Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this 'Mass in C': in the Agnus Dei ('Dona nobis pacem') he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its catchy themes and in its relatively straigthforward musical structure. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Spaur-Messe. Par MOZART WOLFGANG AMADEUS. Tonalité : C-Dur - Blumenthaler, Volker (Arr. ) - KV 258/ Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Orgelsolomesse. Par MOZART WOLFGANG AMADEUS. Der Beiname dieser Messe verdankt sich der eigenständig-solistischen Präsenz des Orgelinstruments während des 'Benedictus'-Abschnittes. Damit steht KV 259 in einer bis in die 1730er Jahre zurückreichende Tradition, die sich durch Komponistennamen vor allem aus dem Wiener Raum, wie Georg Reuter, Joseph Haydn, Karl Ditters von Dittersdorf oder Johann Baptist Vanhal belegen lässt. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this 'Mass in C': in the Agnus Dei ('Dona nobis pacem') he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its catchy themes and in its relatively straigthforward musical structure. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Missa aulica. Par BRIXI FRANTISEK XAVER. Brixi came from a widespread family of Bohemian musicians which included composers whose works were well known among rural communities. The present edition of this short mass [known as the “Missa aulica”], which is published here for the first time, is a typical example of this type of music: scored for a small ensemble, which makes only modest demands of the soloists – melodious, popular, playful. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Orgelsolomesse. Par MOZART WOLFGANG AMADEUS. Tonalité : C-Dur - Blumenthaler, Volker (Arr. ) - KV 259/ Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Spatzenmesse. Par MOZART WOLFGANG AMADEUS. Tonalité : C-Dur - KV 220 (196b)/ Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Orgelsolomesse. Par MOZART WOLFGANG AMADEUS. Der Beiname dieser Messe verdankt sich der eigenständig-solistischen Präsenz des Orgelinstruments während des 'Benedictus'-Abschnittes. Damit steht KV 259 in einer bis in die 1730er Jahre zurückreichende Tradition, die sich durch Komponistennamen vor allem aus dem Wiener Raum, wie Georg Reuter, Joseph Haydn, Karl Ditters von Dittersdorf oder Johann Baptist Vanhal belegen lässt. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Offertorium zum Pfingstsonntag. Par EBERLIN JOHANN ERNST. Offertorium Zum Pfingstsonntag / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this 'Mass in C': in the Agnus Dei ('Dona nobis pacem') he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its catchy themes and in its relatively straigthforward musical structure. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,