Cello Play-Along Volume 5-Play eight pop hits whilst accompanied by professional-sounding backing tracks. This volume in the Cello Play-Along series contains everything you need to learn and perform some of the most popular songs from 2009-2014 including Adele's Rolling In The Deep and Katy Perry's Roar. The Cello Play-Along series will help you to play your favourite songs quickly and easily. Just follow the music listen to the online audio to hear how the Violin should sound and then play along using the separate backing tracks. The melody and lyrics are included for each song in case you want to sing along and chord symbols are provided should youwish to elaborate on the melody. The downloadable online audio tracks include Playback+ a feature that allows you to loop passages change the tempo and more. Cello Play-Along Volume 5: Pop Covers features the songs Brave Call Me Maybe Jar of Hearts Roar Rolling in the Deep Stay with Me Thinking Out Loud and Hey Soul Sister.

Cello teachers! Have you given up after searching for suitable easy to follow structured material to teach shifting and those elusive positions which come after leaving the security of the first position? Then look no further! Within the covers of Go Forth (a book which covers fourth position and the process of shifting between 1st. and 4th. positions)your needs for this vital area in your pupil's progress can be met whatever their age. The order of learning the positions and shifting is up to you. There are charts for pupils to fill in and a couple of useful tips to get them thinking!

Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle

Fourteen original imaginative studies for solo cello specially designed to lead on from elementary studies for younger players to the more advanced material of Dotzauer and Popper. Each piece concentrates on one or two aspects of technique and the whole set covers a wide range of left and right hand skills including spicatto bowing string crossing moto perpetuo cantabile and easy double stopping. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating.

This collection of sixteen original imaginative studies for solo cello has been specially designed for young players of Grades 1-3 ability. Throughout the book progressive technical points go hand-in-hand with musical development. The studies cover a variety of keys modes rhythmic patterns and styles including jazz while also encouraging self-expression. The descriptive titles are intended to help the cellist play in a style appropriate to each study. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating.

Learn to play traditional Irish melodies on the cello. The Irish Cello Book covers traditional articulations concepts and practices of Irish music many traditionally for fiddle but here adapted to thecello. It includes technical lessons and a tune book of over 100 traditional Irish melodies. The demonstration and play-along tracks features a traditional Irish ensemble. You will learn to play Irish melodies usingtraditional articulations and performance nuances such as cuts pats rolls and slurs. You'll also learn to recognize distinguishing features of song forms adapt melodies to the cell play in a traditional Irish ensemble andmuch more.

Three vamp parts are layered on each other in this innovative improvisation collection allowing soloists to join in as they please.Some vamps are simple others more challenging. Improvising becomes accessible with soloing guidelines and tips. 35 different styles are covered including jazz classical hip-hop rock country-western Asian African Celtic Latin Gregorian and more.Each page has sugested notes for soloing so your solo will always fit with the other players. These volumes are available for four instruments ? Violin Viola and Cello/String Bass ? so string players can improvise together.