Symphonie-Kantate B-Dur Nr. 2-Mendelssohn's Lobgesang Op. 52 (Symphony No. 2) for SATB and Orchestra.Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements to which 12 choral- and solo- movements are appendaged; the words from the Psalms and indeed all pieces vocal and instrumental are composed in the words ‘Everything which has breath Praise the Lord’; one understands by this that first the instruments give praise in their own way and then the chorus and the individual voices.'

(Novello Tonic Sol-Fa)-Felix Mendelssohn's Hymn Of Praise for mixed choir arranged for Tonic Sol fa.

Uses: Christmas Youth Choir Praise Team Concert Scripture: Luke 2:13-14 Malachi 4:1-2 Psalm 67:4 Charles Wesley wrote this popular text originally called Hymn for Christmas Day and it has gone on to become one of the most recognized exhortations in all of the carol literature. Mendelssohn's tune has never sounded so cool than in this jazzy rendition filled with syncopated rhythms and infused with an urban gospel distinctive. Praise teams and choirs will resonate with this exciting take on a favorite seasonal classic.

From the Cantata 'Hymn Of Praise'. For 2 Soprano Soloists SATB Chorus and Organ.

A familiar Christmas hymn gets an updated treatment with a gospel R&B flair! This hip version of one of the most popular carols of all time - Hark! The Herald Angels Sing - is a wonderful mix of soulful and sophisticated jazzelements. Choirs ensembles and praise teams - don't miss this fantastic arrangement!

Now Thank We All Our God was a hymn first written by the German priest Martin Rinkart in the 1630s. It has been adapted many times over the years most famously by Mendelssohn as a hymn tune. The version here was created as the third movement of Bach's Cantata BWV 79 (The Lord is a Sun and Shield) written for Reformation Day in 1725. It has been arranged for SATB choir with keyboard accompaniment presented here with the popular English text.J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. He spent most of his life working as an organistand choirmaster and wrote many ecclesiastical works.