Charles Wood's Full Fathom Five for SATB choir unaccompanied. This work is a setting of text from The Tempest Act 1 Scene 2 by William Shakespeare. Duration: 2 minutes. A Piano accompaniment is included for rehearsal purposes only.

POD Vocal Score-St. Mark Passion is a work by John Joubert for two Tenor and three Baritone soloists SATB Chorus Solo Cello and Organ. First performed in Wells Cathedral on Palm Sunday 20th March 2016 by Wells Cathedral Choir it was commissioned by 'Cathedral Commissions' of Wells Cathedral. A full performance lasts around 45 minutes and this is the Vocal Score. 'The work lasts about 45 minutes and rather like the St. Mark Passion by Charles Wood uses various pre-existant hymns to fulfill a similar function to the chorales in Bach's Passions. The scoring of solo Cello and Organ is skillfully handled so that the quasi-recitativenarrations feature both instruments to varying degrees the Cello often taking lead balancing the inevitably greater presence of the Organ in the hymns. Joubert's choice of hymns is impeccable (plainsong Bach Gibbons...) ending with 'When I survey the wondrous cross' and the idiom of the freely composed sections is given consistency through use of a gently undulating motif to accompany Christ's words (reminiscent of the opening of Vaughan William's Symphony no.5) and a chromatic motif in agitated sections (which happens to be the same as Shostakovich's DSCH theme). Although considerable demands are made on the instrumentalists and lead soloists the choral writing is rarely difficult and could be tackled by many choirs; I have no doubt that the work would be extremely effective in performance.' - Geoffrey Webber Choir & Organ Magazine

This barbershop-esque setting of Bristol-born author Charlotte Cory's text is for SATB Choir and two Speakers (one male one female). This cheerful work has been recorded by the BBC Singers with speakers Eleanor Bron andThe Archers actor Charles Collingwood.

A setting of a poem by Ursula Wood later to become Ursula Vaughan Williams. The dedication reads 'To the memory of Charles Villiers Stanford and his Blue Bird'.

Written for unaccompanied SATB choir. Words translated from the German by Longfellow.

Written for unaccompanied SATB choir. Words translated from Goethe by Longfellow.

This freshly engraved edition features three staves to the Organ part and a paragraph explaining the historical background and context of the work.