SKU: HL.48186207
UPC: 888680829964. 7.0x10.5x0.239 inches.
Rameau Jean Philippe Fuzelier Indes Galantes Satb A Cappella.
SKU: HL.48187592
Rameau Jean La Princesse De Navarre Soprano & Alto Choral Score.
SKU: HL.48186177
Rameau Jean Philippe Lambert In Convertendo Soli & Satbb A Cappella.
SKU: BA.BA08860-01
ISBN 9790006558131. 33.5 x 25.5 cm inches. Text Language: French. Preface: Sylvie Bouissou. Text: Louis Fuzelier.
The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it possible to present a fully coherent and authenticated reading of the work (after the adjustments from the earliest performances). All other versions before and after 1736 are gathered together in 19 complements.Sylvie Bouissou's new edition differs markedly from previous modern editions and all existing recordings. With its complements she does justice to the performer's need for Rameau's various revisions while finally making accessible a version actually authorised by Rameau. For the first time it is presented in its complete stylistic and dramatic context.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.2100805
ISBN 9790007161439. Language: Latin.
The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Being performed in a concert spirituel in 1751, In Convertendo was poorly received; this failure long continued to pursue Rameau. Yet these masterworks are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100800.
SKU: BA.BA08857
ISBN 9790006558209. 33.5 x 25.7 cm inches. Text Language: French. Preface: Sylvie Bouissou. Louis de Cahusac.
The opera “Naïs†was premiered on 22 April 1749 at the Acadmie royale in the Palais-Royal, Paris, in celebration of the signing of the so-called Treaty of Aachen. It was revived again in August 1764 shortly before Rameau’s death and achieved great success as the “opera of peace,†even though it did not appear in print during the composer’s lifetime.In numerous arias Rameau provides his singers ample opportunity to shine, while he reveals his orchestral mastery, in particular in the chaconne and the various other ballets.The work appears here for the first time in a vocal score with a keyboard reduction. The reduction is by François Saint-Yves on the basis of the new critical edition by Pascal Dencheau which is part of Opera Omnia Rameau edited by Sylvie Bouissou.This edition is the result of a meticulous comparison of all known musical sources. In the main section, it presents the version that Rameau approved for the performances of 1749. The appendix contains those passages that the composer cut during the rehearsals in 1749 and all changes that he undertook for the 1764 revival.
SKU: CA.2100605
ISBN 9790007161415. Language: Latin.
The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100600.
SKU: CA.2100705
ISBN 9790007161422. Text language: Latin.
The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100700.
SKU: BA.BA08857-90
ISBN 9790006558193. 27 x 19 cm inches. Text Language: French. Preface: Denecheau, Pascal. Louis de Cahusac.
The opera Nais received its premiere at the Academie Royale in the Palais-Royal, Paris, on 22 April 22 1749 to celebrate the signing of the Treaty of Aix-la-Chapelle. It was revived in August 1764, shortly before Rameau's death and achieved great success as a 'peace opera'. This scholarly-critical edition, published by Pascal Denecheau in theOpera Omnia Rameau, is the fruit of a meticulous comparison of every known musical source. The main body of the edition presents the version pronounced valid by Rameau for the 1749 performances. The appendices contain those passages that he deleted during the 1749 rehearsals and all the changes he made for the new production of 1764. It is here, and especially in the ballets, that Rameau reveals his consummate mastery of the orchestra.
SKU: BA.BA08858
ISBN 9790006523368. 33.5 x 25.5 cm inches. Text Language: French. Preface: Sylvie Bouissou. Louis de Cahusac.
Rameau's “Les Fêtes de l'Hymen et de l'Amour†was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïsâ€, “Zoroastre†and “Les Boradesâ€. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Arurisâ€, a scoring found nowhere else in his uvre.For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour†presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Acadmie Royale de Musique in 1748.
SKU: BA.BA08862
ISBN 9790006558216. 33.7 x 25.8 cm inches. Text Language: French. Preface: Bouissou, Sylvie / Kocevar, Érik. Text: Charles Colle.
The heroic pastoral Daphnis et Egl was performed only once, on 29 October 1753, for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today.This edition is based on Rameau's autograph manuscript, a copy of the separate parts, and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau, whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version—which is actually more complete in its musical form, in particular with its overture and two ariettas—but also reconstructs the original state of the final divertissement (presented in the appendix) before it was revised.
SKU: BA.BA08861-90
ISBN 9790006558186. 27 x 19 cm inches. Text Language: French. Preface: Nathalie Berton-Blivet. Text: Ballot de Sauvot, Sylvain.
Pigmalionwas the first example of a one-act ballet, preceded by an overture, composed specifically for the Academie royale de musique. With this work, Rameau turned to the form of the petit opera. From its very first revival,Pigmalionwas highly successful, and remained so until 1781. The new edition by Nathalie Berton-Blivet is based, for the most part, on the production material used at the Opera from 1748 to 1781 and the performance material realized for the court revival at Fontainebleau in October 1754.This later version, the last one validated by Rameau, is the one reconstituted in this precious OOR volume, including a detailed introduction in French and English, a critical libretto edition, the new score with its critical report and some interesting facsimile pages.
SKU: BA.BA08854
ISBN 9790006527915. 33.7 x 25.8 cm inches. Text Language: French. Preface: Bouissou, Sylvie / Davy-Rigaux, Cécile / Herlin, Denis. Text: Leclerc de La Bruère, Charles-Antoine.
The first version of “Dardanusâ€, which was performed at the end of 1739, was composed apparently in only six months and marks a particularly productive phase in Rameau’s career. In a period of only six years five of his major works were performed at the Acadmie Royale de Musique in Paris.The theme is taken from Greek mythology: The opera describes the war between Teucer (the future founder of Troy), his Phrygian people and the army of Dardanus.
SKU: BA.BA09193
ISBN 9790006561421. 29.8 x 21.2 cm inches. Preface: Bouissou, Sylvie / Dratwicki, Benoît / Dubruque, Julien.
Volume 3 for soprano contains the first half of the large-scale arias and ariettas that Rameau composed for lyric soprano (the 18th-century equivalent of today’s lyric coloratura soprano) in his prologues and divertissements. Each number is accompanied by a keyboard reduction and is introduced by a brief account of the dramatic situation as well as an English translation of the vocal text.
SKU: BA.BA08862-90
ISBN 9790006558223. 27 x 19 cm inches. Text Language: French. Preface: Kocevar, Ã?rik. Text: Charles Colle.
The heroic pastoral Daphnis et Egle was performed only once, on 29 October 1753, for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today.This edition is based on Rameau's autograph manuscript, a copy of the separate parts, and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau, whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version--which is actually more complete in its musical form, in particular with its overture and two ariettas--but also reconstructs the original state of the final divertissement (presented in the appendix) before it was revised.
SKU: TM.01647SET
Entree des 4 Nations, Musette en Rondeau, Rigaudons, Tambourins, Gavotte en Rondeau.
