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214
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6
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5
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34
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52
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9
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4
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38
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1
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4
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7
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33
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2
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1
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1
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3
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7
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17
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2
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8
2 Violins (duet)
45
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2
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1
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3
4 Cellos
1
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1
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1
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109
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2
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17
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1
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120
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1
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114
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1
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1
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2
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2
Double Bass
47
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1
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7
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1
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5
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1
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1
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49
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4
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2
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4
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3
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20
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54
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229
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1
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1
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3
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2
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4
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5
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45
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6
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3
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2
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17
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305
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278
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1
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55
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9
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1
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1
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9
Violin, Viola and Orchestra
1
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1
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14
Voice, String Quartet
1
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1
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2
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1
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84
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1
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1
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1
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5
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12
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1
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2
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4
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1
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2
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9
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2
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17
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114
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2
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11
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4
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1
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2
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2
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5
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8
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5
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21
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3
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759
Orchestra, Violin
31
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1
Piano and Orchestra
45
Pocket, Study conductor
100
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1
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29
Soprano voice, Orchestra
16
String Orchestra
54
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1
Symphonic Band
1
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1
Viola and orchestra
6
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1
Voice and Orchestra
71
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Giuseppe Verdi: Cantolopera: Verdi - 22 Arie per Tenore: Opera
Tenor voice, Piano
[Sheet music + CD]
Ricordi
Piano Vocal Score and 2 CDs with instrumental and vocal versions-A new collectio...
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Piano Vocal Score and 2 CDs with instrumental and vocal versions-A new collection from Ricordi of Verdi arias produced for Verdis bicentenary in a reduced version for soprano voice and piano together with a brief synopsis and the original lyrics in Italian with an English translation. Each Cantolopera book comeswith two CDs with recordings of the orchestral accompaniment played by the compagnia d`Opera Italiana. an ideal collection for singing teachers and students.Arias from: AIDA; UN BALLO IN MASCHERA; LA BATTAGLIA DI LEGNANO; ERNANI; FALSTAFF; LA FORZA DEL DESTINO; I LOMBARDI ALLA PRIMA CROCIATA; LUISA MILLER; MACBETH; I MASNADIERI; MESSA DA REQUIEM; OTELLO; RIGOLETTO; SIMON BOCCANEGRA; LA TRAVIATA; ILTROVATORE as well as the AVE MARIA.
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Sebastian Yradier: The Dove (La Paloma): SSA: Vocal Score
Choral 3-part
SSA
[Vocal Score]
Ricordi London
The Ricordi Collection of Part-Songs
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Giacomo Puccini: Manon Lescaut: Voice
Piano, Voice
Ricordi
Dramma lirico in quattro atti-Manon Lescaut is the fi rst volume of the series ?...
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Dramma lirico in quattro atti-Manon Lescaut is the fi rst volume of the series ?The operas of Giacomo Puccini? - Critical Edition - in collaboration with Archivio storico Ricordi and Fondazione Simonetta Puccini. It makes available the three main versions of the opera thathave survived in various sources: an 1893 version with the original Act I finale the fi rst version of Manon?s Act IV aria and the uncut version of the fi nal duet in Act IV; a ?midcareer? version imagined by Puccini in the fi rst decade of thenew century when he sanctioned the almost complete omission of Manon?s Act IV aria; and fi nally the last version that Puccini lived to approve with Manon?saria restored albeit with a revised literary text. The volume is introduced by a preface to the Puccini Critical Edition an historical introduction a detailed description of the opera?s many sources and a lengthy critical commentary whichdiscusses numerous problematic details in the musical text.
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Giovanni Sgambati: Liriche - Art Songs: Voice
Piano, Voice
Ricordi
Ed. E. Morelli - Per Voce E Pianoforte - For Voice And Piano-Giovanni Sgambati (...
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Ed. E. Morelli - Per Voce E Pianoforte - For Voice And Piano-Giovanni Sgambati (1841-1914) pianist and composer who studied under Franz Liszt is one of the best representatives of Italian instrumental music from the late 1800s / early 1900s.On the occasion of the centenary of his death Ricordi pays homage to Sgambati with the publication of twelve carefully selected pieces illustrating the finest aspects of his works for voice.This edition includes an introduction providing historical and biographical details plus the original lyrics and the corresponding translations into Italian and English.
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Giacomo Puccini: Madame Butterfly: Voice: Vocal Score
Piano, Voice
Ricordi
Testo Cantato In Italiano-Inglese-Full Vocal score of Giacomo Puccini's favourit...
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Testo Cantato In Italiano-Inglese-Full Vocal score of Giacomo Puccini's favourite opera Madame Butterfly. With Italian lyrics and synopsis in Italian English French and German. The definitive version which is reflected in this edition was produced in 1906 at the Opéra Comique in Paris and published by Ricordi the following year. Puccini thus invested considerable effort into the creation of this his favorite opera—and into shaping the fate of theheroine herself a manifestation of the extremes of patient waiting and steadfast love. The music is a complete and masterful expression of the pity and disillusionment that surround the figure of Cio-Cio-San: her absolute butmisguided hope her pathetic pretence in the name of love her miserable demise.
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Christoph Willibald Gluck: What is Life? (Che Farò Senza Euridice): SSA: Vocal
Choral 3-part
SSA
Ricordi London
The Ricordi Collection of Part-Songs
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Giuseppe Verdi: La Traviata: Voice: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Ricordi
A cura di F. Della Seta - Riduzione per canto e pianoforte-Ricordi the well-kno...
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A cura di F. Della Seta - Riduzione per canto e pianoforte-Ricordi the well-known printer of classical opera presents the works of the great opera composers in its Critical Edition practical series. These revised definitive scores are produced by using all the currently available sources ranging from the original autographs to printed editions in line with strict philological and critical criteria. Each edition has a brief introduction providing the historical context for the opera in question. This series combines the rigour of a critical approach and a practical easy-to-follow editorial lay-out. The hidden sadness and frustration of living as a moral outcast the attempt to simulate innocence infrivolous living and the desperate search for relief from pain and anguish the destruction of all hope in an unrealistic love affair... this is Violetta Valery. Verdi penetrated the tormented sensitivity of her soul as he visualized her in his music transforming her individual fate into a universal representation of human suffering. His compassion for her however met with bigoted censure: the bourgeois public scandalized by the presence of a kept woman as a character on the stage gave the opera an icy reception at its premiere in Venice (Teatro La Fenice 6 March 183). Certainly an inferior cast for the occasion did little to help. Only the following year when La Traviata was revived for another production in Venice (Teatro San Benedetto) did the tale of Violetta manage to overcome this prejudice and win the unconditional esteem it so deserves.
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Luigi Denza: Funiculì Funicolà: SSA: Vocal Score
Choral 3-part
SSA
[Vocal Score]
Ricordi London
The Ricordi Collection of Part-Songs
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Ottorino Respighi: Liriche - Art Songs: High Voice
Piano, Voice
[Sheet music]
Ricordi
All the chamber pieces for voice by Ottorino Respighi published by Casa Ricordi...
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All the chamber pieces for voice by Ottorino Respighi published by Casa Ricordi with a preface by Alberto Cantù and the lyrics in the original language plus the English translation. Cinque Liriche P. 108 Deita silvane E se un giorno tornasse P. 96 Il tramonto La donna del sarcofago (1919) La statua (1919) Quattro Liriche su parole di poeti armeni P. 132
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Vincenzo Bellini: I puritani: Voice
Piano, Voice
Ricordi
Ed. Critica F. Della Seta - Riduzione per canto e pianoforte ? softcover 2 volu...
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Ed. Critica F. Della Seta - Riduzione per canto e pianoforte ? softcover 2 volumi-I Puritani is the last work of Vincenzo Bellini: composed in nine months from April 1834 to January 1835 (a gestation unusually long for that time) was performed for the first time in Paris Théâtre Italien 24 January 1835. During this period the dramatic structure suffered radical transformations: initially structured in two acts the work was divided into three acts just before the premiere but on the eve of the first performance and immediately after that theexcessive length of the title imposed the cut of three pieces and other minor sections. Simultaneously with the release for Paris Bellini prepared a version designed for a planned exhibition for Naples at Teatro S. Carlo whose protagonist had to beMaria Malibran and in which the part of Riccardo had to be supported by a tenor. The exhibition did not take place as the score came late in Naples: the Neapolitan version was rediscovered and performed only in the eighties of the twentieth century.The new Critical Edition is based on the autograph on the libretto of the first performance and on four manuscript copies produced in the context of the Théâtre Italien in the first months of life of the work three of which contain autographinterventions (these sources are now kept at the Biblioteca Comunale in Palermo at the Museo Civico Belliniano in Catania at the Archivio Storico Ricordi in Milano and at the Staatsbibliothek zur Preussischer Kulturbesitz in Berlin). This Edition presents for the first time all the music composed by Bellini it restores the sections deleted before or after the first performance in Paris and returns the modified sections of the Naples version; it consists of three-score volumes- introduced by a detailed reconstruction of the historical context - and of a ?Apparati? volume with a description of the Sources and the Critical Commentary to the musical text.
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Gaetano Donizetti: Betly: Voice
Voix et Piano Réduction
Ricordi
Critical Edition-The publications of the vocal score series are based on the cri...
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Critical Edition-The publications of the vocal score series are based on the critical edition of the full scores. The preparation of these vocal scores was realized by the Editorial Staff ofCasa Ricordi.
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Giacomo Puccini: La Bohème: Opera
Opera
Ricordi
Full Score-The premiere of La Bohème took place at the Teatro Regio in Turin ...
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Full Score-The premiere of La Bohème took place at the Teatro Regio in Turin on 1 February 1896. Giuseppe Giacosa and Luigi Illica based their libretto for this opera on Scènes de la vie de Bohème by Henry Murger. It took Puccini only a fewmonths to complete a score brimming with wonderful melodic invention and orchestrational genius. The music is a surprisingly supple and sensitive medium for depicting a variety of emotions that animate the young: reckless living full of stop-gapexpedients erratic feelings and sudden explosions of noble sentiment the driving ambitions of one?s art. Puccini?s musical imagery illuminates the different moments and moods of the story with a delicate yet intense lyrical quality; just as therapid decline and death of Mimì subtle yet invincible remind us of the universal reality that all things must inevitably come to an end.On the cover: ?Al Quartiere Latino? sketch by Riccardo Salvadori as a variation on the sketch by Adolf Hohenstein for the world premiere in Turin of Bohème 1896 © Archivio Storico Ricordi
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Gloria Toplis: The Angel Gabriel: SSA: Vocal Score
Choral 3-part
SSA
[Vocal Score]
Ricordi London
The Ricordi Collection of Part-Songs
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Giacomo Puccini: Madame Butterfly: Opera
Piano, Voice
Ricordi
Testo Cantato In Italiano-Madama Butterfly took wing under turbulent circumstanc...
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Testo Cantato In Italiano-Madama Butterfly took wing under turbulent circumstances. The premiere (Milan Teatro alla Scala 17 February 1904) was a disaster; while a second production only months later (Brescia Teatro Grande 28 May 1904) was instead a resounding success. Inthe intervening period the composer had made considerable changes to the score enough that the result qualifies as a ?second version?. Still other changes were to come however as the opera toured in successive productions. The definitive version which is reflected in this edition was produced in 1906 at the Opéra Comique in Paris and published by Ricordi the following year. Puccini thus invested considerable effort into the creation of his favorite opera ? and into shaping the fate of theheroine herself a manifestation of the extremes of patient waiting and steadfast love. The music is a complete and masterful expression of the pity and disillusionment that surround the figure of Cio-Cio-San: her absolute but misguided hope herpathetic pretence in the name of love her miserable demise.
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Giuseppe Verdi: Rigoletto: Voice
Piano, Voice
Ricordi
A cura di M. Chusid - Riduzione per canto e pianoforte-Ricordi the well-known p...
(+)
A cura di M. Chusid - Riduzione per canto e pianoforte-Ricordi the well-known printer of classical opera presents the works of the great opera composers in its CRITICAL EDITION · PRACTICAL SERIES. These revised definitive scores are produced by using all the currently available sources ranging from theoriginal autographs to printed editions in line with strict philological and critical criteria. Each edition has a brief introduction providing the historical context for the opera in question.This series combines the rigour of a critical approach and a practical easy-to-follow editorial lay-out.
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Gioachino Rossini: Mosè In Egitto (Volume 1 + 2): Voice: Vocal Score
Opera
[Sheet music]
Ricordi
Ed. critica di Charles S. Brauner - Riduzione per canto e pianoforte-Mosè in Eg...
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Ed. critica di Charles S. Brauner - Riduzione per canto e pianoforte-Mosè in Egitto (1818) is the fourth of the nine opere serie that Rossini composed for Naples between 1815 and 1822. As his letters to his mother show Rossini was very proud of this opera considering it an especially fine achievement that might appeal more to posterity than to the audiences of his day. In fact it proved to be one of his most frequently performed opere serie. The present reduction for voice and piano in two volumes derives from the critical edition of the score published by Fondazione Rossini Pesaro in collaboration with Casa Ricordi by Charles S. Brauner: the edition is based mainly on the autograph score now housed in theBibliothèque nationale de France in Paris. This autograph score is complete but it is not completely autograph and many sections have offered some problems for the reconstruction of the text: the recitative in Act I and the Aria Mosè in Act II are not by Rossini the first five recitatives in Act II are not in Rossini’s hand and may or may not be by Rossini also not in Rossini’s hand is the Aria Amaltea although undoubtedly by Rossini because borrowed from his earlier opera Ciro in Babilonia. The Preface and the Critical Commentary offer for the first time some valid tools to reconstruct the entire history of the opera since the first performance in Naples (1818 1819) to the Parisian ones (1822 – 1840). In particular in the appendices are included the original Aria Faraone which composed by Michele Carafa for the first two productions of the opera in Naples in 1818 and 1819 was later replaced by the Aria Faraone Rossini himself composed in 1820 and in Appendix II the new ending of the recitative following Duetto N. 3 which Rossini composed for one of the Parisian performances after 1822.
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Giacomo Puccini: Tosca: Opera: Score
[Score]
Ricordi
Full Score/Partitura-Tosca was first performed in Rome at the Teatro Costanzi ...
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Full Score/Partitura-Tosca was first performed in Rome at the Teatro Costanzi on 14 January 1900. Based on a play by Vincent Sardou the libretto unfolds in an effective rhetoric that is both direct and decidedly dramatic. The characters and the action seem embossedwith touches of polished emotional pliancy reinforced by the orchestration and vocal style of the music. But the music is also responsible for the more subtle indirect psychological shading to this context of basic contrasts. Thus we glimpse theclear outlines of generous self-denial beguiled dreams listlessness fierceness - and death which with no less precision brings all things mercilessly to their end.On the cover: Tosca and Cavaradossi on the rampart of Castel Sant’Angelo; watercolor by Leopoldo Metlicovitz for a series of postcards 1900. Cover illustration property of Casa Ricordi.
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Giuseppe Verdi: Il trovatore: Voice
Piano, Voice
Ricordi
A cura di D. Lawton - Riduzione per canto e pianoforte-Ricordi the well-known p...
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A cura di D. Lawton - Riduzione per canto e pianoforte-Ricordi the well-known printer of classical opera presents the works of the great opera composers in its CRITICAL EDITION · PRACTICAL SERIES. These revised definitive scores are produced by using all the currently available sources ranging from the original autographs to printed editions in line with strict philological and critical criteria. Each edition has a brief introduction providing the historical context for the opera in question. This series combines the rigour of a critical approach and a practical easy-to-follow editorial lay-out.
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Giacomo Puccini: Humming Chorus (Madame Butterfly): Upper Voices: Vocal Score
Choral
[Vocal Score]
Ricordi London
The Ricordi Collection of Part-Songs
3.25 GBP - Sold by Musicroom UK
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Giuseppe Verdi: Messa da Requiem: Voice
Piano, Voice
Ricordi
A cura di David Rosen - Riduzione per canto e pianoforte-Ricordi the well-known...
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A cura di David Rosen - Riduzione per canto e pianoforte-Ricordi the well-known printer of classical opera presents the works of the great opera composers in its CRITICAL EDITION · PRACTICAL SERIES. These revised definitive scores are produced by using all the currently available sources ranging from theoriginal autographs to printed editions in line with strict philological and critical criteria. Each edition has a brief introduction providing the historical context for the opera in question.This series combines the rigour of a critical approach and a practical easy-to-follow editorial lay-out.
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Giuseppe Verdi: Macbeth - Vocal Score: Opera: Vocal Score
Piano, Voice
Ricordi
Soft Cover ed 1960-Verdi's tenth Opera Macbeth had its premiere at the Teatro...
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Soft Cover ed 1960-Verdi's tenth Opera Macbeth had its premiere at the Teatro alla Pergola in Florence on 14 March 1847. That the composer himself had a high opinion of the work is confirmed both by his correspondence and by his dedication of the vocal score to his father-in-law Antonio Barezzi.Seventeen years later long after Macbeth had firmly established itself in the repertoiry of Italian and foreign theatres Verdi agreed to revise the Opera for its first Paris production at the Theatre-Lyrique on 21 April 1865. The revisions were far more extensive than he had initially anticipated but the self-criticism he brought to the processindicated his continuing belief in the viability of the Opera. The Paris premiere of the revised version was not a success and even after the publication of a vocal score of the 1865 Opera many Italian theatres continued to perform the original version. Nevertheless since Verdi considered the revisions definitive Ricordi chose to market the 1865 version which has thereafter always remained in the catalogue.
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Antonio Vivaldi: La fida ninfa RV714: Voice
Voix et Piano Réduction
Ricordi
Based on Critical Edition by Marco Bizzarini - A. Borin-The publications of the ...
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Based on Critical Edition by Marco Bizzarini - A. Borin-The publications of the vocal score series are based on the critical edition of the full scores. The preparation of these vocal scores was realized by the Editorial Staff ofCasa Ricordi.
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Gioachino Rossini: Guillaume Tell: Opera: Vocal Score
Piano, Voice
[Vocal Score]
Ricordi
Vocal Score Based on the Critical Edition-The publications of the vocal score se...
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Vocal Score Based on the Critical Edition-The publications of the vocal score series are based on the critical edition of the full scores. The preparation of these vocal scores was realized by the Editorial Staff ofCasa Ricordi.
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Vincenzo de Meglio: Santa Lucia: SSA: Vocal Score
Choral 3-part
SSA
[Vocal Score]
Ricordi London
The Ricordi Collection of Part-Songs
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Harry T. Burleigh: Nobody Knows The Trouble I've Seen: SATB: Vocal Score
Choral SATB
[Vocal Score]
Ricordi London
The Ricordi Collection of Part-Songs (Original title: Nobody Knows De Trouble .....
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The Ricordi Collection of Part-Songs (Original title: Nobody Knows De Trouble ...)
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Vocalizzi nello stile moderno: Medium Voice
Piano, Voice
Ricordi
16 Vocalizzi Per Voce Media-Gathered in a unique volume all the vocalises previ...
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16 Vocalizzi Per Voce Media-Gathered in a unique volume all the vocalises previously published in two anthologies by Ricordi in the Thirties. - All the 16 vocalises of each volume (low voice medium voice high voice) have been composed by very important composers of theNineteenth century like Alfano Malipiero Respighi Casella Pizzetti. - With piano accompaniment for each vocalise.
12.99 GBP - Sold by Musicroom UK
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Rossini G. - Ermione - Chant, Piano
Piano, Voice
[Sheet music]
Ricordi
Instrument: Voice and piano Publisher: Ricordi
44.99 EUR - Sold by Woodbrass
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Ricordi Opera Anthology
Low voice, Piano
-
Intermediate
Ricordi
Basso | Bass - A cura di | Edited by Ilaria Narici. A selection of 38 arias for ...
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Basso | Bass - A cura di | Edited by Ilaria Narici. A selection of 38 arias for voice and piano with plot synopses and translations in Italian and English. / Niveau : Intermédiaire / Opéra-opérette / Recueil / Basse et Piano
33.60 EUR - Sold by LMI-partitions
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