solo singers in two duets (alto + tenor, soprano + alto), an alto solo and an extensive bass solo; the choir in two further movements - a fugue on the 6th verse of the psalm Es stehet herrlich und prachtig fur ihm and the concluding movement in two sections, Betet an den Herrn, which ends with a brilliant fugue on Es furchte ihn alle Welt. This is a festive sacred work suitable for many occasions (including weekday Epiphany psalm services and for services on the 4th Sunday after Easter). The present edition presents the source material in revides form, transcribed into current editorial and performance usage. Score and part available separately - see item CA.3912400.
