La guerre de Sécession, ce grand conflit fratricide qui a joué un rôle décisif dans l'élaboration de notre histoire et notre conscience nationale, il existe n'est plus dans les souvenirs de première main des hommes vivants. Parmi nos souvenirs, cependant, sont ces 48 chansons des guerre civile, les chansons marching agitateur et hymnes patriotiques, les ballades sentimentales allègrement et les comiques ditties, le proposant des chansons et chansons à boire et chansons combats et aimantes chansons des Etats-Unis le plus sanglant et lutte plus importante. Par le biais de ces chansons, un âge qui est passé est porté à la vie, et nous vivons avec les hommes et les femmes qui marchaient y a un siècle de cette terre qui est le nôtre. / Voix

(from Meredith Willson's The Music Man). Meredith Willson's The Music Man is the hottest ticket on Broadway! This arrangement for concert choirs captures all the excitement of the stage and in addition to the classic melodies you can even imitate the sound of the marching band instruments with your singers! Available for SATB SAB and 2-Part. Performance Time: Approx. 3:55.

12 exact transcriptions from the original Irish mega-band in melody line arrangements with occasional chord symbols and chords. Suitable for all C instruments including fiddle penny whistle and flute. Includes: Boil the Breakfast Early · Chase Around the Windmill (Medley) · The Dogs Among the Bushes · Friel's Kitchen · The Job of Journeywork · O'Sullivan's March · Oh! the Breeches Full of Stitches · The Wind That Shakes the Barley/The Reel with Beryl (Medley) · and more.

Per Gli Sponsali Di Teti e Peleo - HWV 73-The main text of this edition of Handel?s wedding serenata ?Parnasso in festa per gli sponsali di Teti e Peleo? (HWV 73) is based on the version used for the work?s first performances in March of 1734. Three appendices retrace the complex history of the work significantly different versions of which were used for revival performances in 1737 1740 and 1741. Included are abandoned and modified parts of the score as well as a documentation of changes made to the characters.Handel composed ?Parnasso in festa? for the wedding of Anne Princess Royal and Prince William of Orange which took place on March 14 1734 in London. As Handel?s contribution to the publicfestivities the serenata was performed the evening before the nuptials at King?s Theatre in the Haymarket. The bridal couple attended the performance.While the Italian text of the serenata was newly set most likely by Giacomo Rossi most of the music was drawn from pieces of Handel?s earlier works among them ?Athalia? from ?Radamisto? (HWV 12a) ?Il trionfo del Tempo e del Disinganno? (HWV 46a) and ?Delirio amoroso? (HWV 99). Newly composed parts are limited to eight vocal pieces the sinfonia at the beginning of part 3 and the beginning of the overture. The available source material reflects the history of the work: There is no autograph composition score while the conducting score reflects a collaboration between Handel and his main copyist John Christopher Smith senior. However composition scores of individual newly composed pieces have been preserved.New edition based on the latest research after thorough examination of all relevant primary and secondary sourcesExtensive editorial Foreword about the work?s conception mythological background transmission reception and a survey of sources (Ger/Eng) with extensive critical report (Eng)Selected musical facsimiles as well as complete facsimile of the printed libretto of 1734Urtext of the Halle Handel EditionFull score (BA10718-01) and vocal score (BA10718-90) available for salePerformance material (BA10718-72) available for hire

Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano

Frank Loesser. Includes 'My Darling My Darling' 'Once In Love With Amy' and 'The New Ashmolean Marching Society And Students Conservatory Band'.

For Baritone and String Quartet.Commissioned by Jo Boosey in memory of her husband Simon.First performance: 17th March 2012 at St. Mary's Church Pembridge Herefordshire by Marcus Farnsworth (Baritone) and the Alberni String Quartet.

Pro Vocal Women's Edition Volume 30-Sing along to eight songs with a professional band the pro vocal series is ideal for those preparing for an audition. The CD contains demos for listening and backing tracks to sing along to. The CD is enhanced to allow computers (Mac or PC) to change the pitch of the recordings without changing the tempo. Perfect for parties song practice and gigs without a backing band. The west end show has won four awards in the Oliver Awards (March 2008) including best musical.

As a lily among thorns was composed as a wedding present for Katie Johnston and John Hillier in March 2004. It was performed at their marriage in Christ Church Cathedral Oxford and later performed publicly by Commotio directed by Matthew Berry. The words are taken from the Song of Songs.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden theirrepertoire and explore some of the best new music around.Thomas Hyde (b.1978) studied at Oxford University where he gained a doctorate in composition in 2008 and the Royal Academy of Music. His teachers have included David Matthews Simon Bainbridge Peter Maxwell Davies and Robert Saxton. In October 2008 he was appointed Lecturer in Music at Worcester College Oxford and since September 2009 has been visiting lecturer in composition at City University London. Prizes include finalist in English National Opera’s young composer festival ‘New Visions New Voices’ (1992) the National School Band Association Prize (1993) and a Wingate Scholarship (2004-5). His music is performed regularly in Britain at festivals including Spitalfields City of London Presteigne Deal and Little Missenden as well as abroad and has been broadcast on BBC Radio 3. Recent works have included a string quartet for the Allegri Quartet and the one-man opera That Man Stephen Ward for the Hampstead & Highgate Festival.

Official theme song for 'Music In Our Schools Month' March 1989. This soprano/alto arrangement would be a great addition to any music library.2. Also sold with voicings of SATB - HMC1021 SAB - HMC10233. Instrumentation Sold As Follows:A. Band HMC1025a B. Orchestra HMC1025bC. Full Score HMC1025fs4. Instrumentation Sold Separately:HMC1025e01 Violin I HMC 025e02 Violin II HMC Viola HMC 1025e04 Cello HMC 1025e05 String Bass HMC 1025e06 Flute HMC 1025e07 Oboe HMC 1025e08 Clarinet I HMC 1025e09 Clarinet II HMC 1025e10 Clarinet III HMC 1025e11 Alto Clarinet HMC 1025e12 Bass Clarinet HMC 1025e13 Bassoon HMC 1025e14 F Horn I HMC 1025e15 F Horn II HMC 1025e16 Trombone I HMC 1025e17 Trombone II HMC 1025e18 Trombone III HMC 1025e19 Alto Saxophone I HMC 1025e20 Alto Saxophone II HMC 1025e21 Tenor Saxophone HMC 1025e22 Baritone SaxophoneHMC 1025e23 Coronet/Trumpet I HMC 1025e24 Coronet/Trumpet II HMC 1025e25 Coronet/Trumpet III HMC 1025e26 Baritone Treble Clef HMC 1025e27 Baritone Bass Clef HMC 1025e28 Basses HMC 1025e29 Timpani HMC 1025e30 Drums HMC 1025e31 Mallets (Bells)

L'essentiel du patrimoine français dans une collection qui couvrira la totalité du siècle. Un sommaire alphabétique et un sommaire par année pour reconstituer l'ambiance de l'époque et interpréter les airs connus ou introuvables. 301 Chansons dans chaque volume. / Variétés / Recueil avec paroles, musique (ligne de chant) et /

Thirty-six songs including 'Danny Boy' 'When Irish Eyes Are Smiling' 'My Wild Irish Rose' and 'The Minstrel Boy'. Edited by Florence Leniston.