SKU: CA.1039914

ISBN 9790007191313. Text language: German/English. Text: Holderlin, Friedrich / MacFarren, Natalia. Text: Friedrich Holderlin / Natalia MacFarren.

With the Schicksalslied Brahms created a very personal interpretation on the theme of fate in a timeless piece of music that will not fail to impress in concert hall or church. The new edition is a modern Urtext edition of the score based on current editorial principles. It is based not only on the composer's personal copy of the first edition as the primary source, but also on the engraving manuscript which was long thought to have been lost. Thus the composer's handwritten corrections made in this manuscript could be incorporated in the new edition, as well as a revision in this bilingual edition of the English translation of Friedrich Holderlin's dramatic poem. Score and part available separately - see item CA.1039900.

SKU: CA.1039913

ISBN 9790007191306. Text language: German/English. Text: Holderlin, Friedrich / MacFarren, Natalia. Text: Friedrich Holderlin / Natalia MacFarren.

With the Schicksalslied Brahms created a very personal interpretation on the theme of fate in a timeless piece of music that will not fail to impress in concert hall or church. The new edition is a modern Urtext edition of the score based on current editorial principles. It is based not only on the composer's personal copy of the first edition as the primary source, but also on the engraving manuscript which was long thought to have been lost. Thus the composer's handwritten corrections made in this manuscript could be incorporated in the new edition, as well as a revision in this bilingual edition of the English translation of Friedrich Holderlin's dramatic poem. Score and part available separately - see item CA.1039900.

SKU: CA.1039909

ISBN 9790007191276. Text language: German/English. Text: Holderlin, Friedrich / MacFarren, Natalia. Text: Friedrich Holderlin / Natalia MacFarren.

With the Schicksalslied Brahms created a very personal interpretation on the theme of fate in a timeless piece of music that will not fail to impress in concert hall or church. The new edition is a modern Urtext edition of the score based on current editorial principles. It is based not only on the composer's personal copy of the first edition as the primary source, but also on the engraving manuscript which was long thought to have been lost. Thus the composer's handwritten corrections made in this manuscript could be incorporated in the new edition, as well as a revision in this bilingual edition of the English translation of Friedrich Holderlin's dramatic poem. Score and parts available separately - see item CA.1039900.

SKU: HL.291417

UPC: 888680927219. 5.0x5.0x0.15 inches.

With lyrics by the great Maurice Sendak, music by the great Carole King and arranged by the great Emily Crocker, here is a winner for your young and developing singers. With references to December and January, this is a wonderful selection for a Christmas/Winter concert.

SKU: BA.BA01038

ISBN 9790006407705. Text: Hermann Claudius.

One of the compositional focuses of the German composer and pedagogue Karl Marx is on choral and amateur music. His songs based on the words of Hermann Claudius are among the best known.

This edition brings together the following pieces for solo soprano and piano:
– Kühe: Sie wiegen schwankend sich in schwerem Schreiten
– Der Star: Dasalte Wunder ward wieder wahr: auf unserm Dachfirst flötet der erste Star
– Späte Rose, in dem hohen Glase
– Franziska: Das Heimlichst zwischen dir und mir
– Das zwei sich herzlich lieben, gibt erst der Welt den Sinn
– Ursame Weihnacht: Mann und Weib und Kind. Draußen weht der Wind
– Ein Menschlein ward geboren. Ein Schicksal nimmt den Lauf
– Großstadt-Abend: Wir tragen alle den Tod im Leib
– Der alte Gärtner: Ich habe sie selber gezogen aus einem winzigen Kern
– Auf ein trauriges Mädchen: Dunkel war der Zweig, den du mir brachtest
– An die Sonne: Du liebe Sonne, bescheine mich
– Hauslied bei Regen: Der Regen, der Regen, der lang entbehrte Segen!
– Wie wandelnde Landschaft gehn über die Erde Gesichter der Menschen

SKU: CA.3107307

ISBN 9790007044640. Key: G minor / c minor. Language: German/English.

In 1724, Bach composed the cantata Herr, wie du willt, so schicks mit mir [Lord, as you will, do unto me] BWV 73 for the third Epiphany Sunday. Like in some other cantatas from the first annual cycle, the opening movement contains a part for corno which would in fact have been unplayable on an instrument of that era - probably also a reason why Bach allocated this part to the organ in a repeat performance (both variants can be performed using the Carus edition). The unusual choral movement, interrupted by recitatives, is based quite substantially on a short four-note motive which is introduced by the horn; at the end of the chorus, the choir sings it to the words Herr, wie du willt [Lord, as you will] - an avowal which also quite substantially characterizes other movements of the cantata. Score available separately - see item CA.3107300.

SKU: CA.3107313

ISBN 9790007044688. Key: G minor / c minor. Language: German/English.

In 1724, Bach composed the cantata Herr, wie du willt, so schicks mit mir [Lord, as you will, do unto me] BWV 73 for the third Epiphany Sunday. Like in some other cantatas from the first annual cycle, the opening movement contains a part for corno which would in fact have been unplayable on an instrument of that era - probably also a reason why Bach allocated this part to the organ in a repeat performance (both variants can be performed using the Carus edition). The unusual choral movement, interrupted by recitatives, is based quite substantially on a short four-note motive which is introduced by the horn; at the end of the chorus, the choir sings it to the words Herr, wie du willt [Lord, as you will] - an avowal which also quite substantially characterizes other movements of the cantata. Score and part available separately - see item CA.3107300.

SKU: CA.3107309

ISBN 9790007044657. Key: G minor / c minor. Language: German/English.

In 1724, Bach composed the cantata Herr, wie du willt, so schicks mit mir [Lord, as you will, do unto me] BWV 73 for the third Epiphany Sunday. Like in some other cantatas from the first annual cycle, the opening movement contains a part for corno which would in fact have been unplayable on an instrument of that era - probably also a reason why Bach allocated this part to the organ in a repeat performance (both variants can be performed using the Carus edition). The unusual choral movement, interrupted by recitatives, is based quite substantially on a short four-note motive which is introduced by the horn; at the end of the chorus, the choir sings it to the words Herr, wie du willt [Lord, as you will] - an avowal which also quite substantially characterizes other movements of the cantata. Score and parts available separately - see item CA.3107300.

SKU: CA.3107305

ISBN 9790007044633. Key: G minor / c minor. Language: German/English.

In 1724, Bach composed the cantata Herr, wie du willt, so schicks mit mir [Lord, as you will, do unto me] BWV 73 for the third Epiphany Sunday. Like in some other cantatas from the first annual cycle, the opening movement contains a part for corno which would in fact have been unplayable on an instrument of that era - probably also a reason why Bach allocated this part to the organ in a repeat performance (both variants can be performed using the Carus edition). The unusual choral movement, interrupted by recitatives, is based quite substantially on a short four-note motive which is introduced by the horn; at the end of the chorus, the choir sings it to the words Herr, wie du willt [Lord, as you will] - an avowal which also quite substantially characterizes other movements of the cantata. Score available separately - see item CA.3107300.

SKU: CA.3107314

ISBN 9790007044695. Key: G minor / c minor. Language: German/English.

In 1724, Bach composed the cantata Herr, wie du willt, so schicks mit mir [Lord, as you will, do unto me] BWV 73 for the third Epiphany Sunday. Like in some other cantatas from the first annual cycle, the opening movement contains a part for corno which would in fact have been unplayable on an instrument of that era - probably also a reason why Bach allocated this part to the organ in a repeat performance (both variants can be performed using the Carus edition). The unusual choral movement, interrupted by recitatives, is based quite substantially on a short four-note motive which is introduced by the horn; at the end of the chorus, the choir sings it to the words Herr, wie du willt [Lord, as you will] - an avowal which also quite substantially characterizes other movements of the cantata. Score and part available separately - see item CA.3107300.